Over the past half-century, Béla Fleck has exploded the parameters of the banjo, taking his staggering musicality to inspired blends of bluegrass, fusion, folk, jazz, classical, global music and more. In the process he’s won 18 Grammy Awards and rightfully earned a reputation as one of our most brilliant instrumentalists. He brings his latest project – a banjo, drums, and harp trio - to the Concert Hall.
To be sure, the new all-star trio of Béla Fleck, harpist Edmar Castañeda, and drummer Antonio Sánchez features instrumentation that might safely be called uncommon. Unless, of course, you’re already familiar with 18-time Grammy-winner Fleck - the genre-blurring virtuoso who has done more to expand the possibilities of the banjo than any other player in the instrument’s history.
Playing original repertoire, much of it collaboratively written, this trio embarks nightly on fearless explorations that audiences will find irresistible - rich with strong melodies, gorgeous harmony, and grooves that twist and turn, while feeling fantastic.
From his bluegrass beginnings through his otherworldly Flecktones, his duo with Chick Corea, and his reimagining of Rhapsody in Blue, Fleck’s work never fails to surprise. What doesn’t surprise is the impeccable caliber of his collaborators - and this new trio includes two of the most gifted musicians of their generation.
The harpist, Casteñada, hails from Bogotá, Colombia, and has led his own bands in addition to sharing projects with such masters as Hiromi, Paquito D’Rivera, and Grégoire Maret.
5-time Grammy-winner Sánchez grew up in Mexico City and built a reputation as one of the great jazz drummers through his work with guitarist Pat Metheny, while his Golden Globe-nominated drum-set score for Alejandro González Iñárritu’s 2014 film Birdman earned him renown far outside the jazz world.
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