FULL SCREENING DETAILS:
https://bit.ly/4kT7qBy
PROGRAM TICKETS & FESTIVAL PASSES:
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This isn’t what it appears. There is always the camera. Light enacted, spirits summoned, shadows sharpen and twist. Eight works which form a web of monsterful ponderings on indexicality; visual rendering and portraiture; hypnosis and hysteria; and the loves, losses and violences inherent in photography. Haunted evocations of repressed memories both personal and cultural, anonymous and specific.
SCREENING: World Wide Web (2024) by Tori DotNet (US); digital video, color, sound, 6 minutes. I’m Not Your Monster (2025) by Karen Yasinsky (US); digital video, black & white, sound, 5 minutes. Slideshow (2024) by Janie Geiser (US); digital video, color, sound, 8 minutes. This Isn’t What It Appears (2022) by Heehyun Choi (US/South Korea); digital video, color, sound, 20 minutes. It follows It passes on (2023) by Erica Sheu (Taiwan/US); digital video, color, sound, 5 minutes. My Will And Desire Like Wheels Revolving (2025) by Alice Bommer (US); digital video, black & white, sound, 3 minutes. Emergency Exit (2024) Friedl vom Gröller (Austria); 16mm, black & white, sound, 4 minutes. 16mm print from sixpackfilm. Full Out (2025) by Sarah Ballard (US); digital video, color, sound, 14 minutes.
TRT: 65 minutes
Program presented in association with the Center for Asian American Media
Pictured: Slideshow (2024) by Janie Geiser
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