FULL SCREENING DETAILS:
https://bit.ly/41cLsT0
PROGRAM TICKETS & FESTIVAL PASSES:
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CROSSROADS 2025 opens with works considering domestic, carceral and liminal spaces, intimacies, alienations and territories best left unmapped. Caesurae entangle. Wheels squeak and wind blows. Spectral figures roam through apertures of ghostings and dystopian fantasies unfurl beneath the San Francisco Bay. Program opens with Ken Jacobs’ Flow Rounds A Corner, presented in memory of Flo Jacobs (1941–2025). Here is the key; unlock the door.
SCREENING: Flo Rounds A Corner (1999) by Ken Jacobs (US); digital video, color, silent, 6 minutes. Exhibition file from Electronic Arts Intermix. In the Stranglehold of Ivy (2024) by Antoinette Zwirchmayr (Austria); 16mm screened as digital video, color, silent, 7 minutes. Exhibition file from Lightcone. Half Halt (2025) by Sofia Theodore-Pierce (US); digital video, color, sound, 11 minutes. Boyd v. Denton (2023) by Kevin Jerome Everson (US); digital video, b&w, sound, 3 minutes. Exhibition file from Picture Palace Pictures. Tulsa (2025) by Scott Stark (US); digital video, color, sound, 14 minutes. Sinking Feeling (2024) by Zachary Epcar (US); digital video, color, sound, 21 minutes.
TRT: 66 minutes
Program presented in association with Canyon Cinema
Pictured: In the Stranglehold of Ivy (2024) by Antoinette Zwirchmayr
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