THE R A S A MTHOD FOR ACTORS

7-DAY INTENSIVE ACTING WORKSHOP

THE R.A.S.A. METHOD™

INDIA’S FIRST INNER ACTING SYSTEM

DESIGNED AND DEVELOPED BY FILMMAKER & VISIONARY SANJEEV SHARMA —

After 15 years of relentless research and cinematic innovation, Sanjeev Sharma has redefined the very language of storytelling. His groundbreaking work—crafted with new, non-commercial actors—earned the rare honour of a road named after his film, embedding cinema into the cultural and geographic fabric of India.

With 3 Limca Book of Records, a DG Commendation Roll, and a film that sparked real-life prison reform, his cinema doesn’t just entertain—it awakens, empowers, and transforms.

His work is studied at IIT Bombay, IIM Raipur, and Birmingham City University. He has directed the legendary Amitabh Bachchan and helmed the flagship film of the Hon. Prime Minister’s national campaign, using the true power of cinema to drive purpose, dignity, and social change.

WHAT IS THE R.A.S.A. METHOD™?

THE R.A.S.A. METHOD™ is a revolutionary acting system — a path of inner transformation through performance.

Unlike conventional methods that focus only on psychological realism or external behavior, R.A.S.A. works

at the level of the inner being — your energy, emotion, awareness, and presence.

It is not just a technique to perform roles.

It is a process to awaken the actor’s inner consciousness — to help you act not by pretending, but by becoming.

WHY IS THIS WORKSHOP IMPORTANT FOR ACTORS TODAY?

Because today`s audience can sense the difference between performed emotion and truthful

emotion.

Because today`s actor must not only portray — but embody.

Because many actors feel disconnected, blocked, or mechanical — despite years of training.

This workshop brings you back to your core as a performer — the place within where emotion is born, where voice has soul, and where presence is magnetic.

HOW IS THE R.A.S.A. METHOD™ DIFFERENT FROM OTHER ACTING SYSTEMS?

You may have heard of or trained in systems like Stanislavski, Meisner, Stella Adler, Lee Strasberg, or others. While these laid the foundation for 20th-century acting, The R.A.S.A. Method™ is designed for the

21st-century artist — deeply human, emotionally awakened, and spiritually rooted.

Here’s how it stands apart:

From Psychology to Consciousness: Others use memory and mind;

R.A.S.A. activates your energy and awareness.

From Outer to Inner: Others train how to behave; R.A.S.A. trains how to feel, align,

and transform.

From Imagination to Realisation: Others say "imagine the

character"; R.A.S.A. helps you realise the character within you.

From Imitation to Awakening: R.A.S.A. is not about how you "look" when

you act — it’s about how you feel, resonate, and embody.

WHAT WILL YOU EXPERIENCE IN THESE 7 DAYS?

Each day unlocks one layer

of your inner actor:

Day 1 – Realisation

Find the emotional root of

every role — and of your own self.

Day 2 – Alignment

Train your body, voice,

breath, and awareness to move as one.

Day 3 – Sensation

Learn to evoke emotion

through subtle energetic memory and image-based triggers.

Day 4 – Awakening

Let go of control. Enter

presence. Embody the character fully.

Day 5 – Voice as Vibration

Explore emotional voicing,

tonality, energy in speech — and silence.

Day 6 – Character Work with Inner Anchors

Apply the method to

monologues, scenes, and emotional shifts.

Day 7 – Integration & Performance

Perform in a guided

format. Receive feedback. Experience transformation.

WHO SHOULD ATTEND?

Aspiring &Professional Actors

Theatre & FilmPerformers

Voice Artists

Creators who want to act with truth

and depth Seekers who want to

explore emotion as a path to self-realisation

THE R.A.S.A. METHOD™

Acting is not a mask. It is a mirror.

Your voice is not a tool. It is your truth.

Performance is not pretend. It is presence.

Come, enter the space

where your emotions are your script,

your awareness is your

technique,

and your soul is your

spotlight.

Also check out other Arts events in Mumbai, Theatre events in Mumbai, Workshops in Mumbai.