Doors 7PM / Show 8PM
Seated show
$20ADV / $25DOS
On sale Friday, March 28 @11am CDT.
Five years since her debut album Delivery, Mikaela Davis has moved away from her hometown of Rochester, shared the stage with the likes of Bob Weir, Phil Lesh, Christian McBride, Bon Iver, Lake Street Dive and Circles Around the Sun and entered a new decade. But it’s the ever-evolving relationships between her closest friends and bandmates that has propelled the Hudson Valley-based artist onto her new album And Southern Star––a truly collaborative effort that ruminates on the choices we make, and the people we always come back to.
Davis earned her degree in harp performance at the Crane School of Music, and has molded her classical music training to create an original and genre-bending catalog that weaves together 60s pop-soaked melodies, psychedelia and driving folk rock. She met her bandmates at pivotal moments in her life––drummer Alex Coté in childhood, guitarist Cian McCarthy and bassist Shane McCarthy in college, and steel guitarist Kurt Johnson in her early twenties. It’s the band’s collective step into adulthood that has informed much of And Southern Star’s thematic landscape.
Since 2023, Lily Seabird’s life has been in perpetual motion, spending nearly half of that time on the road performing her own music and as a touring bassist. While she thrives in transit, back home she is anchored by “Trash Mountain,” a pink house surrounded by other artists situated on a decommissioned landfill site at the back of Burlington’s Old North End. Here, Seabird has found belonging, friendship, and inspiration. It’s a place that hosts artists, puts on shows, and has been passed along in her friend group for the better part of the decade. It’s a symbol of transition and stability: something always evolving and growing but never losing its soul. It's only fitting that Seabird named her new album Trash Mountain, as it also contains its namesake's qualities. Over nine delicate but sturdy tracks of intimate folk rock, she pares her songwriting down to its most resonant essentials. It’s an album of unwelcome exits and uncertain futures, but there’s resiliency and hope at its core.
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