安卓藝術很開心於 2025 年的仲夏，在畫廊衛星空間Project Room推出一位繪畫新秀嚴友亨的個展「從光裡經過」，展出藝術家近半年的最新創作。展覽的15件繪畫，關注影像過度曝光與失焦下的畫面表現，以畫筆留下這些不尋常的視覺效果，將我們日常熟悉的場景，透過影像與繪畫之間的轉譯詮釋出新的視角。目前仍就學於台灣藝術大學美術系碩士班的嚴友亨，畫裡散發出一股混合著靜謐、溫暖、幽微且懷舊的詩意，在視覺的閱讀與心靈的感受中令人著迷。展覽訂於8月 16 日至9月20日之間舉行，並於8月16日（週六）下午5點舉辦開幕茶會，我們誠摯歡迎您的蒞臨。
2001年出生的嚴友亨，是完全長成於21世紀數位科技和線上世界共構下的藝術家。這位年僅24歲的創作者，沒有選擇同儕愛好的虛擬世界和潮流藝術，反倒迷戀起20世紀傳統攝影與黑白電影中的類比語言，並從中汲取養分。這或許解釋了藝術家的畫作中所抒發的靜謐與懷舊氣質，也對應他在創作自述中所提：｢最初使用底片相機意外的拍攝出一張隔著玻璃，顯現出有些曝光、失焦、朦朧的相片，從而開始思考這個意外所產生的意義。一般來說，過度曝光、失焦的相片，對攝影而言是常被視為失敗的照片，但我卻被這些不尋常的視覺效果所迷戀著。有別於過往的創作專注於表現觀看當下所感受到的情感，這個階段我開始思考要將這意外所產生的視覺效果呈現出來，讓畫面變得有些陌生，並散發更多的奇異感，將這些日常熟悉的場景透過繪畫詮釋出新的視角。」
Mind Set Art Center is delighted to present, in the midsummer of 2025, the works of young artist Yen Yu-Heng in a Project Room exhibition titled "Through the Veil of Light ". The show is set to feature fifteen of new works created over the past six months that explore optical effects of overexposure and defocus in photography. By capturing these unusual optical characteristics with his paint brush, the artist reinterprets familiar everyday scenes from a fresh perspective through the transition between two different mediums. Yen is currently pursuing his MFA at the National Taiwan University of Arts. His works emit a poetic blend of tranquility, warmth, subtlety and nostalgia, fascinating both the viewer’s mind and emotions. The exhibition is scheduled to run from August 16 through September 20, with a reception set at 5:00 on open day to which we cordially invite your presence.
Born in 2001, Yen Yu-Heng's youth is shaped by the digital technology and internet landscape of the 21st century. Yet unlike many of his peers who embrace virtual worlds and trend-driven art, this 24-year-old artist has developed a fascination with the analog visual language of 20th-century photography and black-and-white cinema. This unexpected affinity explains the inspiration of his work, as reflected in his artist statement, “It all began with when I accidentally shot an overexposed, out-of-focus photograph through glass with a film camera. It made me contemplate the meaning of this accident, because the photo, with its flaws, would be considered a failure by conventional standards. It was precisely the abnormal visual characteristics that fascinated me, inspiring me to depart from my previous works that focused on expressing the immediate emotions in the moment of observation, and to enter this current phase where I begin to explore ways of expressing these accidents visually, to make my paintings appear unfamiliar and exotic, to interpret everyday scenes from new perspectives.”
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