Esther Lin, Mia Ayumi Malhotra, Leigh Sugar, & Matthew Nienow

About Esther Lin's

Cold Thief Place speaks of the experiences of an undocumented American, her parents who fled Communist China and found safety in fundamentalist Christianity, and how she tried to understand them and herself by way of confessional poems.

This is a family story. It tells of a mother who fled an authoritarian government and turned that authoritarianism on to her children. Of a father who made a new life—three times on three different continents—and his sea voyage in between. Or what a daughter imagines of these events, as much as it's possible to truly know one's parents. The narrator, who is their daughter, grew up in difficult but very different circumstances, too: undocumented in the United States and was pressured into a greencard marriage in order to live a "normal life." One of the myths of America is that Americans are newly formed, defiant of authority, and free from old-world traditions.

This book speaks to dark side of this myth: of the legacies that my parents wished to escape but instead carried with them: their distrust of government and their desire for an authoritarianism similar to the kind they had fled. Individually, the poems attempt to understand the emotions surrounding these impulses, from the point-of-view of their daughter, who is herself displaced as an undocumented American—that is, a person who is not permitted to be American, and without a home country to return to.

About Mia Ayumi Malhotra's

Drawing from the sticky, milk-drenched reality of childbirth and pregnancy, Mothersalt explores the intimacies and bewilderment of early motherhood, illuminating the myriad ways in which the self, reconstituted through birth, can emerge into powerful, lyrical new forms of existence.

With haunting precision, Mothersalt explores the ways in which the lyric self is split apart and stitched back together through the experience of pregnancy and early motherhood. Interspersed with tender addresses to a child in utero, Mothersalt recounts the fraught disorientation of giving birth in America, where birthing bodies are not always recognized as empowered agents of their own story. Through the failures and reversals of the self struggling to reclaim her experience of childbirth, Mothersalt asserts a powerful new narrative of what is possible, not only in the birthing room, but in all forms of human relation.

At its heart, this is a book about resilience, healing, and joy, and the sustaining life that emerges from practices of embodied care. Through fragmentary forms inspired by Sei Shōnagon’s pillow book and the miscellany prose diaries of medieval Japan, Mothersalt brings careful, devoted attention to the labor involved in bearing and caring for young children, transforming the dimensions of the everyday and revealing its ephemeral beauty.

About Leigh Sugar's

Traversing an impossible love story, Leigh Sugar’s debut collection, Freeland examines the unbreakable bond between the author and an incarcerated writer.

Drawing critical connections between her personal and familial history, the Jewish diaspora, the racial imaginary of whiteness, and the philosophical and literal evolution of the Pr*son machine, Leigh Sugar obsessively searches form and language to communicate what happens in the U.S. mass incarceration system. Refreshing and honest narrative poems follow the gradual dissolution of a once intense love that begins to blur amidst the constant crush of the speaker’s loneliness. How do you choose between loving someone who exists in your life only in shadow, and walking away, knowing they don’t have the same choice?

Expanding out to touch on her own experiences with mental illness and disability, Freeland is a devastating and urgent testimony of love across the physical, political, and social boundaries of the Pr*son industrial complex, interrogating questions of abolition, race, solitude, and memory in poems that simultaneously embody and resist formal structures.

About Matthew Nienow's

If Nothing is an honest reckoning with the grip of addiction, the expectations of masculinity, and the tug of family.

When mid-life collides with the precariousness of alcoholism, the vulnerability of opening oneself to a second coming-of-age becomes an ecstatic cry in poems that confront pain and the need for forgiveness. An unvarnished and direct accounting of the journey to sobriety, of struggles with mental health, and with the challenges of longing and loss, If Nothing traverses the sting of shame, the earnestness of joy, and the desire for absolution. Kaveh Akbar, author of Martyr! and Calling a Wolf a Wolf, says: "Matthew Nienow shows us in If Nothing that he is a poet of birth, of making and making anew... This is powerful medicine, salve for earnest souls in an era of ethical infantilization. There is grace here, real grace made wise by having known real grief; If Nothing is a lasting book."

Esther Lin was born in Rio de Janeiro, Brazil, and lived in the United States as an undocumented immigrant for 21 years. She is the author of The Ghost Wife and co-editor of Here to Stay: Poetry and Prose from the Undocumented Diaspora (HarperCollins 2024). Her work has been included in Best New Poets 2022 and the 2023 Best of the Net Anthology. Currently, she is a critic at large for Poetry Northwest and co-organizes the Undocupoets, which promotes the work of undocumented poets and raises consciousness about the structural barriers that they face in the literary community.

Mia Ayumi Malhotra is the author of Isako Isako, a California Book Award finalist and winner of the Alice James Award, Nautilus Gold Award for Poetry, National Indie Excellence Award, and Maine Literary Award. She is also the author of the chapbook Notes from the Birth Year. A Kundiman Fellow and a founding member of The Ruby SF, a gathering space for women and nonbinary artists, she lives in the San Francisco Bay Area.

Leigh Sugar (she/her) is the editor of That’s a Pretty Thing to Call It: Prose and Poetry by Artists Teaching in Carceral Settings (New Village Press, 2023). Her work appears in POETRY, jubilat, Split this Rock, and more. An associate producer for Commonplace, Leigh holds an MFA in poetry from NYU and a Master of Public Administration specializing in Criminal Justice Policy, from John Jay College of Criminal Justice. A University of Michigan Hopwood Writing Awardee, Leigh lives in Michigan with her pup.

Matthew Nienow's debut collection, House of Water, was published by Alice James Books in 2016. His poems have appeared or are forthcoming in such venues as 32 Poems, Georgia Review, New England Review, and Poetry. A former Ruth Lilly Poetry Fellow, he has also received fellowships and support from the National Endowment for the Arts, the Bread Loaf Writers’ Conference, the Elizabeth George Foundation, Artist Trust, and 4Culture. He lives in Port Townsend, Washington with his wife and two sons where he is pursuing a degree in Mental Health Counseling.

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