Jonathan Gould, BURNING DOWN THE HOUSE

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“Psycho Killer.” “Take Me to the River.” “Road to Nowhere.” Few musical artists have had the lasting impact and relevance of Talking Heads. Now New Yorker contributor Jonathan Gould offers an authoritative, deeply researched account of a band whose sound, fame, and legacy forever connected rock music to the cultural avant-garde. From their art school origins to the enigmatic charisma of David Byrne and the internal tensions that ultimately broke them apart, Gould tells the story of a group that emerged when rock music was still young and went on to redefine the prevailing expectations of how a band could sound, look, and act.

Jonathan Gould is a writer and a former professional musician. A contributing writer for The New Yorker, he is the author of Can’t Buy Me Love: The Beatles, Britain, and America and Otis Redding: An Unfinished Life. He currently divides his time between Williamsburg, Brooklyn, and Livingston, NY.

Joe Hagan is the author of Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine and has written for New York, Rolling Stone, The Wall Street Journal, and many other publications. He has published long-form profiles and investigative exposés of some of the most significant figures and subjects of our time, including: Hillary Clinton (her first post-Secretary of State interview), Karl Rove, the Bush family, Henry Kissinger, Dan Rather, Goldman Sachs, The New York Times, and Twitter. He lives with his family in Tivoli, NY.

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