NCA is proud to present a series of performance events in collaboration with Invisible City Records, as part the public programme to accompany Delaine Le Bas’s exhibition +𝙁𝙖𝙗𝙧𝙞𝙘𝙖𝙩𝙞𝙣𝙜 𝙈𝙮 𝙊𝙬𝙣 𝙈𝙮𝙩𝙝 – 𝙍𝙚𝙙 𝙏𝙝𝙧𝙚𝙖𝙙𝙨 & 𝙎𝙞𝙡𝙫𝙚𝙧 𝙉𝙚𝙚𝙙𝙡𝙚𝙨.
The first event will take place on Thursday 12th June with performances by:
- Shona McNaughton
- Beer Fear
- Hurrian Cult Legacy
Doors: 7:30 PM. First performance starts at 8 PM.
Tickets can purchased on the door or through our website:
https://www.visitnca.com/shop/tickets
This is a pay as you feel event. We suggest £10 full price, or £6 concessions. Please pay what you feel is comfortable for you. No questions asked. 𝗣𝗮𝘆 𝗮𝘀 𝘆𝗼𝘂 𝗳𝗲𝗲𝗹 𝘁𝗶𝗰𝗸𝗲𝘁𝘀 𝗰𝗮𝗻 𝗯𝗲 𝗽𝘂𝗿𝗰𝗵𝗮𝘀𝗲𝗱 𝗼𝗻 𝘁𝗵𝗲 𝗱𝗼𝗼𝗿.
More information about the exhibition can be found here:
https://www.visitnca.com/exhibitions/delaine-le-bas
𝗜𝗻𝗳𝗼𝗿𝗺𝗮𝘁𝗶𝗼𝗻 𝗮𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗲𝗿𝘀
𝗦𝗵𝗼𝗻𝗮 𝗠𝗮𝗰𝗻𝗮𝘂𝗴𝗵𝘁𝗼𝗻 is an artist who performs, each live event is structured around a state, institutional or labour process. Collaging contemporary character archetypes of tone and movement with political histories, her performances involve the failure of interaction and a participative tension, which result in pathologically awkward encounters. Shona has performed and exhibited nationally and internationally in galleries, museums, theatres, gig venues, clubs, dives, public space and online platforms.
https://www.shonamacnaughton.com/
𝗕𝗲𝗲𝗿 𝗙𝗲𝗮𝗿 is an experimental noise duo propelled by boredom and anxiety. Their performances are different every time; sometimes good, sometimes bad, you get what you’re given.
https://beerfear.bandcamp.com/track/untitled-1
𝗛𝘂𝗿𝗿𝗶𝗮𝗻 𝗖𝘂𝗹𝘁 𝗟𝗲𝗴𝗮𝗰𝘆 (K. Woods) is a PhD artist and essayist at the University of Newcastle. In her sound practice, she improvises with home-made electronic instruments, sampling, video-to-audio and synths. Her work has featured at the Wrong Biennale, Peckham Creative Computing festival, Sonic Bites with Cryptic, videoclub’s digital programme, Radiophrenia, and the 10th international conference on digital and interactive arts Artech, among others. With its critique of nationalism, specifically the ideas of 'Englishness' and 'Britishness', Hurrian Cult Legacy’s debut album was described by author of ‘Pop Music and Hip Ennui: A Sonic Fiction of Capitalist Realism’, Macon Holt, as ‘articulating a form of musical resistance to island mentality’.
https://hurriancultlegacy.bandcamp.com/album/hurrian-cult-legacy
Also check out other Arts events in Newcastle Upon Tyne, Exhibitions in Newcastle Upon Tyne, Festivals in Newcastle Upon Tyne.
