Deep Dark Woods tilbake på Moskus. Utrolig bra konsert sist de var her i august 2022. Med seg som support har de Eirin Rae(US)
Den mørke, alltid suggerende og makabre skjønnheten i melodiene og de lokkende og drømmende tekstene som kryper inn under huden. Med de vakre låtene som visker ut grensen mellom saga og horror, har Deep Dark Woods markert sitt eget revir blant Americana-musikkens største. Og så er de fra Canada.
Ryan Boldt og hans band begir seg ut på en odysseé i et landskap hvor grensene hviskes ut, der den amerikanske sangboken blir skrevet om, side for side. Han er en surrealistisk historieforteller, en tryllekunstner og en sirkusdirektør og løvetemmer. Bandet er tøft og tight, og gir oss en til falske forhåpninger av anerkjennelse, for så å ta oss med inn i mørket. Det suser i gresset på prærien, tonene blir høyere og vi veves inn i drømmeland. Journalister vil ofte plassere bandet i det spennende rommet mellom Nick Cave og Neil Young, et møte mellom sjangere som har sin egen logikk. Det finnes ingen grenser i Deep Dark Woods fengslende musikk. Ingen regler, unntatt musikkens egne.
Etter flere ganske turbulente år bestemte Ryan og bandet seg for å gå i gang med neste kapittel. Deres siste og sjette album,"Changing faces" kom i vår, og med det i bagasjen, returnerer Saskatoons vakreste sound til Skandinavia.
One might be tempted to think of the Deep Dark Woods as a band steeped in capital-T tradition, and that may be true, but now nearly two decades into their life as one of Canada's finest folk-roots ensembles, that tradition is one of their own invention. The voice of founding member Ryan Boldt sits at the forefront of the band, and it doesn't take long to reveal that he is a master of subtlety and shading, working in the lineage of iconic singers like Bob Dylan, Bert Jansch, Rick Danko, and Jason Molina. Boldt, a relentless lifelong listener of music, says “It's all I do. When I'm not playing music, I'm listening to it, trying to find songs that make me feel an aching pain in my chest.” Accordingly, his singing is full of highly emotive nuance and an elegant, relaxed precision that makes it seem downright effortless, a perfect vehicle for the band's particular brand of updated folk music. Fellow travellers like keyboard whiz Geoff Hilhorst, veteran drummer Mike Silverman, and Evan Cheadle round out the Deep Dark Woods unit, and they are often assisted by like-minded collaborators such as singer-songwriter Ellen Froese, Erik Nielsen, Leon Power, and the acclaimed duo Kacy & Clayton. This crew creates a powerful combination and has amassed a pile of celebrated albums, EPs, and a host of nominations from music awards outfits from across the country. Together they recall classic units like The Band, mid-period Wilco, and American Beauty-era Grateful Dead, but also legendary late '60s UK groups like Fairport Convention, Pentangle, and Steeleye Span.
Which brings us to the Deep Dark Woods' latest album, Broadside Ballads, Vol.III. Intertwined amongst their albums of original material, Deep Dark Woods has been steadily building up a series of releases called Broadside Ballads, focusing on traditional Irish, English, and Scottish folk songs. It's a fitting tribute to the music that influenced Boldt's writing and singing since first forming the band, and like their forebears, Deep Dark Woods aims to take their own experiences of traditional music and create something new and vital. The songs in this collection mine some of the more brutal depths of human experience, touching on broken hearts, love, murder, and the act of leaving. Boldt notes that “there are not too many jolly songs in there”, but the album is not a dour affair, instead benefiting from tasteful, unstated arrangements and an organic, no-frills recording sound. The songs on Vol.III generously display The Deep Dark Woods' deep-seated links to the past while still sounding just like themselves.
A brand new album of original music recorded by David Parry (Loving, Alice Phoebe Lou) will be released on Victory Pool throughout 2025 complimented by tours of the UK, Canada, and Europe.
ERIN RAE Nashville singer/songwriter Erin Rae and her group the Meanwhiles emerged in 2012 with a sound rooted in dreamy indie folk, Americana, and '70s pop/rock.
Rae issued her minimalist solo debut, Putting on Airs, in 2018, followed in 2022 by the dynamic, retro-pop, and country-leaning Lighten Up. Born and raised in Jackson, Tennessee, Erin Rae McKaskle grew up in a musical home. Her family eventually relocated to Nashville, and it was there that Rae picked up her first six-string and began writing songs.
Influenced by distinctive roots music artists like Bobbie Gentry, Lee Hazlewood, and Don Williams, she formed Erin Rae & the Meanwhiles in the early 2010s. The group issued their debut EP, Crazy Talk, in 2011, followed by their well-received first full-length effort, Soon Enough, four years later. Rae dropped the Meanwhiles ahead of the arrival of her sophomore effort, 2018's Putting on Airs.
Her first outing for John Paul White's Single Lock label, the LP earned acclaim for its catchy melodic turns and intimate ruminations on life, love, and loss. In 2021, Rae enlisted producer/artist Jonathan Wilson (Father John Misty, Billy Strings) to help deliver her most vibrant set of songs to date. Released the following year, Lighten Up added elements of light psychedelia, indie pop, and cosmic country to Rae's sonic arsenal. "Rich Man," a bonus track from those same sessions, was issued later that year as a single. ~ James Christopher Monger
You may also like the following events from Moskus:
Also check out other
Music events in Trondheim,
Entertainment events in Trondheim,
Concerts in Trondheim.
