子隆山房（TESA Creative Center）位於北海岸白沙灣自然資源豐富的地區，自2019年以來致力於打造一個與自然共生、關注環境永續的藝術基地。多年來，不僅推動國際文化與藝術交流，也積極串連三芝、金山地區的在地社群與藝文團體，透過藝術行動提升公共空間的美感認知。自2023年起，子隆山房展開「北海岸駐地創作計畫」，以生態採集與回收素材為媒介，回應自然再生的理念，至今已舉辦15場環境藝術工作坊，持續深化人與自然的連結。
2025年計畫以「流動的身體」為策展主題，邀請舞蹈生態系創意團隊 Dancecology 進駐北海岸。該團隊以「共生」為核心理念，跨足舞蹈、影像、裝置等多元藝術形式，長期投入自然與人文關懷，並透過跨域合作呈現生態與藝術交融的創作。本次計畫從「漂流木」的生命旅程發想，象徵人類與自然的互動歷程，轉化為新的精神養分，並引領觀者展開一場與自然的對話。
活動中特別設計四大工作坊單元，由舞蹈藝術家彭筱茵帶領參與者在麟山鼻、白沙灣與子隆山房展開身體探索：「樹草之生」學習植物的扎根與柔韌；「石之在」體驗岩石的穩定姿態；「海之聲」傾聽海洋的呼吸與訴說；「風之流」感受山海之間的氣流共舞。透過身體與自然的互動，參與者將體驗藝術作為喚醒與省思的方式。以及裝置藝術家彭宇弘（起夫）運用漂流木做的穿戴式裝置，開啟人與木、身與山海的雙重對話。
9月27日的成果發表結合表演者彭俊銘、莊凱雯「漂流之身」生態舞蹈演出、生態舞蹈創作者彭筱茵以及漂流木裝置創作者彭宇弘（起夫）的藝術分享與交流茶會等活動，呈現駐地創作的成果，這不僅是藝術展演，更是一場與自然共振、與社會對話的旅程，期望為北海岸注入持續的藝文能量，共同開展環境藝術的多元視角。
Tzu Lung Artist House (TESA Creative Center ), located in the nature-rich Baishawan area of Taiwan’s North Coast, has since 2019 dedicated itself to building an art base that coexists with nature and emphasizes environmental sustainability. Over the years, it has fostered international cultural and artistic exchange while actively connecting with local communities and art groups in Sanzhi and Jinshan, using artistic actions to enhance the aesthetic awareness of public spaces. Since 2023, the center has launched the North Coast Residency Project, employing ecological gathering and recycled materials to respond to the idea of natural regeneration. To date, it has organized 15 environmental art workshops, deepening the bond between people and nature.
The 2025 program is themed “The Flowing Body” and invites the creative collective Dancecology to reside on the North Coast. With “coexistence” as its core value, the group spans dance, film, installation, and other artistic forms, devoting itself to ecological and humanistic concerns and presenting creations where art and ecology merge through interdisciplinary collaboration. This year’s concept takes inspiration from the life journey of driftwood, symbolizing the interaction between humans and nature, transforming into new spiritual nourishment, and guiding audiences into dialogue with the natural world.
The program features four specially designed workshops led by dance artist Hsiao-Yin Peng, inviting participants to explore with their bodies across Linshanbi, Baishawan, and TESA: “Life of Plants”—learning the rooted resilience of flora; “Presence of Stones”—discovering the stability of rocks; “Voice of the Sea”—listening to the breath and stories of the ocean; and “Flow of the Wind”—dancing with the currents between mountains and sea. Through these embodied encounters with nature, participants will experience art as a process of awakening and reflection. Installation artist Peng Yu-Hung (Chi-Fu) employs driftwood to create wearable installations that open a dual dialogue—between humans and wood, and between the body and the mountains and sea.
On September 27, the final presentation will bring together multiple forms of expression: an ecological dance performance Body of Drift by performers Peng Chun-Ming and Chuang Kai-Wen, artistic sharing by ecological dance creator Peng Hsiao-Yin, and an exchange tea gathering with driftwood installation artist Peng Yu-Hung (Chi-Fu). This event showcases the outcomes of the residency, not merely as an artistic exhibition, but as a journey that resonates with nature and dialogues with society. It aspires to infuse the North Coast with lasting cultural energy and to open up diverse perspectives in environmental art.
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