Bob Schneider w/ Will Dailey

Bob Schneider
w/ Will Dailey
Saturday, August 30
Doors 7pm / Show 8pm
All ages / Seated

Member: $22 - $31
Advance: $25 - $35
Day of show: $30 - $40

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*Member Presale is happening now through May 23.

Members at the "Supporter" level and above, use your Member code during checkout for early access to purchase tickets! Not a Member? Sign up or renew: 3sarts.org/membership

Austin, Texas-based singer-songwriter and former frontman of The Ugly Americans and The Scabs, Bob Schneider is one of the most-celebrated musicians in the live music capital. Combining diverse styles, Schneider’s music spans genres, blending elements of folk, rock, rap, funk, bluegrass, reggae and country with the more traditional singer/songwriter aesthetic. In short, FRUNK.

Schneider has won more than 59 Austin Music Awards including Best Album, Best Songwriter, Best Musician, and Best Male Vocals making him the most decorated artist in Austin’s storied music history.

Schneider’s fan base reaches far beyond the city limits of Austin. He started gaining national recognition with his major-label debut for Universal Records, Lonelyland. A fiercely-independent artist, Schneider opted to start his own label, Shockorama Records, which has afforded him the freedom to make the music his fans love, on his own terms.

Schneider’s live performances, both solo and with the band, are legendary. A two-time performer on his hometown’s famed Austin City Limits television show, he is also in the 20th year of his residency at The Saxon Pub. All told, he plays over a hundred shows a year and he doesn’t plan on slowing down anytime soon.

About Will Dailey:
Will Dailey’s seventh album BOYS TALKING is the one he’s not releasing.

Oh, you’ll get to hear it, if you buy a vinyl copy, CD, or download it directly from him. But it won’t be a matter of opening up a streaming platform and pressing play on a chosen date with thousands of other releases. With a record he considers his best work, Will wanted to find another way to celebrate and enjoy the process of sharing the album for more than a day or week. “Music is supposed to be a joyful expression of self that connects us to other people,” Will says. “I want to instill a more personal, joyful process of sharing my work.”

Originally from Boston, Massachusetts, Dailey has spent the last decade-and-a-half mastering a twisted, Americana psychedelia that evokes underground legends like Cass McCombs, Kevin Morby, and Jeff Tweedy. Like these beloved, offbeat icons, there’s no bending to the music industry machine in his catalog. Rather than try to slot himself into a single genre, era, or sound, Will has always let the songs do what they want—marketing plans and genre programming be damned. Independent but not really indie, the strains of the blues, rock, funk and folk continue to permeate his sound across the years. Rather than a brand of sound, Dailey is a student of the American roots songbook, and a champion of masterful pop hooks.

In fact, the most consistent through line of his career is recognition from artists of a certain caliber. He’s repeatedly performed with Eddie Vedder, played alongside Peter Buck of R.E.M., spent 2023 opening for Jakob Dylan and The Wallflowers, and was tapped to pay tribute to Richie Havens at the 2024 Folk, Americana, Roots Hall of Fame induction. In that sense, BOYS TALKING is a culmination of sorts. Not just concerning the idiosyncratic methods of an artist who’s routinely gone the long way around, but as a mountaintop release from a musician, writer, and performer who is a visionary artist in every sense of the word.

On this album, which was funded in part by a local arts grant, Will insisted on getting a murderer’s row of studio musicians in one room, together, to record live: Dave Brophy, Fabiola Mend​​éz, Cody Nilsen, Juliana Hatfield, Jeremy Moses Curtis, Andrew Stern, Abie Barrett, Kevin Barry, Alisa Amador and James Rohr. That sense of camaraderie and fellowship, across ten days of playing music together, you might say it was… boys talking (even though the presence of women on this record is essential to the DNA).

3S Artspace is supported in part by a grant from the New Hampshire State Council on the Arts and the National Endowment for the Arts, as well as the

Thank you to our lead sponsors: AC Hotel Portsmouth, The Brook, The Kane Company/Tidemark, Katzman Contemporary Projects, MacEdge, Raka, Sheraton Portsmouth Harborside Hotel.

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