Kino

Classic Russian Rock

Kino

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About Kino

One of Russia's most popular rock bands, Kino came to prominence during the Gorbachev era of glasnost and perestroika, and struck a nerve with many Soviet youths longing for a brighter, freer future. The group's legend was tragically cemented when frontman Victor Tsoi (sometimes Tsoy) was killed in a car crash in 1990, sparking a massive outpouring of grief rivaling that of icons like Kurt Cobain or John Lennon. Tsoi had formed the first version of Kino in his hometown of St. Petersburg (then Leningrad) in 1981, along with Alexei Ribin and Oleg Valinsky; the group played the same venues as Boris Grebenshikov's Aquarium. This lineup debuted with 1982's 45, after which they moved to Moscow and splintered; Ribin left in 1983, leaving Tsoi to complete their second album, 46. In 1984, Tsoi formed a new version of Kino with guitarist Yuri Kasparyan, bassist Alexander Titov, and drummer Georgi Guriyanov; they debuted on that year's Nachal'nik Kamchatki (The Manager of Kamchatka). A performance at St. Petersburg's second annual rock festival heralded their return, and their next two albums, 1985's Eto Nye Lyubov (This Is Not Love) and 1986's Noch (The Night), saw their reputation steadily growing; their sound was commensurate with American alternative rock, particularly R.E.M. and the icier side of the Cure. Tsoi began to pursue an acting career on the side in 1986, and bassist Igor Tikhoromirov eventually replaced Titov. In 1988, the band released its most polished album, Gruppa Krovi (Blood Type), which started to increase their international audience (as did more frequent concerts outside the Soviet Union); it even got a favorable write-up in the Village Voice in America. 1989 brought Zvezda Po Imene Solntse (A Star Called Sun), a tour of the U.S., and the group's biggest hit, "(We're Waiting For) Changes," which became an anthem for Russian youth after its appearance in the film Assa. Unfortunately, Tsoi died in an auto accident in Riga, Latvia, on August 15, 1990. The band's unfinished album was released afterwards as Cherniy Albom (Black Album). A wall of memorials dedicated to Tsoi still exists on Moscow's Arbat Street, and Kino's music is still highly regarded by teens all over the former Soviet Union. ~ Steve Huey, Rovi

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About Kino

One of Russia's most popular rock bands, Kino came to prominence during the Gorbachev era of glasnost and perestroika, and struck a nerve with many Soviet youths longing for a brighter, freer future. The group's legend was tragically cemented when frontman Victor Tsoi (sometimes Tsoy) was killed in a car crash in 1990, sparking a massive outpouring of grief rivaling that of icons like Kurt Cobain or John Lennon. Tsoi had formed the first version of Kino in his hometown of St. Petersburg (then Leningrad) in 1981, along with Alexei Ribin and Oleg Valinsky; the group played the same venues as Boris Grebenshikov's Aquarium. This lineup debuted with 1982's 45, after which they moved to Moscow and splintered; Ribin left in 1983, leaving Tsoi to complete their second album, 46. In 1984, Tsoi formed a new version of Kino with guitarist Yuri Kasparyan, bassist Alexander Titov, and drummer Georgi Guriyanov; they debuted on that year's Nachal'nik Kamchatki (The Manager of Kamchatka). A performance at St. Petersburg's second annual rock festival heralded their return, and their next two albums, 1985's Eto Nye Lyubov (This Is Not Love) and 1986's Noch (The Night), saw their reputation steadily growing; their sound was commensurate with American alternative rock, particularly R.E.M. and the icier side of the Cure. Tsoi began to pursue an acting career on the side in 1986, and bassist Igor Tikhoromirov eventually replaced Titov. In 1988, the band released its most polished album, Gruppa Krovi (Blood Type), which started to increase their international audience (as did more frequent concerts outside the Soviet Union); it even got a favorable write-up in the Village Voice in America. 1989 brought Zvezda Po Imene Solntse (A Star Called Sun), a tour of the U.S., and the group's biggest hit, "(We're Waiting For) Changes," which became an anthem for Russian youth after its appearance in the film Assa. Unfortunately, Tsoi died in an auto accident in Riga, Latvia, on August 15, 1990. The band's unfinished album was released afterwards as Cherniy Albom (Black Album). A wall of memorials dedicated to Tsoi still exists on Moscow's Arbat Street, and Kino's music is still highly regarded by teens all over the former Soviet Union. ~ Steve Huey, Rovi

Kino's Popular songs

  • u041fu0430u0447u043au0430 u0441u0438u0433u0430u0440u0435u0442
  • u0417u0432u0435u0437u0434u0430 u043fu043e u0438u043cu0435u043du0438 u0421u043eu043bu043du0446u0435
  • u0413u0440u0443u043fu043fu0430 u043au0440u043eu0432u0438

Frequently Asked Questions

Some of Kino's most popular songs include u041fu0430u0447u043au0430 u0441u0438u0433u0430u0440u0435u0442, u0417u0432u0435u0437u0434u0430 u043fu043e u0438u043cu0435u043du0438 u0421u043eu043bu043du0446u0435, u0413u0440u0443u043fu043fu0430 u043au0440u043eu0432u0438. These tracks have impressed fans and helped cement their place in the music industry.

You can listen to Kino's music on all major streaming platforms, including Spotify, Apple Music, and YouTube. Their most popular songs include u041fu0430u0447u043au0430 u0441u0438u0433u0430u0440u0435u0442, u0417u0432u0435u0437u0434u0430 u043fu043e u0438u043cu0435u043du0438 u0421u043eu043bu043du0446u0435, u0413u0440u0443u043fu043fu0430 u043au0440u043eu0432u0438, and more.

Kino is known for their distinctive sound in the classic russian rock genre, often blending elements of russian post-punk, making them a unique voice in the music world.

You can find the ticket details about Kino concert from AllEvents.