
Some of Clock DVA's most popular songs include 4 Hours, The Sonology Of Sex Ii - Le Comtesse De Sang, Sensorium. These tracks have impressed fans and helped cement their place in the music industry.
British Industrial
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A product of the mid-'70s England industrial music community that also gave rise to Throbbing Gristle and Cabaret Voltaire, Clock DVA emerged in 1980 from the ashes of Sheffield-area bands including the Studs, Block Opposite, Veer, and They Must Be Russians, as well as the Future, an early incarnation of the Human League. After a series of shifting lineups, a roster comprised of vocalist Adi Newton, bassist Steven Taylor, guitarist Paul Widger, saxophonist Charlie Collins, and drummer Roger Quail recorded Clock DVA's debut, White Souls in Black Suits, a cassette-only improvisational release fusing metallic noise with funk designs that was issued on Throbbing Gristle's Industrial label. In 1981, the group issued Thirst, which abandoned R&B accouterments in favor of edgy, abrasive electronic noise. Following its release, all of Clock DVA except Newton defected to form Box. After assembling a new lineup of saxophonist Paul Browse, future Siouxsie and the Banshees guitarist John Carruthers, bassist Dean Dennis, and drummer Nick Sanderson, Newton wrangled a major-label deal with Polydor, and Clock DVA soon resurfaced with 1983's Advantage, an intense montage of dance beats, piercing feedback, and jarring tape manipulations. However, Carruthers and Sanderson both exited following the LP's release. After a brief attempt to carry on as a trio, Clock DVA disbanded in late 1983. Newton subsequently turned his focus to the Anti Group, an industrial jazz and visual arts project created in tandem with engineer Robert Baker. After a series of singles, he re-formed Clock DVA with Browse and Dennis, releasing the sample-fueled EPs The Hacker and The Act (both 1988), as well as the full-length Buried Dreams (1989). By Transitional Voices (1990), Newton's Anti Group partner Baker had replaced Browse. After Man-Amplified (1991) and Digital Soundtracks (1992), Dennis departed, leaving the remaining duo to record Sign (1993). As Clock DVA went on an extended hiatus, compilations of previously unreleased material and highlights were released. During the late 2000s, Newton took Clock DVA out of dormancy for performances and new recordings, and he also put together archival packages issued through his Anterior Research label. ~ Jason Ankeny, Rovi
Read moreA product of the mid-'70s England industrial music community that also gave rise to Throbbing Gristle and Cabaret Voltaire, Clock DVA emerged in 1980 from the ashes of Sheffield-area bands including the Studs, Block Opposite, Veer, and They Must Be Russians, as well as the Future, an early incarnation of the Human League. After a series of shifting lineups, a roster comprised of vocalist Adi Newton, bassist Steven Taylor, guitarist Paul Widger, saxophonist Charlie Collins, and drummer Roger Quail recorded Clock DVA's debut, White Souls in Black Suits, a cassette-only improvisational release fusing metallic noise with funk designs that was issued on Throbbing Gristle's Industrial label. In 1981, the group issued Thirst, which abandoned R&B accouterments in favor of edgy, abrasive electronic noise. Following its release, all of Clock DVA except Newton defected to form Box. After assembling a new lineup of saxophonist Paul Browse, future Siouxsie and the Banshees guitarist John Carruthers, bassist Dean Dennis, and drummer Nick Sanderson, Newton wrangled a major-label deal with Polydor, and Clock DVA soon resurfaced with 1983's Advantage, an intense montage of dance beats, piercing feedback, and jarring tape manipulations. However, Carruthers and Sanderson both exited following the LP's release. After a brief attempt to carry on as a trio, Clock DVA disbanded in late 1983. Newton subsequently turned his focus to the Anti Group, an industrial jazz and visual arts project created in tandem with engineer Robert Baker. After a series of singles, he re-formed Clock DVA with Browse and Dennis, releasing the sample-fueled EPs The Hacker and The Act (both 1988), as well as the full-length Buried Dreams (1989). By Transitional Voices (1990), Newton's Anti Group partner Baker had replaced Browse. After Man-Amplified (1991) and Digital Soundtracks (1992), Dennis departed, leaving the remaining duo to record Sign (1993). As Clock DVA went on an extended hiatus, compilations of previously unreleased material and highlights were released. During the late 2000s, Newton took Clock DVA out of dormancy for performances and new recordings, and he also put together archival packages issued through his Anterior Research label. ~ Jason Ankeny, Rovi
Date | Event name | Venue |
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11 Sep 2025 | Front Line Assembly in San Francisco | DNA Lounge, San Francisco, CA, United States |
16 Sep 2025 | Front Line Assembly, Clock DVA, Lead into Gold in Seattle | El Corazon , Seattle, WA, United States |
20 Sep 2025 | NITZER EBB in Houston | Numbers Night Club, Houston, TX, United States |
20 Sep 2025 | NITZER EBB in Houston | Numbers Night Club, Houston, TX, United States |
24 Sep 2025 | Front Line Assembly, Clock DVA, Lead into Gold in Atlanta | The Masquerade - Hell, Atlanta, GA, United States |
03 Oct 2025 | Front Line Assembly, Clock DVA, Lead into Gold in Rochester | Water Street Music Hall, Rochester, NY, United States |
Some of Clock DVA's most popular songs include 4 Hours, The Sonology Of Sex Ii - Le Comtesse De Sang, Sensorium. These tracks have impressed fans and helped cement their place in the music industry.
You can listen to Clock DVA's music on all major streaming platforms, including Spotify, Apple Music, and YouTube. Their most popular songs include 4 Hours, The Sonology Of Sex Ii - Le Comtesse De Sang, Sensorium, and more.
Clock DVA is known for their distinctive sound in the british industrial genre, often blending elements of cyberpunk, making them a unique voice in the music world.
You can find the ticket details about Clock DVA concert from AllEvents.