Interzone Editions presents: 'Bunny’s apartment, the beach', the album launch
–> Meesh Sara Fradkin + Stuart W. Jackson
Meesh Sara Fradkin is a writer and artist working with sound, text and media in New York City and Montreal.
Stuart Jackson is a percussionist and uilleann piper from Virginia, now living in Montréal, Canada. He has presented solo percussion concerts at the Musée d'art contemporain de Montréal (MAC) and Ausgang Plaza in Montréal, and performed as an uilleann pipe soloist with the Soho Rep Theatre and the Wordless Music Orchestra. He specializes in reconstructing poorly documented and unpublished works from the 20th century. His most recent project on an unpublished vibraphone solo by Pierre Boulez received support from the Fonds de recherche du Quèbec and the Paul Sacher Stiftung. As of September 2025, he is starting a post-doctoral fellowship at the Université de Montréal under the supervision of Jonathan Goldman and Guillaume Boutard
'Bunny's apartment, the beach' will be out on Interzone Editions on September 20, 2025/
https://msfmsf.bandcamp.com/album/bunnys-apartment-the-beach
–> Radwan Ghazi Moumneh + Emna Maâref
Radwan Ghazi Moumneh is a Lebanese-Canadian producer/musician based in Tiohtiá:ke/Montréal. He melds Arabic song traditions with modern deployments of electronics and synthesis, while utilizing the traditional folkloric disciplines – the buzuk (Lebanese luth) and Arabic modal singing. In the early 2010s, he founded the audiovisual duo Jerusalem In My Heart (JIMH). As a prolific producer and co-owner of the Hotel2Tango studio, he has recorded and produced a long list of albums, by Mashrou’ Leila, Silver Mt Zion, Big Brave, Marie Davidson, Tim Hecker... to name just a few. Overall, Radwan Ghazi Moumneh has created a body of work that challenges and re-imagines Arabic contemporary music.
Emna Maâref is a Montreal-based, Tunisian multidisciplinary musician and composer whose genre-fluid sound blends experimental, ambient, bass music, and deconstructed electronics.
In her solo performances, she fuses the tones of her oud playing with electronic textures to guide listeners through open-ended journeys—transforming madness, love, and memory into deeply personal sound. As a film score composer, she created the soundtracks for I’ve Known Rivers, an experimental documentary that received a Special Mention at the Gabès Cinéma Fen Festival in 2023, and The Color of Phosphate that won Best Tunisian Documentary at the Carthage Film Festival in 2024.
–> Dumb Chamber
Better known as one of the Salon Privé members, Dumb Chamber’s project is at the intersection of neo-classical, new age, ambient and leftfield music. His production retains influences from 80’s neo-classical greatests (Nyman, Mertens, Cunningham) and Coil. Free of the fidelity and realistic pretenses of sampling, his sequenced and revamped sampling techniques carry an air of avant-garde and a flair of elegance; Dumb Chamber breathes in much-needed novelty in the New Age sonic landscape.
–> Bénédicte
Bénédicte is the musical project of Montreal-based producer and sound artist Maxime Gordon. In her music she carefully crafts and combines soaring synths, distorted field-recordings and glittering vocal samples to explore moments of introspection and feeling. She has performed at venues and festivals across North America and Europe such as Mutek (Montreal), Eastern Bloc (Montreal), Glory Affairs (Prague) and OIIOIOOI (Stadt Wehlen).
In 2021 she released the EP When It Binds on Blueberry Records. When It Binds is a collection of songs that serves as Bénédicte’s personal exploration of what happens after an emotional connection is established with someone.
September 20th at Église Saint-Denis
(454A avenue Laurier E)
Doors at 7:30PM
~ 22$ online (link in bio)
~ 27$ at the door
Artwork by Juliette Dupont Duchesne (instagram: @julietteklodl)
Also check out other Entertainment events in Montreal, Arts events in Montreal, Music events in Montreal.
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