The door opens at 7 pm. The film starts at 7.30 pm.
Seats for films are £5 by card online and £6 paid at the door in cash (only).
With all of our films you have FOUR super ways to get a seat!
1. Book at ticketsource.co.uk/TansleyFilm paying by card and choosing your seats. You can cancel yourself if you need to, receiving a FULL REFUND for the ticket price (not the fees).
2. use the FREE telephone box office service at 0333 666 4466.
3. email
Ym9vayB8IHRhbnNsZXlmaWxtICEgb3JnICEgdWs= saying where you like to sit and we will reserve seats for you that you pay for in cash (only) at the door.
4. walk-in (without booking) paying cash (only) at the door.
UK release 17th January 2025.
2 hours and 21 minutes
Starring Timothée Chalamet, Edward Norton and Elle Fanning.
In 1961, an unknown 19-year-old Bob Dylan arrives in New York City with his guitar and forges relationships with musical icons on his meteoric rise, culminating in a ground-breaking performance that reverberates around the world.
Peter Bradshaw, Guardian, 5/5 "Chalamet gives us a semi-serious ordeal of someone who is part Steinbeck hero, part boyband star, part sacrificial deity. On being derisively asked if he is God, Chalamet’s Dylan replies: “How many more times? Yes.” "
Danny Leigh, Financial Times, 4/5 "Dylan’s greatest hits have always been heirlooms: somehow just there. Amid the recreated past, the movie restores a sense of how seismic they would originally have been... New ears and life-long fans may both relish the raw novelty."
Mark Kermode, Kermode and Mayo's Take (YouTube) "Chalamet gets in his performance the arrogance, the narcissism, the studied cool ..."
Wendy Ide, Observer (UK), 4/5 "It’s a remarkable performance. Star of the moment Timothée Chalamet inhabits the loose-limbed, live-wire physicality of the young Bob Dylan and makes an impressively good fist of capturing the frayed hessian of his distinctive voice."
Deborah Ross, The Spectator, "It’s captivating, even if you could argue that it’s dramatically underpowered. The events building up to Newport are listless in nature, but it has a seductive, meditative, cumulative power. I wasn’t bored for a single second."
Robbie Collin, Daily Telegraph (UK), 4/5 "Perhaps Dylan himself is too mercurial a figure for a biopic to ever capture him completely -- indeed, Todd Haynes’s I’m Not There gloried in the futility of the task. But A Complete Unknown comes about as close as one could reasonably hope."
John Nugent, Empire Magazine, 3/5 "Anyone looking for a revelatory portrait of an iconic artist might be a smidge disappointed. But as conventional as it is, this is still a strikingly well-made musical drama with pitch-perfect performances."
Clarisse Loughrey, Independent (UK), 3/5 "[The film] takes a reverent stance to Dylan’s artistry, populated by technically accomplished musical performances, and shot with a real sensitivity to the emotional landscape of each track. It’s dutiful work. But dutiful doesn’t really cut it with Dylan."
See a trailer at
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