{Spontaneous Predictions] #4 - Hundred Years Gallery

the concept horse composes and releases music constructed from an array of physical sound sources relying on iteration, slight change, analog error, chance and unrepeatability. He co-organizes the concert series - knopfwissen - in Vienna, runs the label eë editions, is one half of the duo IEOGM (w/ marie vermont) and part of BILLA ENSEMBLE (w/ turmeric acid, michiu & marie vermont). tch has released solo and collaborative sounds on Students of Decay, Molt Fluid, phncrs, Gracious Host, Hard Return, Beach Buddies Records, FALT, Kashual Plastik, Steep Gloss and czaszka [rec.].

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Lucia H Chung is a Taiwanese experimental noise artist based in London, United Kingdom. She performs and releases music under the alias ‘en creux’ where sound creation springs from her interests and fascinations in the inherent noise floor within audio equipment. She uncovers and reveals such hidden noise via her manipulations with no-input feedback mixing. The volatile nature of feedback and the unpredictable glitch from the excessive energy generated within the equipment becomes her improvisational and compositional strategy. As the word ‘en creux’ suggests, she summons a hollowed out, reversed form of sound from the mixing console.

Marie Vermont is an artist and musician based in Vienna and has been creating music and scores since the late 2000s. Current collaborative projects are the duo IEOGM (w/ the concept horse), the quartet BILLA ENSEMBLE (w/ Michiu, turmeric acid, the concept horse) and others, with recent live shows in the EU, UK, US and JP. Marie Vermont has released recordings on various labels such as Breton cassette, Molt Fluid, eë editions, Beach Buddies Records, Chocolate Monk, Steep Gloss, Philatelie, phncrs and Hard Return.

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For Spontaneous Predictions, Lucia H Chung and Marie Vermont will perform as a duo with a combination of controlled and uncontrolled feedback signal paths and devices at HYG

Initiated under the premise and values found in counter culture and electronic music’s position away from the mainstream money engine and the ego’s intent for popularity.

Indoctrinated on repetitive, rhythmic electronic music, sometimes full of hiss, bass, clicks, glitches and shifting patterns, often focused around one or two sounds. This is easier than having to layer things.

“No info on this one, obviously…But nothing's that simple is it?…There's something reassuring about the anonymity of music that sounds like a factory floor filled with malfunctioning industrial machinery…One for the Vladislav Delay devotees for sure…Emulsified dub radicals and grubbing post techno residues” – Boomkat

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