Echolocation: Hyper Noise Crystal Image

Join us got first of Microscopes' 2026 Echolocation Series, exploring sonic environmentalism and creative exchange. We're hosting an intimate Sunday conversation, with opportunity to see the exhibition and meet the artist.

Hyper Noise Crystal Image is a composite of live and contingent works encompassing multichannel sound and sculpture. Field recordings from inside the gallery site are recomposed by machine learning in real time, while sculptures shift during the exhibition's duration, proposing a space grounded on the mutable, entangled, and formless. The exhibition continues Cameron's experimentation with processes of computation and contingency to reveal the material connections between ourselves and the environments in which we inhabit.

Cameron Randall is a multidisciplinary artist, field recordist, and DJ based in London. Favouring a magpie methodology, he frames original materials, contextualising and synthesising them into a different kind of logic. Solo exhibitions include Microscope, London (2026) and Unit 3 Projects, London (2021). His work has been featured in group shows at Galleri Kronborg, Project Divfuse, Gossamer Fog, and the Hockney Gallery. He is the co-founder of Chill Out, the cultural-political project reimagining chill out rooms from 1990s club venues, and has a monthly show, Listening With, broadcasted on Resonance FM.

Anton Spice is a writer, editor and artist-researcher with fourteen years' experience across music, arts, design and environmental sectors in London and Berlin. Anton's writing has been published in The Guardian, Frieze, Sonic Acts, Tate Etc., Electronic Sound, Wax Poetics, Composer, Bandcamp, Atlas Obscura, Disco Pogo, WeJazz, Caught By The River and The Vinyl Factory, and he is associate lecturer in design at Goldsmiths University.

Arrive from 4:40pm, we'll start at 5pm.

Microscope is not-for-profit, all ticket proceeds go directly to the artist.

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