Sárāb (meaning ‘mirage’ in Persian) is a special LIVE series exploring the sound at the sonic shelter of N° Space.
Hailing from Iran, Ramin explores a diverse musical palette through modular performances. His sound is raw, analog, and distorted, often with unexpected twists. He has been producing, performing, and working as a sound engineer since the early 2000s. His live sets are vibrant, spontaneous, and fully immersed in the moment.
He invites you to his series, Sárāb.
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Coloboma is a music producer and live performer from Hungary.He stared making music in the early 2000's musically influenced by jazz ambient and experimental music, but also loves minimal and several aspects of electronic music. His sound is frequently reinvented to incorporate various styles, which better allow to express his dynamic and colourful musical mind. On live performances he uses synths, drum machines, samplers and effects to bring his creation to life.
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Natalie Szende is an electro-acoustic composer, musicologist, actor and producer. She moved from Berlin to Budapest in the autumn of 2023, where she studies Electronic Composition & Media Arts at the Liszt Academy of Music.Given the nature of each stage and concert setting, her practice focuses essentially on creating hauntological sonic worlds that reach back into the past while engaging with experimental contemporary contexts by synthesizing different musical, (sub-)cultural and performative concepts. Szende’s works have been presented in symphonic concert halls, theatres, and cinemas and she has been performing in churches, a power plant, art galleries and underground clubs so far. More recently, she has worked on music for theatre productions, which have been performed at Trafó House of Contemporary Arts Budapest and Deutsches Theater Berlin. With her first audiovisual live performance in collaboration with Andrea Görcz, she opened the concrete Turbina Hall of the 2024 edition of INOTA Festival featuring Temple Rat. In September 2024, Natalie debuted in the House of Music Hungary as the supporting act for Suzanne Ciani, setting up a live performance for 16 audio channels, shortly followed by her concert at the experimental UH Fest.
In 2025, Natalie won the Parisian IRCAM Academy scholarship by the Ulysses Platform for contributing an own composition to the collaborative realization of an ambisonic audiovisual performance based on the work of Iannis Xenakis.
She has since appeared as a solo live act at INOTA Festival 2025 (Theatre Hall) and SZIGET Festival 2025, and joined the UNSOUND Lab Camp 2025.
https://soundcloud.com/szndy
https://soundcloud.com/ramin-sayyah-studio
https://soundcloud.com/coloboma-1
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