“舞台上的新罗马尼亚戏剧主题”专题讲座 Themes of the New Romanian Drama on Stage" Conference

Themes of the New Romanian Drama on Stage

Join us at the Romanian Cultural Institute in Beijing for an insightful event exploring the core themes of contemporary Romanian theater. Dive into the world of thought-provoking performances that tackle issues ranging from identity and politics to history and society. Discover the unique perspectives of Romanian playwrights and gain a deeper understanding of the cultural landscape of Romania through the lens of drama.

The conference “Themes of the New Romanian Drama on Stage”, presented by theatre critic Oana Cristea Grigorescu, offers a comprehensive overview of the evolution and identity of Romanian drama over the past two decades. Through the analysis of seven representative plays by contemporary authors, the talk explores how Romanian dramaturgy has responded to the social, political, and moral challenges of post-1989 society. The selected works highlight issues such as family and personal trauma, recent history, collective memory, gender-based violence, and interethnic tensions, offering a vivid portrait of a society in transformation. Featuring writers from different backgrounds—Romanian, Hungarian, and German—the conference showcases the multicultural character of Romania’s theatrical landscape and invites international audiences to discover the richness, urgency, and artistic power of the country’s new drama.

Oana Cristea Grigorescu is a theatre critic and producer of audio dramas at Radio Romania Bucharest, within the National Audio Drama Department. She holds a PhD in Music from the Gheorghe Dima Music Academy in Cluj (2011) and has been a member of the Romanian Theatre Union (UNITER) since 1997. In 2020, she received the UNITER Award for Theatre Criticism at the UNITER Awards Gala. She currently serves as the president of the Romanian section of the International Association of Theatre Critics (IATC.ro). For three consecutive editions (2021, 2022, 2023), she was part of the three-member curatorial team of Romania’s National Theatre Festival. As an audio theatre producer, she has received numerous prestigious international awards. In 2023, two more joined her extensive list: The Sixties by Ema Stere won the BBC Award for Best European Audio Drama, and Langholzfeld by Andreas Jungwirth, for which she created the radio adaptation, received the Asia-Pacific Broadcasting Union award – Together for Peace. During the Romania–France cultural season 2019–2020, she produced The Two-Headed Empire, an original script directed by Ilinca Stihi and Amandine Casadamont, a co-production of Radio Romania and France Culture, which premiered in both France and Romania. Other awards for her work include the Grand Prix Marulç (2018, 2019), First Prize at New York Festivals (2018), the Grand Prix of the Asia-Pacific Broadcasting Union (2017), Grand Prix Nova (2020, 2022, 2023), and the UK International Radio Drama Festival (2021). As a professional in audio drama, she organized two creative sound workshops in Bucharest in 2024 and 2025, in co-production with the French Institute, aimed at artists and professionals in the field. She worked as a cultural journalist for two decades, from 1995 to July 2016, at Radio Romania Cluj, where she coordinated cultural programs (2008–2016) and produced regular audio dramas. Since 1996, she has also contributed cultural audio content to Radio Romania Cultural. Between 2000 and 2016, she curated the Radio Galleries, an art exhibition space within Radio Cluj dedicated to professional visual artists. She is deputy editor-in-chief of Scena.ro magazine. In 2019–2020, she co-hosted, alongside Cristina Modreanu, the two editions of the Scena.ro podcast, produced by ARPAS in collaboration with Radio Romania: https://soundcloud.com/revistascenaro/ She regularly writes theatre reviews for Scena.ro, Observator Cultural, Capital cultural, Vatra, Caietele Masca, the Austrian theatre magazine Aurora Magazine, the Italian magazine Hystrio, and the German-language platform theatrescu.com. Since 2023, she has served as deputy editor-in-chief of Scena.ro.

舞台上的新罗马尼亚戏剧主题

欢迎莅临北京罗马尼亚文化中心，参加一场深入探讨当代表演艺术的文化讲座，一同走进新罗马尼亚戏剧的核心主题。活动将引领观众深入思考剧作中所呈现的身份认同、政治、历史与社会等议题，领略罗马尼亚剧作家独特的创作视角，并通过戏剧这一艺术形式，更加深入地理解罗马尼亚当代文化的精神风貌。

本次题为《舞台上的新罗马尼亚戏剧主题》的讲座将由剧评人奥娅娜·克里斯特娅·格里戈雷斯库（Oana Cristea Grigorescu）主讲，全面呈现过去二十年来罗马尼亚当代戏剧的发展轨迹与独特风貌。通过对七部具有代表性的剧本的分析，本次讲座将探讨罗马尼亚戏剧如何回应1989年后社会、政治与道德层面的挑战。选取的作品涵盖家庭与个体创伤、历史记忆、性别暴力与族群关系等现实议题，描绘了一个正在转型中的社会面貌。讲座还将呈现来自罗马尼亚不同文化背景（罗马尼亚族、匈牙利族、德国族）剧作家的创作成果，突显当代戏剧的多元文化特性，并邀请国际观众一同探索罗马尼亚新戏剧的深度、张力与艺术魅力。

奥娅娜·克里斯特娅·格里戈雷斯库（Oana Cristea Grigorescu）是罗马尼亚布加勒斯特国家广播电台戏剧评论家及广播剧制作人，现任广播剧国家部门成员。她于2011年在克卢日的“乔治·迪马音乐学院”获得音乐学博士学位，自1997年起成为罗马尼亚戏剧家协会（UNITER）成员。她于2020年获得“UNITER戏剧评论奖”。目前，她担任国际剧评人协会罗马尼亚分会（AITC.ro）主席。在2021、2022和2023年连续三届中，她是罗马尼亚国家戏剧节三人策展团队的成员之一。作为广播剧制作人，她屡获国际大奖。2023年，她凭借埃玛·斯特雷（Ema Stere）的作品《六十年代》（The Sixties）获得BBC“最佳欧洲广播剧奖”，并以安德烈亚斯·荣维尔特（Andreas Jungwirth）创作、她改编制作的《Langholzfeld》荣获亚太广播联盟“和平合作奖”。在2019–2020年罗马尼亚–法国文化季中，她制作了原创剧本《双头帝国》，由伊林卡·斯提希（Ilinca Stihi）和阿曼丁·卡萨达蒙（Amandine Casadamont）执导，由罗马尼亚国家广播电台与法国文化广播台联合制作，在法国和罗马尼亚双重首演。她的其他重要获奖作品包括：2018与2019年马鲁尔奇大奖（Grand Prix Marulç），2018年纽约广播节一等奖，2017年亚太广播联盟大奖，2020、2022与2023年诺瓦大奖（Grand Prix Nova），以及2021年英国国际广播剧节大奖。作为广播剧领域专家，她在2024和2025年与布加勒斯特法国文化中心联合举办了两场声音创作工作坊，面向艺术家和广播专业人士。她曾在罗马尼亚克卢日国家广播电台担任文化记者二十年（1995–2016），在2008–2016年间担任文化节目协调员，同时定期制作广播剧。自1996年起，她为罗马尼亚文化广播电台贡献文化类音频作品。2000–2016年间，她还策划“广播画廊”（Galeriile Radio）——一个隶属于克卢日广播电台的视觉艺术展览空间，致力于推广专业艺术家作品。她是《Scena.ro》戏剧杂志的副主编。2019–2020年，她与克里斯蒂娜·莫德雷亚努（Cristina Modreanu）共同主持了两期《Scena.ro》播客节目，由ARPAS与罗马尼亚国家广播电台合作制作： https://soundcloud.com/revistascenaro/ 她长期为《Scena.ro》、《文化观察》（Observator Cultural）、《文化之都》（Capital cultural）、《瓦特拉》（Vatra）、《马斯卡笔记》（Caietele Masca）、奥地利戏剧杂志《Aurora Magazine》、意大利杂志《Hystrio》以及德语戏剧评论网站 theatrescu.com 撰写戏剧评论。自2023年起，她担任《Scena.ro》副主编。

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