First Draft: A Dialogue on Writing is a literary podcast produced and hosted by Mitzi Rapkin. Each week the podcast features an in-depth interview with a fiction, non-fiction, essay, or poetry writer. The show is equal parts investigation into the craft of writing and conversation about the topics of an author’s work.
ABOUT IT’S NOT THE END OF THE WORLD
It’s 2044 and life is bleak for many Americans, but not for Mason Daunt. Safe in his Los Angeles mansion, Mason can remain blissfully unaware of the relentless wildfires engulfing California, the proliferation of violent right-wing militias, and the rampant authoritarianism destroying American society. He’s so rich, in fact, that he and his partner Yunho Kim are throwing a 100-person, $100,000 baby shower to celebrate their newborn-on-the-way. When a potentially apocalyptic event hits Los Angeles on the day of their celebration, though, the wealthy gay couple refuses to cancel their party. Surely it’s not the end of the world? But as Mason runs a few last-minute errands, a staggering twist thrusts him into the mounting chaos, and threatens the lives of everyone he holds dear.
Shot through with biting wit, brutal gore, primal sex, and unexpected catharsis, It’s Not the End of the World is a nerve-shredding roller coaster of a novel that will leave readers shocked, heartbroken, and inspired to question their most firmly held convictions. What happens when our current battles with climate change, capitalism, and white supremacy are pushed to their breaking points? And how can we find hope?
ABOUT JONATHAN PARKS-RAMAGE
Jonathan Parks-Ramage is a Los Angeles based novelist, playwright, screenwriter and journalist. His critically acclaimed debut novel YES, DADDY (HarperCollins) was named one of the best queer books of 2021 by Entertainment Weekly, NBC News, The Advocate, Lambda Literary, Bustle, Goodreads and more. YES, DADDY was also optioned for television by Amazon Studios. He was the co-creator of the recent Off-Broadway musical THE BIG GAY JAMBOREE and was nominated for a Lucille Lortel award and Drama Desk Award.
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