Tuesday September 16 * doors at 630, music at 7 * $20-25 * TICKETS
Glenn Jones is a master of American Primitive Guitar, a style invented in the late 1950s by John Fahey, whose traditional fingerpicking techniques and wide-ranging influences were used to create modern original compositions. Jones, who led the post-rock ensemble Cul de Sac, brings his own made-up tunings, the use of custom-crafted partial capos, and a highly skilled picking style on both banjo and guitar, to create personal compositions that are lyrical, emotive and elegant.
Liam Grant is a New England guitarist with a punk ethos, cut from the American Primitive cloth. The restless guitar explorations, modal epics, and driving uptempo rags recall the likes of Grant's pedagogue; Takoma Records, and the path that was paved by his forebears John Fahey, Robbie Basho, Peter Walker, Max Ochs, and later, Glenn Jones, Steffen Basho-Junghans, Jack Rose, and others.
Kajwan Ziaoddini started performing Santour in 1998. He earned his master’s degree in Iranian classical music at the University of Tehran. As a musician, he has collaborated with several Iranian ensembles such as Eghbal, Ravian, and Hamnavazan, and has contributed to five albums: From the Saba’s Rose Garden, Hashtrud, Delkesh, Goshayesh, and Nowbang.
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