Richardson Building, 40 Washington Street, Quincy, MA, 02169
Historic houses help us imagine what home life for some people in colonial New England might have looked like, but what might it have sounded like? Find out at a performance of historical music ensemble Lyracle’s program, Musick’s Recreation. In this program, Lyracle focuses on a few documented viol players in colonial New England as well as viol players who were left out of historical records. Lyracle connects what can be inferred about their varied musical experiences to English repertoire that was likely present in 17th and early 18th century New England. Experience the music of beloved composers like Henry Purcell and his lesser-known contemporaries recontextualized, and help celebrate all kinds of local historic music-making: the silly, the serious and everything in between.
Co-Artistic Director Ashley Mulcahy is a mezzo-soprano active as a solo and ensemble singer. Ashley has performed with a wide range of early music ensembles, including Bach Collegium Japan, Boston Early Music Festival, Handel and Haydn Society, Newberry Consort, Parthenia Viol Consort, Blue Hill Bach Festival, New York State Baroque, Pegasus Early Music, and Upper Valley Baroque. Ashley is a graduate of the Voxtet Program at the Yale School of Music and Institute of Sacred Music, which provides four students each year a full scholarship to study early music, oratorio, and chamber music. At Yale, Ashley studied with James Taylor and had the opportunity to work with many internationally renowned conductors, including Nicholas McGegan, Masaaki Suzuki, David Hill, and Simon Carrington. Ashley is particularly interested in opportunities that combine her interests in the arts and humanities, and she enjoys writing for Early Music America on a freelance basis. Ashley holds a BA in Italian Language & Literature and a BM in Vocal Performance from the University of Michigan, where she studied with Carmen Pelton.
Co-Artistic Director James Perretta is a Boston-based viola da gambist who is active as a performer, arranger, and teacher. In addition to having performed with groups such as The Boston Camerata and Nota Bene, James is passionate about cross-genre collaborations and has twice participated in and performed at the Silkroad ensemble’s Global Musicians Workshop. As a teacher, James maintains a private studio at Powers Music School and has taught classes on improvisation and on arranging madrigals to accompany a solo voice at the Viola da Gamba Society of America Conclave. As an arranger, James particularly enjoys adapting music from video games to be played on the viol and exploring extended techniques on the instrument. He maintains a presence on TikTok (@gambajames) and YouTube (jamesperrettamusic).
This program is made possible by the generous sponsorship of the Friends of the Thomas Crane Public Library.
https://thomascranelibrary.assabetinteractive.com/calendar/concerts-at-the-crane-lyracle/
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