During this workshop, participants will investigate movement and stillness by exploring the body’s natural anatomical potential, including floating, hanging, and strings. Exercises from Noguchi Taiso water body practice and aspects of butoh will help remove customary societal and cultural behaviors, guiding dancers toward bodily emptiness. Without the constraints of old habits, the unconscious body can freely respond to sensations, forces, and states of emotions to become a fully expressive body.
Dancers will be instructed with lessons to expand their range of movements, including subtle, unrestrained, fading, animal, and revolutionary.
🎴 Description of the Indescribable Butoh 🎴
Originating in post-WWII Japan, butoh is a potent and revolutionary dance form. Butoh uses the body brazenly as a battleground to attain personal, social, or political transformation. In its early forms, butoh embraced and referenced Western artistic movements: German Expressionism, Dadaism, Surrealism, Existentialism, and Fluxus, all of which pervaded the Tokyo underground and the avant-garde art scene at that time.
The co-founders of butoh, Tatsumi Hijikata, and Kazuo Ohno trained in German Modern dance, which was integral to the development of German Expressionism. But, eventually, they took opposite approaches to their dance-making. Hijikata’s work became known as ankoku butoh (dance of utter darkness); he embraced the grotesque and the absurd, exploring themes of sacrifice, struggle, and death. Ohno’s butoh was playful, humorous, and filled with light and life. Today’s butoh is influenced by both Hijikata and Ohno and wrestles to balance those contrary approaches.
Like many other Japanese concepts, butoh is defined by its very evasion of definition. It is both theatre and dance, yet it follows no choreographic conventions. It is a subversive force, through which traditions are overturned. As such, it must exist somewhere on the social periphery. It is a popular spectacle, unlike the classical theatre of Noh with its elaborate gestures. Yet it is esoteric. It is a force of liberation, especially within the conformist Japanese social structure, yet it is born out of extreme discipline. In a culture of exceptional visual harmony, it employs a vocabulary of ugliness.
For more information and registration, please visit
https://www.earthdance.net/event/radical-resonance-a-workshop-in-butoh-dance-with-julie-becton-gillum/
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