Brostep
From video games and film scores to studio production and major festivals, Jake Stanczak a.k.a. Kill The Noise has done it all. He was born out of an era where Ridley Scott imagined dystopian futures on the silver screen, and artists like NIN and Aphex Twin rocked MTV. Getting creative in the studio with the likes of Seven Lions, Skrillex, Deadmau5 and Tom Morello, and contributing to film scores and OSTs, including “Teenage Mutant Ninja Turtles” and “XXX -Return of Xander Cage” in collaboration with top composer Brian Tyler, Stanczak's long standing career in electronic music never stands still.
Read moreFrom video games and film scores to studio production and major festivals, Jake Stanczak a.k.a. Kill The Noise has done it all. He was born out of an era where Ridley Scott imagined dystopian futures on the silver screen, and artists like NIN and Aphex Twin rocked MTV. Getting creative in the studio with the likes of Seven Lions, Skrillex, Deadmau5 and Tom Morello, and contributing to film scores and OSTs, including “Teenage Mutant Ninja Turtles” and “XXX -Return of Xander Cage” in collaboration with top composer Brian Tyler, Stanczak's long standing career in electronic music never stands still.
| Date | Event name | Venue |
|---|---|---|
| 12 Jul 2025 | K*ll The Noise, Bro Safari in Atlanta | Believe Music Hall, Atlanta |
| 16 Aug 2025 | K*ll The Noise in Kansas City | Liberty Courtyard, Kansas City |
Some of Kill The Noise's most popular songs include I Do Coke, Song Of The Year, Horizon. These tracks have impressed fans and helped cement their place in the music industry.
You can listen to Kill The Noise's music on all major streaming platforms, including Spotify, Apple Music, and YouTube. Their most popular songs include I Do Coke, Song Of The Year, Horizon, and more.
Kill The Noise is known for their distinctive sound in the brostep genre, often blending elements of complextro, making them a unique voice in the music world.
You can find the ticket details about Kill The Noise concert from AllEvents.
