Filmi
Upcoming Ghibran Tour
Striking a chord with contemporary music, Ghibran is one of the top composers in the Indian film industry with more than a decade of experience in composing jingles, music albums and movies. music. His first venture in Indian film was with the movie named Vaagai Sooda Va (2011) that won him many accolades. "Uttama Villan", One of his movies took him by a huge leap with several critics appreciating the musical composition. The music is primarily a seamless blend of traditional Indian folk with western orchestration. The villapattu (an ancient form of musical story-telling where the narration is interspersed with music) and theyyam’s (a popular ritual art of southern India) exponential form pushed the boundaries of contemporary music and gave a powerful listening to the soul of singing. The film’s music has merged an orchestral Atonal tone with neo-classical composition. The feather on the cap is the composition of a song called ‘Iraniyan Nadagam’, a culmination of Sprechgesang (speech singing) and Indian folk. Ghibran is a highly versatile and awe-inspiring music director with a will to provide a breathtaking fresh perspective of music in films. He has his footprints across various countries working with many technicians and musicians from various industries. His passion and knowledge have fetched him various successful pieces of musical combo. Ghibran is now having plans of making a mark in international platforms
Read moreStriking a chord with contemporary music, Ghibran is one of the top composers in the Indian film industry with more than a decade of experience in composing jingles, music albums and movies. music. His first venture in Indian film was with the movie named Vaagai Sooda Va (2011) that won him many accolades. "Uttama Villan", One of his movies took him by a huge leap with several critics appreciating the musical composition. The music is primarily a seamless blend of traditional Indian folk with western orchestration. The villapattu (an ancient form of musical story-telling where the narration is interspersed with music) and theyyam’s (a popular ritual art of southern India) exponential form pushed the boundaries of contemporary music and gave a powerful listening to the soul of singing. The film’s music has merged an orchestral Atonal tone with neo-classical composition. The feather on the cap is the composition of a song called ‘Iraniyan Nadagam’, a culmination of Sprechgesang (speech singing) and Indian folk. Ghibran is a highly versatile and awe-inspiring music director with a will to provide a breathtaking fresh perspective of music in films. He has his footprints across various countries working with many technicians and musicians from various industries. His passion and knowledge have fetched him various successful pieces of musical combo. Ghibran is now having plans of making a mark in international platforms
