Afro House
Upcoming Atjazz Tour
Setting sail on his mammoth music journey in 1995, Martin “Atjazz” Iveson, known for his constant delivery of solid, well-crafted house-music and more continues his musical journey through sound, stamping his assonant trademark on route! Martin works very closely with Yoruba Records, R2 Records, Lazy Days Recordings, Local Talk and Miso Records. Martin has also been a prolific remixer throughout his 20-year career, reworking and partnering on releases for artists across the globe. The list of which is as impressive as it is comprehensive: Nitin Sawhney, Bob Sinclar, Gilles Peterson, Jazzanova, The RAH Band, Karizma, Osunlade, Zed Bias & Omar to name but a few (even being requested to rework Henri Mancini’s ‘The Pink Panther Returns” for EMI Records). Martin still very much enjoys reimagining artists’ work as often as his hectic schedule allows, as he himself says “remixing helps to hone your sound” and he is not slowing down in the slightest. His dubs for St. Germain’s exciting major release on the Parlaphone/Warner France label demonstrate the level of appeal he has internationally. An experimental, inspirationally prolific and hugely respected mainstay of the UK independent music scene.
Read moreSetting sail on his mammoth music journey in 1995, Martin “Atjazz” Iveson, known for his constant delivery of solid, well-crafted house-music and more continues his musical journey through sound, stamping his assonant trademark on route! Martin works very closely with Yoruba Records, R2 Records, Lazy Days Recordings, Local Talk and Miso Records. Martin has also been a prolific remixer throughout his 20-year career, reworking and partnering on releases for artists across the globe. The list of which is as impressive as it is comprehensive: Nitin Sawhney, Bob Sinclar, Gilles Peterson, Jazzanova, The RAH Band, Karizma, Osunlade, Zed Bias & Omar to name but a few (even being requested to rework Henri Mancini’s ‘The Pink Panther Returns” for EMI Records). Martin still very much enjoys reimagining artists’ work as often as his hectic schedule allows, as he himself says “remixing helps to hone your sound” and he is not slowing down in the slightest. His dubs for St. Germain’s exciting major release on the Parlaphone/Warner France label demonstrate the level of appeal he has internationally. An experimental, inspirationally prolific and hugely respected mainstay of the UK independent music scene.
