When Etta Marcus began writing the forthright, ferocious ‘Girls Are God’s Machines’ - the lead
single from her perspective-shifting new EP ‘Devour’ - the 24-year-old South Londoner had no
idea that so much rage was pent up inside of her. Until that point, Etta had been slowly
expanding her palette of richly-evocative storytelling, dipping into indie and rock, folk and pop to
weave visceral tales of the brain and the body. 2024’s acclaimed mini album ‘The Death of
Summer & Other Promises’ had explored almost gothic lyrical terrain, from a prostrating kind of
love on breakthrough single ‘Theatre’ to ‘Fruit Flies’’ tactile meditation on aging. But ‘Girls Are
God’s Machines’ and ‘Devour’ were something quite different…
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