Kelsey Waldon with Mariel Buckley, 24 July | Event in Madison | AllEvents

Kelsey Waldon with Mariel Buckley

The Bur Oak

Highlights

Thu, 24 Jul, 2025 at 08:00 pm

The Bur Oak

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Date & Location

Thu, 24 Jul, 2025 at 08:00 pm (CDT)

The Bur Oak

2262 Winnebago St, Madison, WI 53704-5321, United States

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About the event

Kelsey Waldon with Mariel Buckley
Doors 7PM / Show 8PM
Seated show
$15ADV / $17DOS

Artist Presale: April 8-10
On Sale: April 11


In the six years since she signed to John Prine’s Oh Boy Records, Kelsey Waldon has earned wide praise for her “self-penned compositions [with] the patina of authenticity” (Rolling Stone). On her new album, Every Ghost, she confronts addiction, grief, generational trauma, and even herself — and comes through it stronger and at peace.

“There’s a lot of hard-earned healing on this record,” Waldon says of the nine-song project, recorded at Southern Grooves studio in Memphis with her band, The Muleskinners. As she sings in the record’s title track and first song, “Ghost of Myself,” she’s put in the work not only to better herself and leave behind bad habits, but also to learn to love her past selves.

Doing so wasn’t easy, Waldon admits. “It took time and experience,” she says, adding that she can now find compassion for her younger self.

“I think you’ve gotta respect her,” Waldon says, “because she was trying as hard as she could for where she was at, and she was doing a damn good job.”

Compassion is a throughline on Every Ghost, whether it’s for Waldon herself, for the person in the throes of addiction in “Falling Down,” or for a suffering world in “Nursery Rhyme.” The people in Waldon’s songs aren’t irredeemable — they’re struggling.

“You’ve got to have compassion; you gotta stay humble and have gratitude,” Waldon says. However, she’s learned that you also can’t let people take advantage of an empathetic heart. “Comanche” — which Waldon jokes is her very own truck song — finds Waldon grappling with the loss of a loved one, not to death but to boundaries she’s set for her own good. Waldon owns a 1988 Jeep Comanche, and driving it serves as a kind of therapy for her.

“I love the whole aspect of when design mattered,” she says, “and owning your car was an expression of yourself.”

“Comanche” is deeply personal, but Waldon’s most introspective reflections bookend My Ghost. Its penultimate song, “My Kin,” extends the idea of loving yourself in spite of yourself beyond the choices she’s made and the circumstances she’s put herself in, to reckon with both the good and the bad that come from her family tree. Those traits, Waldon concludes, make her who she is.

“As the song says, ‘I’m the best and worst of my kin,’ and I love that for myself,” says Waldon, who was born and raised in a hunting lodge at the end of a dead-end road in the rural, unincorporated community of Monkey’s Eyebrow, Ky. “And I’m also at a point where I’m willing to break these cycles, I’m willing to grow, I’m willing to evolve.”

Unapologetically genuine, wry and soft-hearted, Mariel Buckley has planted her flag firmly as a songwriter who is comfortable living on the fringes, writing songs for the underdogs. With a fearless spirit that’s consistently broken through both genre and personal barriers, Buckley’s unique blend of angst-driven alt-folk has made her a standout artist, offering a fresh and dynamic perspective on modern Americana music.

Buckley’s past albums, 2022’s Polaris Music Prize nominated Everywhere I Used To Be and 2018’s Driving In The Dark, has been praised by notable publications and recognized with prestigious accolades. She’s toured across Canada, America and the EU/UK, as well as showcasing at SXSW, Americanafest, The Philadelphia Folk Fest, and Folk Alliance International. She’s shared stages with artists like Orville Peck, k.d. lang, The Bros Landreth and Frazey Ford, among many others.

An avid admirer of his work, Mariel connected with Nashville based alt-Americana producer, Jarrad K (Ruston Kelly, Lucie Silvas, Fancy Hagood, Goo Goo Dolls) for her new single, “Vending Machines.” Marking the beginning of a new sonic and individual chapter, the song exudes darker instrumentation and themes. Despite having grittier undertones, the writing is intentionally vulnerable and specific, resulting in something inviting and universal. “Vending Machines” explores themes of self-doubt, uncertainty, and questioning one’s path.


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Ticket Info

Tickets for Kelsey Waldon with Mariel Buckley can be booked here.

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The Bur Oak, 2262 Winnebago St, Madison, WI 53704-5321, United States

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Kelsey Waldon with Mariel Buckley, 24 July | Event in Madison | AllEvents
Kelsey Waldon with Mariel Buckley
Thu, 24 Jul, 2025 at 08:00 pm