Music stripped to its essence—where sound meets silence, and silence becomes sound. In a world full of noise, minimalism creates space for stillness, and that’s where its power lies.
With this programme, Ilan Volkov questions the idea of ‘minimal’: what do we label as such, and what else—seen from another angle—might also be considered minimal? An experimental evening with electronics and voice as key elements.
This concert is part of the Brussels Philharmonic LAB-SERIES: a sonic exploration for the curious ear.
♫ 𝟐𝟎:𝟏𝟓 𝐁𝐑𝐔𝐒𝐒𝐄𝐋𝐒 𝐏𝐇𝐈𝐋𝐇𝐀𝐑𝐌𝐎𝐍𝐈𝐂 𝐋𝐈𝐕𝐄
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• Barbara Monk Feldman, Northern Shore (2018)
• Sarah Davachi, Oscen (2019)
• Morton Feldman, Voices and Instruments I (1972)
• Julius Eastman, The Holy Presence of Joan D'Arc (1981)
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★ with Vlaams Radiokoor
★ conducted by Ilan Volkov
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► 18:00 doors open & street food
► 18:00 Soundlab: interactive musical installations (Logos Foundation)
►18:30 Rave Little Belgium: From Expo 58’ to Techno: a Belgian history of early electronic music (part #01) – lecture & listening session by Koen Galle (EN) (€5)
► 19:00 Score Safari: live music set - Ictus presents Parallels (Tristan Perich)
► 19:30 introduction (EN)
► 20:15 concert (without intermission - end approx. 21:30)
► 21:45 BruPhil Café: aftertalk with Ilan Volkov (EN)
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𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘴𝘶𝘱𝘱𝘰𝘳𝘵 𝘰𝘧 𝘉𝘦𝘴𝘪𝘥𝘦 𝘛𝘢𝘹 𝘚𝘩𝘦𝘭𝘵𝘦𝘳 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘉𝘦𝘭𝘨𝘪𝘢𝘯 𝘛𝘢𝘹 𝘚𝘩𝘦𝘭𝘵𝘦𝘳
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