Jana Horn is an American songwriter whose work traces the quiet edges of experience with rare precision. On her self-titled third album (out in January 2026 via No Quarter), recorded at Sonic Ranch in the West Texas desert, she sharpens her minimalist language to its most elemental form – dry air, open space, spoken-sung lines that land like observations overheard in a dream.
Working as a trio with bassist Jade Guterman and drummer Adam Jones, Horn creates a friction between her stark delivery and the band’s melodic pull, while clarinetist/flutist Adelyn Strei and pianist Miles Hewitt add ghost-tones and grounding figures. The music evokes early Cat Power or the sparse poetics of Loren Connors – but ultimately feels entirely its own: distilled, searching, quietly intense.
Written during a disorienting first year in New York, the album captures a period of upheaval and re-formation. Songs emerge like field notes from a life in motion – city fragments, desert clarity, letters between friends, glimpses of renewal. What remains is a voice that cuts through the noise by refusing it, shaping a world from silence, detail, and the unguarded moment.
