12€ doorsale and online
les ateliers claus
lorenzo abattoir + mariana carvalho
friday 21 november 2025
door 20:00 - 12€
lorenzo abattoir (it)
lorenzo abattoir is a sound artist based in torino it. a key element of his work is the relationship between the performative act and unconventional methods of audio processing, mainly focusing on the use of microphones as an instrument to structure his performances
.
during past years he recorded and released collaborative works with: giovanni lami, freddie murphy, simon whetham, francisco meirino.�his performances have been presented in various venues and festivals like: cafe too, les instants chavirès, echoraum, goethe-institut boston, unsafe+sound festival, luff lausanne film festival, ende tymes festival new york. he also works in the contemporary art field creating sound installations and sonic landscapes for theatre shows with collettivo effe presented at venice biennale and roma europa festival.
latest album release:
https://thequietus.com/quietus-reviews/lorenzo-abattoir-mess-akt-iv-review/
mariana carvalho (br)
mariana carvalho (são paulo/berlin) is a performer, musician and artist working with the body and interactions between bodies, mostly through sound, voice, technological mediation, improvisation, text, internal listening, contact, materials, self-built instruments and prepared piano.
Marjolein Guldentops:
Timely Mannerism is a spoken score for a body moving through time. It traces the perception of time through voice and sound, layering loops, spoken fragments, and field recordings of signals that mark its passing.
Marjolein Guldentops is a Brussels-based visual artist and performer whose work focuses on language. She approaches language as both material and structure: a dynamic system that we inhabit, shape and are continually shaped by. Embracing its ambiguity and transformative potential, she regards words as collaborators rather than instruments in her creative process. Her work explores how linguistic frameworks influence our perception of space, time, identity and interpersonal relationships, often unfolding through urban exploration, vocal expression and alternative modes of communication. Through transposition, she enables a single text to migrate and re-emerge in various forms, including performance, sound, publication, and drawing. Through an interplay of typographic and lyrical elements, she creates spatial compositions that unfold at the intersection of reading, listening, and physical presence.
collaboration is a big part of her work, most lately happening in the fields of performative arts and dance.
datapol entr'act
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