Jason D. Williams, Supersuckers, & Wayne Hancock at The Domino Room

Midtown Events brings you Jason D. Williams, Supersuckers, & Wayne Hancock at The Domino Room in Bend Sunday, Oct. 19! Doors 7pm, show 8pm. 21+

TICKETS ON SALE THURSDAY, MAY 22 AT 10AM

JASON D. WILLIAMS

After decades of being celebrated for his take-no-prisoners approach to performing country and rock ‘n’ roll penned by others, Williams has added a new element to his artistry, songwriting.

The rock ‘n’ roll history of Memphis looms large in Williams’ world. He recorded for RCA and Sun Records in the 1980s and ’90s, and returned to the recording fold in 2010 and has continued steady since.

At the age of 16, Williams left his tiny hometown of El Dorado, Ark., to perform with LaBeef who had set up a base of operations in northeast Massachusetts.

Williams, who continued to work with LaBeef on occasion until his death in 2021, went solo in the late 1980s and found a steady home at Mallards in the Peabody Hotel in Memphis, TN when a snowstorm stranded him a few steps from the Peabody door, quickly he attracted a following and the rest, as they say, is history.

After several years, he left after signing with RCA, which released his first album, “Tore Up,” and he stayed on the road after Sun Records issued “Wild” in 1993. “Don’t Get None Onya’,” released in 2004, captured the power of his blend of honky-tonk country and Memphis rock ‘n’ roll and was the birth of his own label. “Rockin”, “Killer Instincts” and “Recycled” soon followed and the latest album is in progress now.

Williams performed all of the hand shots for the movie “Great Balls of Fire” starring a young Dennis Quaid and was also featured in “The War Room” documenting Bill Clinton’s race for the White House. He’s also had numerous television appearances and various shows on MTV, VH1 and CMT.

A wild man onstage, Jason accredits influences like Jerry Lee Lewis, Moon Mullican, Memphis Slim and Al Jolson, for helping to develop his vast repertoire and seemingly endless energy. “I’ve always welcomed the comparisons; my influences were some of the greatest entertainers ever to be seen.” Jason continues to tour more than 160 shows a year.

SUPERSUCKERS

“You’ve heard our name, you’ve seen our records, our t-shirts and our stickers. We’re probably the favorite band of someone you know and yet maybe we’re still a mystery to you. Well my friend, that’s okay, you’re at the right place to get to know the greatest rock-n-roll band in the world, The Supersuckers.

And the next time you see the ‘Supersuckers’ name, whether it’s in the record store, online somewhere, or on the marquee at your local rock club, know that there’s some quality, honest, ass-kicking, hard working individuals behind it all trying to make your life a little better through the “Evil Powers Of Rock-n-Roll” (and the occasional detour into the country music, of course) and we’d love nothing better than to have you there with us as! Just remember to wear clean underwear, ‘cuz we’re gonna rock the pants right off of you!”

– Eddie Spaghetti, The Supersuckers

WAYNE HANCOCK

Wayne Hancock has more Hank Sr. in him than either I or Hank Williams Jr. He is the real deal.” – Hank III

“Hancock, who tosses out a roots mix of old country, roadhouse blues, western dance swing, boogie bop, and straight-up rockabilly, takes what was once old and makes it seem like it’s always been and always will be.”—allmusic.com

“The country music scene could do with a lot more characters like Wayne, who push the music’s limits while staying truer to its roots than any well-known names associated with the genre today.” – Slug Magazine

Since his stunning debut, Thunderstorms and Neon Signs in 1995, Wayne “The Train” Hancock has been the undisputed king of Juke Joint Swing–that alchemist’s dream of honky-tonk, western swing, blues, Texas rockabilly and big band. Always an anomaly among his country music peers, Wayne’s uncompromising interpretation of the music he loves is in fact what defines him: steeped in traditional but never “retro;” bare bones but bone shaking; hardcore but with a swing. Like the comfortable crackle of a Wurlitzer 45 jukebox, Wayne is the embodiment of genuine, house rocking, hillbilly boogie.

Wayne makes music fit for any road house anywhere. With his unmistakable voice, The Train’s reckless honky-tonk can move the dead. If you see him live (and he is ALWAYS touring), you’ll surely work up some sweat stains on that snazzy Rayon shirt you’re wearing. If you buy his records, you’ll be rolling up your carpets, spreading sawdust on the hardwood, and dancing until the downstairs neighbors are banging their brooms on the ceiling. Call him a throwback if you want, Wayne just wants to ENTERTAIN you, and what’s wrong with that?

Wayne’s disdain for the slick swill that passes for real deal country is well known. Like he’s fond of saying: “Man, I’m like a stab wound in the fabric of country music in Nashville. See that bloodstain slowly spreading? That’s me.”

Little known fact: Wayne is the only Bloodshot artist to have had their CD taken aboard a space shuttle flight.

“A rare breed of traditionalist, one who imbues his retro obsessions with such high energy and passions that his songs never feel like the museum pieces he’s trying desperately to preserve.” —AllMusic.com

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