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The Tallest Man On Earth w/ The Still Tide at Revolution Hall

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TICKETS 🎟️ truewest.info/TTMOE25
On Sale Friday, June 27 at 10am PT

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Kristian Matsson: The Tallest Man on Earth

"Music is my primary way of asking really loud questions. Most of my songs are big life questions, how to live and function in this world".

The Swedish singer-songwriter troubadour Kristian Matsson, better known as The Tallest Man on Earth has a rare talent for captivating an audience with just his raw, grainy voice and a guitar. He plays various string instruments, ranging from acoustic guitar, banjo and he recently picked up and started exploring the realm of the violin as well. The coming year will see him on the road again through Europe and North-America.

The project of Kristian Matsson - who has spent much of the last 19 years touring around the world as The Tallest Man On Earth - has captivated audiences using “every inch of his long guitar cord to roam the stage: darting around, crouching, stretching, hip-twitching, perching briefly and jittering away…” (The New York Times). In 2020, Matsson left New York City and returned to his farm in Sweden where he drowned out his thoughts by manically growing vegetables in his garden. It was only near the end of 2021, as he began to tour again, that the inspiration returned. “When I’m in motion, I can focus on my instinct, have my daydreams again. When I was finally able to tour again, I started writing like a madman.” He eventually had a collection of songs, revealing what would become Henry St, an album that sees Matsson exploring his own stubborn optimism and “how to be a person in this world”.

Critics often draw comparisons between The Tallest Man on Earth and Bob Dylan, citing similarities in both songwriting and vocal style. Matsson himself has acknowledged Dylan's influence, revealing that he started listening to him at the age of fifteen. Fascinated by Dylan's covers, he delved into their origins, which gradually introduced him to early American folk artists like Pete Seeger and Woody Guthrie. However, Matsson is quick to distance himself from being part of any specific tradition, stating, “I don’t want to be part of a tradition. I just want to do what feels natural to me. This is how I play, and this is how I write songs".
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