Internationally renowned artists Oren Ambarchi and crys cole will celebrate the release of their brand new album "Hotel Record" (Black Truffle Records) with a very special, and rare, duo performance. Copies of the album will be available for sale at this exclusive performance.
Opening performance by Greenhouse.
July 13, aceart, $15.
Show starts at 8:30 sharp.
crys cole is a Canadian sound artist working in composition, performance and sound installation. cole’s approach to sound emphasizes subtlety and discretion, guided by a fascination with microsonics that test the limits of audibility and intentionality. By drawing attention to the texture and delicacy of minimal sonic environments, cole aims to create a heightened awareness not only of the sounds she creates, but of the environmental sounds that arise during listening – and ideally, of the listener’s own self-consciousness as a perceptual body and agent.
Oren Ambarchi is a composer and multi-instrumentalist with longstanding interests in transcending conventional instrumental approaches. His work focuses mainly on the exploration of the guitar, “re-routing the instrument into a zone of alien abstraction where it’s no longer easily identifiable as itself. Instead, it’s a laboratory for extended sonic investigation”.
Greenhouse is the moniker for Winnipeg guitarist Curran Faris. Utilizing an array of outboard effects, Faris embraces the sonic qualities and limitations of the guitar while working to erase them by embracing the aesthetics of electronic music, drone, minimalism and dub. His latest release, "Lapse" (Geology Records), utilizes only acoustic guitar and a minimum chain of effects.
About "Hotel Record" by Oren Ambarchi and crys cole:
Hotel Record is the second release from the duo/couple of crys cole and Oren Ambarchi, following on from Sonja Henies vei 31 (PLANAM 031LP, 2014). Where their debut recording presented a disquieting portrait of the erotic dimension of romantic intimacy, the follow-up continues to explore the pair's simultaneously musical and romantic relationship in a more subtle fashion, presenting four long-form pieces that touch on the variety of forms the life of this couple takes: as a musical duo, as a pair of travelers to exotic locations, as opponents in a game of cards... Each of the double LP's four sides presents a distinct sound-world, yet each manages to attain the same suspended, half-sleeping feeling, outlining a space where improbable combinations of the electronic and the acoustic, of extreme closeness and amorphous distance, occurring with the gentle insistence of a dream. The opening "Call Myself" calmly unfolds a fabric of long tones from electronic organ and guitar, combining the sliding, aleatoric effects of classic David Behrman with a more hands-on feel. Over the top of this slowly shifting tonal bed, cole's voice mutters unintelligibly into a Buchla synth, teasing the listener by suggesting a meaning that remains always out of the ear's reach. "Francis Debacle (Uno)" builds on the foundations of a heavily amplified session of the titular card game, overlaying vocal murmurs and exhalations and mysterious room-sounds to create an impossible aural environment. On "Burrata", a palette of vintage 1980s digital synthesizer sounds combined with guitars create an irregular texture of lush chords and bubbling melodic details, into which cole's voice processed by a vocoder, is interwoven, reading fragments of romantic correspondence. Finally, on "Pad Phet Gob", field recordings made in Thailand become an ambiguously acoustic/electronic rainforest, eventually giving way to a mysterious, wavering electronic tone-field punctuated by sibilant, popping mouth-sounds. Carving out an intimate and human sonic space across a diverse array of compositional approaches, sound sources, fidelities, and textures, Hotel Record is the latest dispatch from the continuing explorations of a unique duo. Ambarchi and cole reimagine electro-acoustic music, not simply as "abstract" sound, but as a diary, a love poem, a dream. Comes in deluxe gatefold sleeve with photography by crys cole and LP design via Stephen O'Malley; Mastered and cut by Rashad Becker at Dubplates & Mastering.
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