# Event Details - **Event Name**: Recording Arts - **Event Start and End Date**: Mon, 27 Jul, 2026 at 09:00 am – Fri, 07 Aug, 2026 at 04:00 pm - **Event Description**: Create, record & mix your dream project in a legendary facility with a dream community of collaborators learning from a pro teaching team!About this EventThe Stanford Recording Arts Workshop is back and better than ever! Week 1 (July 27 - 31) is Producing, Arranging & Recording; Week 2 (Aug 3 - 7) is Mixing, Mastering & Releasing. But the truth is that we go where the recordings take us both weeks. Enroll in one or both weeks -- over 90% of students do both weeks. We will once again produce and release an entire album as a class ensemble in two weeks at Stanford’s state-of-the-art recording studio. Click here to hear 2024's double album recording!If you’re looking to learn how to record and release a high-end album efficiently, and/or a professional-level recording of that track you’ve always wanted to make with an established industry production team and talented collaborative fellow student musicians ready to help bring your vision to life — this workshop is for you. Students of this course, who range every year from gifted college musicians to music professionals and professors, have gone on to achieve international success with tracks they created at the Stanford Workshop. One is now a Disney Audio Imagineer.Here’s how it works...Each student produces one or more collaborative tracks, assisted by the teaching team and fellow students. As we spend our days producing your recordings, teachers and special industry guests will instruct on things like running a recording a session, composing and arranging, microphone selection/polarity/placement, digital audio workstations (DAWs), tracking, comping multiple takes, effects, mixing, mastering, file and project management, branding, promotion, and digital distribution… all by a team who does this on a regular basis professionally (see bios below) but is 100% committed, in work and teaching, on fostering a fun and inclusive environment. That’s the best way to ensure a great recording or learning session, and there’s a reason why one of teacher Cory Cullinan’s most recent hits is called “Positive Energy."So come get your minds and hands wrapped around custom-tailored solutions for your dream musical projects on Stanford's beautiful campus at one of the world’s most renowned music creativity and technology centers, CCRMA (Stanford’s Center for Computer Research in Music and Acoustics). You’ll live and breathe music all day and all week with passionate collaborators in a beautiful, acoustically treated Control Room and acoustically adjustable Live Room. A grand piano, collection of high end microphones, revered studio gear, instruments, synthesizers, and a team of collabrators making sure you get the recording you’ve imagined will be at your disposal. Doing so at a professional studio with equivalent facilities and expertise would cost you thousands with none of the personal training, connections and camaraderie.Our Stanford Recording Arts Workshop ensemble has Stanford’s studio booked 24 hours a day for two weeks straight. Outside official Workshop course hours, students often spend the evenings, early mornings and weekends in the studio together helping each other track and hone their dream creations. The group often goes to lunch and dinner together right on campus. Longterm friendships and music connections are built. Students who attend online may still collaborate with in-person students; we’ve had remote students contribute bass tracks, synths, mixes and more to the collective album, and we trade off holding the Zoom phone for remote ensemble members to keep you right in on the sessions.A weekly discount is given for students attending in person both weeks and helping create the album from start to finish; each week is $599 on its own, or $999 for both weeks. Favorite on-campus restaurants are a few minutes’ walk; rehearse together in other rooms at CCRMA, on the deck, under the trees, or for the adorable skunks in the back yard. (You think we’re joking…)We’ll close our unforgettable two weeks with a Listening Party of the album and songs we just created. This is the environment you’ve always dreamed of to learn more about recording, get your dream creative projects done, and rejuvenate your musical muse and collaborative spirit.About the instructors...Cory Cullinan is the former Director of Music Technology & Recording Arts at Regis University; former Recording Arts Professor at University of Colorado Denver; former Recording Academy (Grammy) Board Member; chart-topping recording and performing artist as Doctor Noize and Cory Cullinan; a commissioned composer for stage, screen and orchestra; the owner of Reach Studios in CO; a regular teacher of college Master Classes, Artist In Residencies and Workshops; a former award-winning high school Arts Department Head and Music Teacher; has Bachelors degrees in Music and Political Science from Stanford and CCRMA, graduating with Distinction & Honors; and a Masters in Recording Arts from CU Denver.Feel free to contact Cory Cullinan for questions at corycullinan@alumni.stanford.edu or (303) 886-8826.Teaching Assistant Shazia Ali is the Chair of the Music Department at Pikes Peak State College in Colorado, where she has created a new Recording Arts & Technology program that already has 54 students majoring in it. She holds a Master's Degree in Music Education from Boston University and a Bachelor of Music in Piano Performance from The Lamont School of Music at the University of Denver. In her free time, Shazia enjoys spending time with her husband and four teenagers who relentlessly drive them crazy.Teaching Assistant Riley Max is a rising Senior at Harvard University, where she is a joint major in Music and Art, Film, and Visual Studies. Riley is the Music Director of the Harvard Veritones a capella group, the former Design Editor of the Harvard Independent newspaper who still frequently illustrates their covers and centerfolds, and has been the lead in several musical theater productions at Harvard, like Pippin and 9 To 5. Riley is also an acclaimed recording artist whose music has been featured on airlines, press and playlists. Riley once opened up a United Nations General Assembly Meeting with her vocal performance.https://www.youtube.com/watch?v=918cXUqq3Vw&t=7s - **Event URL**: https://allevents.in/stanford/recording-arts/100001983484467436 - **Event Categories**: workshops, entertainment, music, art, live-music, parties, performances, meetups, science-fair - **Interested Audience**: - total_interested_count: 0 - **Event Highlights**: - Duration: 7 hours - Location: The Knoll - Languages: English ## Ticket Details - **Ticket Price Range**: min: 311.85, max: 1037.75, currency: USD ## Event venue details - **city**: Stanford - **state**: CA - **country**: United States - **location**: The Knoll - **lat**: 37.4210115 - **long**: -122.1723825 - **full address**: The Knoll, 660 Lomita Court, Stanford, United States ## Event gallery - **Alt text**: Recording Arts - **Image URL**: https://cdn-az.allevents.in/events4/banners/e51f4b7d0513d9e85c308b080e64ca69f168c3484497f47b82b1cb5b7e41fe3b-rimg-w1052-h726-dc191618-gmir.jpg?v=1771532793 ## FAQs - **Q**: When and where is Recording Arts being held? - **A:** Recording Arts takes place on Mon, 27 Jul, 2026 at 09:00 am to Fri, 07 Aug, 2026 at 04:00 pm at The Knoll, 660 Lomita Court, Stanford, United States. - **Q**: Who is organizing Recording Arts? - **A:** Recording Arts is organized by CCRMA Summer Workshops. - **Q**: Who is this event for? Is it right for me? - **A:** Recording Arts is ideal for curious learners, students, and skill-builders looking to gain hands-on knowledge and practical expertise in a focused, interactive setting. Whether you're a first-time attendee or a longtime enthusiast in Stanford, this event is thoughtfully curated to deliver a standout experience worth every moment. 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Pronouncing \"CCRMA\": CCRMA is an acronym for the Center for Computer Research in Music and Acoustics it is pronounced \"karma\" (the first \"c\" is silent).Areas of ongoing interest:CompositionApplications HardwareApplications SoftwareSynthesis Techniques and AlgorithmsPhysical ModelingMusic and Mobile DevicesSensorsReal-Time ControllersSignal ProcessingDigital Recording and EditingPsychoacoustics and Musical AcousticsPerceptual Audio CodingMusic Information RetrievalAudio NetworkingAuditory Display of Multidimensional Data (Data Sonification)Real-Time Applications.The CCRMA community:Administrative and technical staff, faculty, research associates, graduate research assistants, graduate and undergraduate students, visiting scholars, visiting researchers and composers, and industrial associates. Departments actively represented at CCRMA include Music, Electrical Engineering, Mechanical Engineering, Computer Science, Physics, Art, Drama, and Psychology. Center activities:Academic courses, seminars, small interest group meetings, summer workshops and colloquia. Concerts of computer music are presented several times each year, including exchange concerts with area computer music centers. In-house technical reports and recordings are available, and public demonstrations of ongoing work at CCRMA are held periodically.Research results:Are published and presented at professional meetings, international conferences and in established journals including the Computer Music Journal, Journal of the Audio Engineering Society, the Journal of the Acoustical Society of America, and various transactions of the Institute of Electrical and Electronic Engineers (IEEE). Compositions are presented in new music festivals and radio broadcasts throughout the world and have been recorded on cassette, LP, compact disc, and in the cloud." } ] } ] ```