Word Works: Ben Lerner
Poet, translator, novelist, essayist, and critic Ben Lerner will examine the novel as a curatorial form.
Books will be for sale from Elliott Bay Book Company.
General: $15 | Hugo House member: $12 | Student (with ID): $6
PLEASE NOTE: This event will take place at the new Hugo House at 1624 11th Avenue on Capitol Hill.
Lerner is the author of the poetry collections Mean Free Path (2010) and Angle of Yaw (2006), which was a finalist for the National Book Award and the Northern California Book Award. His sonnet sequence, The Lichtenberg Figures (2004), won the Hayden Carruth Award, was chosen by Library Journal as one of the year’s twelve best poetry books, and was a Lannan Literary Selection.
His poetry has also been included in the anthologies Best American Poetry, New Voices (2008), and 12×12: Conversations in Poetry and Poetics (2009). His novels include Leaving the Atocha Station (2011) and 10:04 (2014). The Hatred of Poetry, his monograph, was published by Farrar, Straus and Giroux.
Lerner has served as a Fulbright scholar in Madrid and as a Guggenheim fellow. In 2015 he was awarded a prestigious MacArthur fellowship. In 2002, Lerner cofounded, with Deb Klowden, No: a journal of the arts, and he has also served as the poetry editor for Critical Quarterly.
Born and raised in Topeka, Kansas, he earned a BA in political science and an MFA in creative writing from Brown University. He has taught at the University of Pittsburgh and California College of the Arts, and he currently teaches at Brooklyn College.
ABOUT WORD WORKS EVENT SERIES
For those who sit and stare in wonder at a sentence, a turn of phrase, or a particularly great execution of a literary device, marveling at how they could come about, Word Works talks show writers at their most revealing, with live close-readings demonstrating different facets of writing.
These talks by novelists, essayists, poets, and memoirists draw back the curtain on the process of writing. Each talk by a guest writer focuses on a specific element—such as dialogue, metaphor, voice, or structure—that should be in every writer’s toolbox. The talks are followed by an interview with a noted editor, writer, or critic.
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