We're excited to welcome Bobby Bazini back to the Artesian stage as he marks his bold new chapter in French-language music, sharing songs from the new album 'Seul au cinéma'.
Show Details:
Bobby Bazini
Date: Tuesday, May 26th, 2026
Doors: 6:30PM
Show: 7:30PM
Tickets: $33.00 in advance online or in person at Paper Umbrella (2724 13th Avenue), or $43.00 at the door.
*Advance tickets close at 5:00 PM day-of-show. Additional tickets will be available at the door unless it is officially labelled SOLD OUT*
The Artesian is wheelchair accessible, all-ages, and a proud supporter of positive spaces initiatives with a zero-tolerance policy towards hate, harassment, and/or discrimination. We reserve the right to remove any patron creating an unsafe environment. The accessible entrance is available via a lift, Please ask staff for help if necessary.
About Bobby Bazini's new album:
L’idée du concept de Seul au cinéma lui est venue lors de la tournée de Pearl. Pour un concert à Saint-Eustache, il s’est retrouvé à jouer dans une salle faisant partie d’un complexe de cinéma. Durant l’après-midi, après le test de son, la gérante de salle lui a offert de passer l’après-midi à y errer en toute liberté. Il s’est donc préparé un popcorn et a parcouru les salles, entrant et sortant à sa guise, parfois après quelques minutes, parfois plus longtemps. Il n’y avait aucune indication à l’entrée des salles, il ne savait jamais ce qu’il allait voir : film d’horreur, comédie romantique, film québécois populaire. Cette expérience l’a profondément marqué. Il a eu l’impression de traverser des fragments d’histoires, comme s’il passait d’un rêve à un autre, sans jamais en voir la fin:
Seul au cinéma! Neuf salles. Neuf chansons. Neuf films racontant une quête d’identité, celle de Bobby, à travers la solitude.
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The concept for Seul au cinéma came to him during the Pearl tour. While playing a show in Saint-Eustache, Bobby found himself performing in a venue that was part of a movie theatre complex. That afternoon, after soundcheck, the venue manager offered him free rein to roam the cinemas. He made himself a bucket of popcorn and wandered from screening room to screening room, coming and going freely — sometimes staying for just a few minutes, sometimes longer. There were no signs outside the doors, so he never knew what he was walking into: a horror film, a romantic comedy, a popular Quebec feature. The experience stayed with him. It felt like drifting through fragments of stories, like hopping from one dream to another, never seeing how any of them ended:
Seul au cinéma — Alone at the Movies. Nine rooms. Nine songs. Nine films telling a story of identity, Bobby’s story, through solitude.
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