Field Hall Presents: The Dirty Dozen Brass Band in the Thomsen Club
Sunday, January 11th @2PM & 5PM | The Thomsen Club
*Tickets $40-50 | Financial assistance available
*Our ticketing platform Ludus charges a 5% service fee for all card transactions. To avoid this fee, visit our Box Office at 201 W. Front Street and pay via cash or check. Hours: Monday-Saturday 10AM-2PM.
“The Dirty Dozen Brass Band is arguably the most influential ensemble to emerge in New Orleans over the last 25 years. Its sway on the brass band scene has been staggering, spawning bands like the ReBirth, New Birth, Hot 8, Li’l Rascals, Soul Rebels and just about every other young brass ensemble presently performing.” - Offbeat Magazine
Join us in the Thomsen Club at Field Hall for one of two dinner club seatings with live music from The Dirty Dozen Brass Band!
Celebrating over 45 years since their founding in 1977, the GRAMMY Award-winning New Orleans-based Dirty Dozen Brass Band has taken the traditional foundation of brass band music and incorporated it into a blend of genres including Bebop Jazz, Funk and R&B/Soul. This unique sound, described by the band as a ‘musical gumbo,’ has allowed the Dirty Dozen to tour across 5 continents and more than 30 countries, record 12 studio albums and collaborate with a range of artists from Modest Mouse to Widespread Panic to Norah Jones. Forty five-plus years later, the Dirty Dozen Brass Band is a world famous music machine whose name is synonymous with genre-bending romps and high-octane performances.
Roger Lewis - Baritone Sax/Vocals
Gregory Davis - Trumpet/Vocals
Kirk Joseph - Sousaphone
Trevarri Huff-Boone - Tenor Sax/Vocals
Stephen Walker - Trombone/Vocals
Julian Addison - Drums
Takeshi Shimmura - Guitar
THE HISTORY OF THE DIRTY DOZEN BRASS BAND
In 1977, The Dirty Dozen Social Aid and Pleasure Club in New Orleans began showcasing a traditional Crescent City brass band. It was a joining of two proud, but antiquated, traditions at the time: social aid and pleasure clubs dated back over a century to a time when black southerners could rarely afford life insurance, and the clubs would provide proper funeral arrangements. Brass bands, early predecessors of jazz as we know it, would often follow the funeral procession playing somber dirges, then once the family of the deceased was out of earshot, burst into jubilant dance tunes as casual onlookers danced in the streets. By the late '70s, few of either existed. The Dirty Dozen Social Aid and Pleasure Club decided to assemble this group as a house band, and over the course of these early gigs, the seven-member ensemble adopted the venue's name: The Dirty Dozen Brass Band.
Our mission is to make art accessible to everyone. Financial assistance is available for this event through our #fieldhallforall program. Patrons can request a discount of up to 100%. Click here to apply for financial assistance.
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