New Materials // Group exhibition // Thurs, 24.7, 7:30pm
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ืืืฉืชืชืคืืช: ืืืื ืืืืฉืจ, ืืืืจ ืืืืกืื, ืื ืืืจื, ืื ืืื ืฉืืืื, ืฉืืจ ืืืืื, ืื ืืื, ืืืื ืชืืจื'ืื
ืืชืขืจืืื ืืืืจืื ืืืฉืื ืืงืืฆืช ืฉืืขื ืืื ืื ืืฉืจืืืื, ืฉืืืจื ืืงืืื ืืขืจืืช ืืืกืื ืืจืืืช ืฉื ืื ืขื ืืืืจ ืขืืืื ืกืคืฆืืคื, ืื ืืื ืืืฆืืจืชื ืืฉืืชืฃ ืคืขืื ืืืืืื. ืืืืฆืขืืช ืืคืืฉ ืื ืื ืืืงืฉืื ืืืืืจ ืืืืขืืจ ืืช ืืขืืืื ืขื ืืืืืจ, ืืืฆืืืื ืืืื ืฉื ืฉืื ืืื ืืืื ืืชืืฉื ืืื ืืืืฃ ืืืืฆืจ ืืืื ืืืืืื, ืฉืขืืื ืืื ืขืืื. ืืึดื ืขื ืืืืืจื ืืฉืชื ื ืืฆื ืื ืืื ืืืื ืืช ืืชืขืจืืื, ืื ืืืื ืืืืืื ืืืืชื ืืืืขื, ืฉืืืืืจ ืืฉ ืชืืื ืืช, ืจืฆืื ืืช ืืืืข ืืฉืื. ืื ืืืืงืื ืืืืื ืืืื ืฉื ืืืงืืง ืืืืืช, ื ืืืขื ืืืฉ ืืืืจืื ืฉืืขืืจ ืืงืืื.
ืฉื ืืชืขืจืืื, ืืืืจืื ืืืฉืื, ืืืงืฉ ืืจืืืช ืืช ืืืืืจ ืืขืื ืืื ืจืขื ื ืืช; ืืืฆืืืข ืขื ืืืจืชืืืช ื ืฆืืืช, ืืืชืจืืฉืช ืืขืืืืช ืืืื ืื ืขื ืืืืืื ืื ืืืจ. ืืื ืืืงืจ ืคืืืฉืื ืืืื ืื ืืช ืืืืืจ ืืืืืจ ืขื ืฉืืืื ืืขืืืื ืืกืืืืื, ืืชืื ืืขืืืื ืื ืืืฉืคืื ืืช ืื ืืฆืืฅ ืืจืืฉืื ื, ืืืืื ืืืืืจ ืืืื ืขืื ืืืื ืืืคืฅ ืืืืื, ืืืืืื ืื ืืื ืกืืฃ ืฆืืจืืช ืืืืืืืช.
ืืขืืืืืช ืืชืขืจืืื ืืืคืฉืจืืช ืืฉืืืืช ืืืืคืืขืืช ืืื, ืื ืืจืขืืื ืืืช ืืื ืืคืืืืืช, ืืืืืช ืืืื ืืช ืื ืืืืกืืืจืื, ืืืืืชื ืืงืืืืช ืืืืชืืืฉืืช ืกื ืื ืืืืืจืื ืืืจืืืืื ืืืชื. ืืืืืืืงืืื ืืงืจืืืื, ืืืืงืขืื ืืชืื ืงืืื ืืึดืชืืจ ืืื-ืืืืืื ืฉื ืืืืช ืืืช ืกืืชื ืฉื ืฉืืจ ืืืืื, ืืืืืื ืืช ืืืื ืืืืื ืืืฉืื. ืืืฉืืื ืืขืืืื ืืืืื ืืืืืื ืฉื ืื ืืื ืฉืืืื, ืืขืฉืืืื ืฆืืจ ืคืืื ืืฆืืจ ืืคื, ืืชืืืื ืกืืื ืื ืขืืื ืื, ืชืืืืจืช ืืจืื ืฉืืืคื, ืืขืื ืชืฉืื. ืืืืืจืื ืืืงืืืืืื ืืขืืืืชื ืฉื ืืืื ืืืืฉืจ ืืืืืื ืืชืืื ืืืืจืื ืืืืจื ืฉื ืขืืืืืช ืงืืืืืช, ืื ืื ืืชืคืงืืื ืืืฉืืืืช ืืืฉืืช ืืขืฆืืืืืช. ืจืฆืฃ ืืคืืกืื ืืืืกืืืจื ืืขืืืืชื ืฉื ืืืืจ ืืืืกืื ืืืงืฉ ืืืืฆืจ ืืื ืืจืืืช ืืืืื ืจืฆืื ืื ืืฉื ืืืืืืข ืืืืง ืืฉืจืฉืจืช ืืืกืืืจืืช. ืืฆื ืืืื ืชืืจื'ืื, ืืืืฆืขืืช ืคืืืืจ ืืฆืืข ืืื ืืชื ืขื ืืื, ืฆืคืื ืืืชืืืื ืขื ืคื ื ืืฉืื ืืืืืืื ืืจืืืืืคืืื, ืืงืืื ืืชืืืื. ืืจืฆืื ืืืืื ืืช ืืืืืจ ืืืคื ืื ืืืื ืืช ืื ืืืจื ืืืช ืืืืืจ ืืงืจืื ืืืื ืืชืืืืืช ืืืืืืช. ืืืจืื ืื ืื ืืฉื ืืคื ืืื, ืืคืืขื ืืจื ืืืคื ืฉื ืื ืืื, ืืืืืจ ืื ืืื ื ืืช ืืืงืฆื ืืืขืืื ืฉื ืคืขืืืืช ืืื ืืืขืืื.
ืืชืื ื ืืื ืืช ืืืงืฉืื ืื ื ืืืงืืจ ืืืืืจ ืืืืืฆืขืืช ืขืืืื ืขื ืืืืฃ ืฉืืืชื ืืื ื ืืฉื ืืงืจืืื ืฉืื ื ืฉื ืืืืืจ, ืืืคืฉืจืื ืืืื ืื ืืขืฆืื, ืืื ืื ื, ื ืงืืืช ืืื ืืืืจืืช ืืืืืืืืช ืืคืืืืืช ืืืงืจืงืขืืช ืืืชื ื ืืืงืื ืืืืื ืื ืืืืืื.
ืืืฆืจืช: ื ืขืื ืื ืื
ืชืืจืื ืคืชืืื: ืืื ืืืืฉื, 24.7.2025, 19:30
ืชืืจืื ื ืขืืื: ืืื ืฉืืช, 11.10.2025
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Featuring: Gili Avissar, Zohar Gotesman, Ben Hagari, Gal Weinstein, Shahar Yahalom, Chen Cohen, Lihi Turjeman
New Materials brings together seven Israeli artists who have chosen to cultivate a long-standing relationship with a central working materialโone that is not merely present in their work, but acts as an active, guiding force. Through this encounter, they aim to both illuminate and reawaken the act of working with matter, proposing a model of ongoing intimate dialogue between the artistโs body and the medium with which they engage. Each artist in the exhibition works with a different material spectrum, yet all share a fundamental understanding: material has its own properties, temperament, and will. They speak of a shared experienceโof distilling the essence of their material, of touching the present as well as the space just beyond it.
The exhibitionโs title, New Materials, invites us to look at matter with fresh eyes; to witness the artistsโ return, time and again, to the same familiar materials in their studios, and through them, to uncover the primordial spark embedded in raw matter since the origin of time. Each day, the artists confront what is seemingly known, only to discover within it infinite forms and identities.
The works in the exhibition embrace both conceptual and physical layersโdrawing from personal and collective histories, from former identities, and from the constant renewal of the materials that compose them. Ceramic objects breaking forth from the two-dimensional faรงade of Shahar Yahalomโs grandmotherโs house fill the space with new life. On Gal Weinsteinโs expansive surfaces, made of steel wool and cotton, faint traces appearโreminders of a wind that once blew and will blow again. The tactile materials in Gili Avissarโs work carry within them the material memory of previous pieces, while also asserting themselves as new and autonomous entities. Zohar Gotesmanโs sculptural continuum echoes a historical sequence, striving for linearity and expressing a deep human desire to be part of an ongoing chain. In Lihi Turjemanโs work, paint is spread and scattered across the canvas, giving rise to archetypal images that surface into being. Ben Hagariโs search to understand the material from within leads to a full fusion with the clay. Chen Cohenโs internal human metronome, operating through her own body, reminds herโand usโof the circular rhythm of heartbeat and world.
Through a sincere openness to listen to the source of material, through physical engagement with the body that carries it, and through a re-reading of the familiar, these artists offer themselvesโand usโa perspective that transcends the physical anchors of time and place.
Curator: Naama Haneman
Opening: Thursday, July 24th, 2025, 7:30pm
Closing: Saturday, October 11th, 2025
ืืืฉืชืชืคืืช: ืืืื ืืืืฉืจ, ืืืืจ ืืืืกืื, ืื ืืืจื, ืื ืืื ืฉืืืื, ืฉืืจ ืืืืื, ืื ืืื, ืืืื ืชืืจื'ืื
ืืชืขืจืืื ืืืืจืื ืืืฉืื ืืงืืฆืช ืฉืืขื ืืื ืื ืืฉืจืืืื, ืฉืืืจื ืืงืืื ืืขืจืืช ืืืกืื ืืจืืืช ืฉื ืื ืขื ืืืืจ ืขืืืื ืกืคืฆืืคื, ืื ืืื ืืืฆืืจืชื ืืฉืืชืฃ ืคืขืื ืืืืืื. ืืืืฆืขืืช ืืคืืฉ ืื ืื ืืืงืฉืื ืืืืืจ ืืืืขืืจ ืืช ืืขืืืื ืขื ืืืืืจ, ืืืฆืืืื ืืืื ืฉื ืฉืื ืืื ืืืื ืืชืืฉื ืืื ืืืืฃ ืืืืฆืจ ืืืื ืืืืืื, ืฉืขืืื ืืื ืขืืื. ืืึดื ืขื ืืืืืจื ืืฉืชื ื ืืฆื ืื ืืื ืืืื ืืช ืืชืขืจืืื, ืื ืืืื ืืืืืื ืืืืชื ืืืืขื, ืฉืืืืืจ ืืฉ ืชืืื ืืช, ืจืฆืื ืืช ืืืืข ืืฉืื. ืื ืืืืงืื ืืืืื ืืืื ืฉื ืืืงืืง ืืืืืช, ื ืืืขื ืืืฉ ืืืืจืื ืฉืืขืืจ ืืงืืื.
ืฉื ืืชืขืจืืื, ืืืืจืื ืืืฉืื, ืืืงืฉ ืืจืืืช ืืช ืืืืืจ ืืขืื ืืื ืจืขื ื ืืช; ืืืฆืืืข ืขื ืืืจืชืืืช ื ืฆืืืช, ืืืชืจืืฉืช ืืขืืืืช ืืืื ืื ืขื ืืืืืื ืื ืืืจ. ืืื ืืืงืจ ืคืืืฉืื ืืืื ืื ืืช ืืืืืจ ืืืืืจ ืขื ืฉืืืื ืืขืืืื ืืกืืืืื, ืืชืื ืืขืืืื ืื ืืืฉืคืื ืืช ืื ืืฆืืฅ ืืจืืฉืื ื, ืืืืื ืืืืืจ ืืืื ืขืื ืืืื ืืืคืฅ ืืืืื, ืืืืืื ืื ืืื ืกืืฃ ืฆืืจืืช ืืืืืืืช.
ืืขืืืืืช ืืชืขืจืืื ืืืคืฉืจืืช ืืฉืืืืช ืืืืคืืขืืช ืืื, ืื ืืจืขืืื ืืืช ืืื ืืคืืืืืช, ืืืืืช ืืืื ืืช ืื ืืืืกืืืจืื, ืืืืืชื ืืงืืืืช ืืืืชืืืฉืืช ืกื ืื ืืืืืจืื ืืืจืืืืื ืืืชื. ืืืืืืืงืืื ืืงืจืืืื, ืืืืงืขืื ืืชืื ืงืืื ืืึดืชืืจ ืืื-ืืืืืื ืฉื ืืืืช ืืืช ืกืืชื ืฉื ืฉืืจ ืืืืื, ืืืืืื ืืช ืืืื ืืืืื ืืืฉืื. ืืืฉืืื ืืขืืืื ืืืืื ืืืืืื ืฉื ืื ืืื ืฉืืืื, ืืขืฉืืืื ืฆืืจ ืคืืื ืืฆืืจ ืืคื, ืืชืืืื ืกืืื ืื ืขืืื ืื, ืชืืืืจืช ืืจืื ืฉืืืคื, ืืขืื ืชืฉืื. ืืืืืจืื ืืืงืืืืืื ืืขืืืืชื ืฉื ืืืื ืืืืฉืจ ืืืืืื ืืชืืื ืืืืจืื ืืืืจื ืฉื ืขืืืืืช ืงืืืืืช, ืื ืื ืืชืคืงืืื ืืืฉืืืืช ืืืฉืืช ืืขืฆืืืืืช. ืจืฆืฃ ืืคืืกืื ืืืืกืืืจื ืืขืืืืชื ืฉื ืืืืจ ืืืืกืื ืืืงืฉ ืืืืฆืจ ืืื ืืจืืืช ืืืืื ืจืฆืื ืื ืืฉื ืืืืืืข ืืืืง ืืฉืจืฉืจืช ืืืกืืืจืืช. ืืฆื ืืืื ืชืืจื'ืื, ืืืืฆืขืืช ืคืืืืจ ืืฆืืข ืืื ืืชื ืขื ืืื, ืฆืคืื ืืืชืืืื ืขื ืคื ื ืืฉืื ืืืืืืื ืืจืืืืืคืืื, ืืงืืื ืืชืืืื. ืืจืฆืื ืืืืื ืืช ืืืืืจ ืืืคื ืื ืืืื ืืช ืื ืืืจื ืืืช ืืืืืจ ืืงืจืื ืืืื ืืชืืืืืช ืืืืืืช. ืืืจืื ืื ืื ืืฉื ืืคื ืืื, ืืคืืขื ืืจื ืืืคื ืฉื ืื ืืื, ืืืืืจ ืื ืืื ื ืืช ืืืงืฆื ืืืขืืื ืฉื ืคืขืืืืช ืืื ืืืขืืื.
ืืชืื ื ืืื ืืช ืืืงืฉืื ืื ื ืืืงืืจ ืืืืืจ ืืืืืฆืขืืช ืขืืืื ืขื ืืืืฃ ืฉืืืชื ืืื ื ืืฉื ืืงืจืืื ืฉืื ื ืฉื ืืืืืจ, ืืืคืฉืจืื ืืืื ืื ืืขืฆืื, ืืื ืื ื, ื ืงืืืช ืืื ืืืืจืืช ืืืืืืืืช ืืคืืืืืช ืืืงืจืงืขืืช ืืืชื ื ืืืงืื ืืืืื ืื ืืืืืื.
ืืืฆืจืช: ื ืขืื ืื ืื
ืชืืจืื ืคืชืืื: ืืื ืืืืฉื, 24.7.2025, 19:30
ืชืืจืื ื ืขืืื: ืืื ืฉืืช, 11.10.2025
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Featuring: Gili Avissar, Zohar Gotesman, Ben Hagari, Gal Weinstein, Shahar Yahalom, Chen Cohen, Lihi Turjeman
New Materials brings together seven Israeli artists who have chosen to cultivate a long-standing relationship with a central working materialโone that is not merely present in their work, but acts as an active, guiding force. Through this encounter, they aim to both illuminate and reawaken the act of working with matter, proposing a model of ongoing intimate dialogue between the artistโs body and the medium with which they engage. Each artist in the exhibition works with a different material spectrum, yet all share a fundamental understanding: material has its own properties, temperament, and will. They speak of a shared experienceโof distilling the essence of their material, of touching the present as well as the space just beyond it.
The exhibitionโs title, New Materials, invites us to look at matter with fresh eyes; to witness the artistsโ return, time and again, to the same familiar materials in their studios, and through them, to uncover the primordial spark embedded in raw matter since the origin of time. Each day, the artists confront what is seemingly known, only to discover within it infinite forms and identities.
The works in the exhibition embrace both conceptual and physical layersโdrawing from personal and collective histories, from former identities, and from the constant renewal of the materials that compose them. Ceramic objects breaking forth from the two-dimensional faรงade of Shahar Yahalomโs grandmotherโs house fill the space with new life. On Gal Weinsteinโs expansive surfaces, made of steel wool and cotton, faint traces appearโreminders of a wind that once blew and will blow again. The tactile materials in Gili Avissarโs work carry within them the material memory of previous pieces, while also asserting themselves as new and autonomous entities. Zohar Gotesmanโs sculptural continuum echoes a historical sequence, striving for linearity and expressing a deep human desire to be part of an ongoing chain. In Lihi Turjemanโs work, paint is spread and scattered across the canvas, giving rise to archetypal images that surface into being. Ben Hagariโs search to understand the material from within leads to a full fusion with the clay. Chen Cohenโs internal human metronome, operating through her own body, reminds herโand usโof the circular rhythm of heartbeat and world.
Through a sincere openness to listen to the source of material, through physical engagement with the body that carries it, and through a re-reading of the familiar, these artists offer themselvesโand usโa perspective that transcends the physical anchors of time and place.
Curator: Naama Haneman
Opening: Thursday, July 24th, 2025, 7:30pm
Closing: Saturday, October 11th, 2025
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