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Bob James

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๐Œ๐ฎ๐ฅ๐ญ๐ข-๐๐ฅ๐š๐ญ๐ข๐ง๐ฎ๐ฆ-๐’๐ž๐ฅ๐ฅ๐ข๐ง๐ , ๐Ÿ๐ฑ-๐†๐‘๐€๐Œ๐Œ๐˜ยฎ ๐€๐ฐ๐š๐ซ๐-๐–๐ข๐ง๐ง๐ž๐ซ & ๐Ÿ๐Ÿ—๐ฑ-๐†๐‘๐€๐Œ๐Œ๐˜ยฎ ๐๐จ๐ฆ๐ข๐ง๐š๐ญ๐ž๐ ๐‰๐š๐ณ๐ณ ๐๐ข๐š๐ง๐จ ๐‹๐ž๐ ๐ž๐ง๐ ๐๐Ž๐ ๐‰๐€๐Œ๐„๐’ and his Acclaimed Quartet perform at The Jazz & Blues Market on ๐“๐ก๐ฎ๐ซ๐ฌ๐๐š๐ฒ & ๐…๐ซ๐ข๐๐š๐ฒ ๐Ž๐œ๐ญ๐จ๐›๐ž๐ซ ๐Ÿ ๐š๐ง๐ ๐Ÿ‘ ๐š๐ญ ๐Ÿ•:๐Ÿ‘๐ŸŽ ๐.๐Œ. "๐ต๐‘œ๐‘ ๐ฝ๐‘Ž๐‘š๐‘’๐‘  ๐‘š๐‘Ž๐‘‘๐‘’ โ„Ž๐‘–๐‘  ๐‘›๐‘Ž๐‘š๐‘’ ๐‘–๐‘› ๐‘“๐‘ข๐‘ ๐‘–๐‘œ๐‘› ๐‘Ž๐‘›๐‘‘ ๐‘ ๐‘š๐‘œ๐‘œ๐‘กโ„Ž ๐‘—๐‘Ž๐‘ง๐‘ง, ๐‘๐‘ข๐‘ก ๐‘ ๐‘œ๐‘š๐‘’ ๐‘œ๐‘“ ๐‘ข๐‘  ๐‘๐‘’๐‘™๐‘–๐‘’๐‘ฃ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘–๐‘Ž๐‘›๐‘–๐‘ ๐‘กโ€™๐‘  ๐‘Ž๐‘๐‘œ๐‘ข๐‘ ๐‘ก๐‘–๐‘ ๐‘ก๐‘Ÿ๐‘–๐‘œ ๐‘Ÿ๐‘’๐‘๐‘œ๐‘Ÿ๐‘‘๐‘  ๐‘Ÿ๐‘’๐‘๐‘Ÿ๐‘’๐‘ ๐‘’๐‘›๐‘ก โ„Ž๐‘–๐‘  โ„Ž๐‘–๐‘”โ„Ž๐‘’๐‘ ๐‘ก ๐‘Ž๐‘Ÿ๐‘ก,โ€ ๐‘Ÿ๐‘Ž๐‘ฃ๐‘’๐‘  ๐ฝ๐ด๐‘๐‘ ๐‘‡๐ผ๐‘€๐ธ๐‘† (2022 ๐ด๐‘™๐‘๐‘ข๐‘š ๐‘…๐‘’๐‘ฃ๐‘–๐‘’๐‘ค ๐‘œ๐‘“ โ€˜๐ต๐‘œ๐‘ ๐ฝ๐‘Ž๐‘š๐‘’๐‘  ๐‘‡๐‘Ÿ๐‘–๐‘œ: ๐น๐‘’๐‘’๐‘™ ๐ฟ๐‘–๐‘˜๐‘’ ๐‘€๐‘Ž๐‘˜๐‘–๐‘›๐‘” ๐ฟ๐‘–๐‘ฃ๐‘’!โ€™).

โ€œ๐‘ป๐’‰๐’†๐’“๐’† ๐’˜๐’‚๐’” ๐’‚ ๐’•๐’Š๐’Ž๐’† ๐’Š๐’ ๐’•๐’‰๐’† ๐’Ž๐’Š๐’…-โ€™70๐’” ๐’˜๐’‰๐’†๐’ ๐‘ฑ๐’‚๐’Ž๐’†๐’”โ€™ ๐’Ž๐’–๐’”๐’Š๐’„ ๐’”๐’†๐’†๐’Ž๐’†๐’… ๐’•๐’ ๐’ƒ๐’† ๐’†๐’—๐’†๐’“๐’š๐’˜๐’‰๐’†๐’“๐’†; ๐’๐’ ๐’•๐’‰๐’† ๐’“๐’‚๐’…๐’Š๐’, ๐’•๐’†๐’๐’†๐’—๐’Š๐’”๐’Š๐’๐’, ๐’‡๐’Š๐’๐’Ž๐’”โ€ฆ๐‘ต๐’๐’๐’† ๐’๐’‡ ๐’•๐’‰๐’† ๐’“๐’†๐’”๐’Š๐’…๐’–๐’† ๐’๐’‡ ๐’•๐’‰๐’๐’”๐’† ๐’…๐’‚๐’š๐’” ๐’Š๐’” ๐’Ž๐’Š๐’”๐’”๐’Š๐’๐’ˆ ๐’‡๐’“๐’๐’Ž ๐’•๐’‰๐’Š๐’” ๐’๐’‚๐’•๐’†๐’”๐’• ๐’Š๐’•๐’†๐’“๐’‚๐’•๐’Š๐’๐’. ๐‘พ๐’‰๐’‚๐’• ๐’Š๐’” ๐’†๐’—๐’Š๐’…๐’†๐’๐’• ๐’‡๐’“๐’๐’Ž ๐’”๐’•๐’‚๐’“๐’• ๐’•๐’ ๐’‡๐’Š๐’๐’Š๐’”๐’‰ ๐’Š๐’” ๐’•๐’‰๐’‚๐’• ๐‘ฑ๐’‚๐’Ž๐’†๐’” ๐’”๐’•๐’Š๐’๐’ ๐’‰๐’‚๐’” ๐’•๐’‰๐’† ๐’„๐’‰๐’๐’‘๐’” ๐’‚๐’๐’… ๐’•๐’‰๐’† ๐’Š๐’Ž๐’‘๐’–๐’๐’”๐’†๐’”โ€ฆโ€
โ€” ๐‘ซ๐‘ถ๐‘พ๐‘ต๐‘ฉ๐‘ฌ๐‘จ๐‘ป ๐‘ด๐‘จ๐‘ฎ๐‘จ๐’๐‘ฐ๐‘ต๐‘ฌ (2022 ๐‘จ๐’๐’ƒ๐’–๐’Ž ๐‘น๐’†๐’—๐’Š๐’†๐’˜ ๐’๐’‡ โ€˜๐‘ฉ๐’๐’ƒ ๐‘ฑ๐’‚๐’Ž๐’†๐’” ๐‘ป๐’“๐’Š๐’: ๐‘ญ๐’†๐’†๐’ ๐‘ณ๐’Š๐’Œ๐’† ๐‘ด๐’‚๐’Œ๐’Š๐’๐’ˆ ๐‘ณ๐’Š๐’—๐’†!โ€™)

โ€œ๐‘ต๐’๐’• ๐’”๐’–๐’“๐’‘๐’“๐’Š๐’”๐’Š๐’๐’ˆ๐’๐’š, ๐’‚๐’ ๐’†๐’๐’•๐’‰๐’–๐’”๐’Š๐’‚๐’”๐’•๐’Š๐’„ ๐’‚๐’–๐’…๐’Š๐’†๐’๐’„๐’† ๐’Š๐’๐’”๐’Š๐’”๐’•๐’†๐’… ๐’๐’ ๐’‚๐’ ๐’†๐’๐’„๐’๐’“๐’† ๐’‚๐’๐’… ๐’•๐’‰๐’† ๐’•๐’“๐’Š๐’ ๐’“๐’†๐’•๐’–๐’“๐’๐’†๐’… ๐’•๐’ ๐’•๐’‰๐’† ๐’”๐’•๐’‚๐’ˆ๐’† ๐’•๐’ ๐’‡๐’Š๐’๐’… ๐‘ฑ๐’‚๐’Ž๐’†๐’” ๐’”๐’†๐’‚๐’•๐’†๐’… ๐’‚๐’ˆ๐’‚๐’Š๐’ ๐’‚๐’• ๐’•๐’‰๐’† ๐‘น๐’‰๐’๐’…๐’†๐’” ๐’‡๐’๐’“ "๐‘จ๐’๐’ˆ๐’†๐’๐’‚," ๐’•๐’‰๐’† ๐’•๐’‰๐’†๐’Ž๐’† ๐’‡๐’“๐’๐’Ž ๐‘ป๐’‚๐’™๐’Š. ๐‘ณ๐’Š๐’Œ๐’† ๐’‰๐’† ๐’‰๐’‚๐’… ๐’…๐’๐’๐’† ๐’•๐’‰๐’“๐’๐’–๐’ˆ๐’‰๐’๐’–๐’• ๐’•๐’‰๐’† ๐’”๐’†๐’•, ๐‘ฑ๐’‚๐’Ž๐’†๐’” ๐’˜๐’‚๐’™๐’†๐’… ๐’†๐’๐’๐’’๐’–๐’†๐’๐’•๐’๐’š ๐’๐’—๐’†๐’“ ๐’Ž๐’–๐’๐’•๐’Š๐’‘๐’๐’† ๐’„๐’‰๐’๐’“๐’–๐’”๐’†๐’” ๐’‘๐’“๐’๐’—๐’Š๐’๐’ˆ ๐’•๐’‰๐’‚๐’• ๐’•๐’‰๐’† ๐’‘๐’Š๐’‚๐’๐’Š๐’”๐’• ๐’Š๐’” ๐’”๐’•๐’Š๐’๐’ ๐’‚๐’• ๐’•๐’‰๐’† ๐’•๐’๐’‘ ๐’๐’‡ ๐’‰๐’Š๐’” ๐’ˆ๐’‚๐’Ž๐’† ๐’Š๐’ ๐’•๐’†๐’“๐’Ž๐’” ๐’๐’‡ ๐’„๐’“๐’†๐’‚๐’•๐’Š๐’—๐’Š๐’•๐’š ๐’‚๐’๐’… ๐’”๐’•๐’๐’“๐’š-๐’•๐’†๐’๐’๐’Š๐’๐’ˆ.โ€
โ€” ๐‘จ๐‘ณ๐‘ณ ๐‘จ๐‘ฉ๐‘ถ๐‘ผ๐‘ป ๐‘ฑ๐‘จ๐’๐’ (2018 ๐‘ณ๐’Š๐’—๐’† ๐‘ท๐’†๐’“๐’‡๐’๐’“๐’Ž๐’‚๐’๐’„๐’† ๐‘น๐’†๐’—๐’Š๐’†๐’˜)

โ€œ๐‘ฐ๐’•'๐’” ๐‘ฑ๐’‚๐’Ž๐’†๐’”' ๐’˜๐’๐’“๐’Œ ๐’•๐’‰๐’‚๐’• ๐’•๐’†๐’๐’…๐’” ๐’•๐’ ๐’๐’Š๐’๐’ˆ๐’†๐’“ ๐’Š๐’ ๐’•๐’‰๐’† ๐’Ž๐’Š๐’๐’… ๐’˜๐’‰๐’†๐’ ๐’•๐’‰๐’† ๐’‚๐’๐’ƒ๐’–๐’Ž ๐’“๐’†๐’‚๐’„๐’‰๐’†๐’” ๐’Š๐’•๐’” ๐’„๐’๐’๐’„๐’๐’–๐’”๐’Š๐’๐’. ๐‘ฏ๐’Š๐’” ๐’‘๐’Š๐’‚๐’๐’Š๐’”๐’•๐’Š๐’„ ๐’‘๐’“๐’–๐’…๐’†๐’๐’„๐’†, ๐’Ž๐’‚๐’“๐’“๐’Š๐’†๐’… ๐’˜๐’Š๐’•๐’‰ ๐’‚ ๐’”๐’†๐’๐’”๐’† ๐’๐’‡ ๐’‚๐’”๐’”๐’–๐’“๐’†๐’…๐’๐’†๐’”๐’” ๐’‚๐’๐’… ๐’„๐’“๐’†๐’‚๐’•๐’Š๐’—๐’Š๐’•๐’š, ๐’”๐’†๐’•๐’” ๐’•๐’‰๐’† ๐’•๐’๐’๐’† ๐’‡๐’๐’“ ๐’•๐’‰๐’Š๐’” ๐’†๐’๐’•๐’Š๐’“๐’† ๐’‚๐’๐’ƒ๐’–๐’Ž.โ€
โ€” ๐‘จ๐‘ณ๐‘ณ ๐‘จ๐‘ฉ๐‘ถ๐‘ผ๐‘ป ๐‘ฑ๐‘จ๐’๐’ (2013 ๐‘จ๐’๐’ƒ๐’–๐’Ž ๐‘น๐’†๐’—๐’Š๐’†๐’˜ ๐’๐’‡ โ€˜๐‘ธ๐’–๐’‚๐’“๐’•๐’†๐’•๐’•๐’† ๐‘ฏ๐’–๐’Ž๐’‚๐’Š๐’๐’†โ€™ ๐’˜๐’Š๐’•๐’‰ ๐‘ซ๐’‚๐’—๐’Š๐’… ๐‘บ๐’‚๐’๐’ƒ๐’๐’“๐’)

"[๐‘ฉ๐’๐’ƒ ๐‘ฑ๐’‚๐’Ž๐’†๐’”] ๐’Š๐’” ๐’•๐’‰๐’† ๐’„๐’๐’๐’”๐’–๐’Ž๐’Ž๐’‚๐’•๐’† ๐’‘๐’Š๐’‚๐’๐’Š๐’”๐’•-๐’„๐’๐’Ž๐’‘๐’๐’”๐’†๐’“ ๐’˜๐’‰๐’๐’”๐’† ๐’๐’Š๐’„๐’Œ๐’” ๐’‚๐’๐’… ๐’ˆ๐’“๐’๐’๐’—๐’†๐’” ๐’‰๐’‚๐’—๐’† ๐’ƒ๐’†๐’†๐’ ๐’†๐’”๐’”๐’†๐’๐’•๐’Š๐’‚๐’ ๐’„๐’๐’ˆ๐’” ๐’Š๐’ ๐’•๐’‰๐’† ๐’„๐’๐’๐’„๐’Œ๐’˜๐’๐’“๐’Œ ๐’๐’‡ ๐’”๐’Ž๐’๐’๐’•๐’‰ ๐‘จ๐’Ž๐’†๐’“๐’Š๐’„๐’‚๐’ ๐’”๐’†๐’”๐’”๐’Š๐’๐’ ๐’‹๐’‚๐’›๐’›โ€ฆ"
โ€” ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ผ๐‘จ๐‘น๐‘ซ๐‘ฐ๐‘จ๐‘ต

โ€œ๐‘ฏ๐’† ๐’ƒ๐’†๐’„๐’‚๐’Ž๐’† ๐’๐’๐’† ๐’๐’‡ ๐’•๐’‰๐’† ๐’ƒ๐’Š๐’ˆ๐’ˆ๐’†๐’”๐’• ๐’”๐’•๐’‚๐’“๐’” ๐’๐’‡ ๐’”๐’Ž๐’๐’๐’•๐’‰ ๐’‹๐’‚๐’›๐’›โ€ฆโ€
โ€” ๐‘ต๐‘ฌ๐‘พ ๐’€๐‘ถ๐‘น๐‘ฒ ๐‘ป๐‘ฐ๐‘ด๐‘ฌ๐‘บ

๐Œ๐ฎ๐ฅ๐ญ๐ข-๐๐ฅ๐š๐ญ๐ข๐ง๐ฎ๐ฆ-๐’๐ž๐ฅ๐ฅ๐ข๐ง๐ , ๐Ÿ๐ฑ-๐†๐‘๐€๐Œ๐Œ๐˜ยฎ ๐€๐ฐ๐š๐ซ๐-๐–๐ข๐ง๐ง๐ž๐ซ & ๐Ÿ ๐Ÿ—๐ฑ-๐†๐‘๐€๐Œ๐Œ๐˜ยฎ ๐๐จ๐ฆ๐ข๐ง๐š๐ญ๐ž๐ ๐‰๐š๐ณ๐ณ ๐๐ข๐š๐ง๐จ ๐‹๐ž๐ ๐ž๐ง๐ ๐๐Ž๐ ๐‰๐€๐Œ๐„๐’โ€™ ๐œ๐š๐ซ๐ž๐ž๐ซ ๐ข๐ฌ ๐ฅ๐จ๐ง๐ , ๐ฏ๐š๐ซ๐ข๐ž๐ ๐š๐ง๐ ๐œ๐จ๐ง๐ญ๐ข๐ง๐ฎ๐ž๐ฌ ๐ญ๐จ ๐ž๐ฏ๐จ๐ฅ๐ฏ๐ž ๐š๐ญ ๐ž๐ฏ๐ž๐ซ๐ฒ ๐ญ๐ฎ๐ซ๐ง. From his first days in Marshall, Missouri, Jamesโ€™ music has captivated audiences throughout the world.

๐ƒ๐ข๐ฌ๐œ๐จ๐ฏ๐ž๐ซ๐ž๐ ๐›๐ฒ ๐๐ฎ๐ข๐ง๐œ๐ฒ ๐‰๐จ๐ง๐ž๐ฌ ๐š๐ญ ๐ญ๐ก๐ž ๐๐จ๐ญ๐ซ๐ž ๐ƒ๐š๐ฆ๐ž ๐‰๐š๐ณ๐ณ ๐…๐ž๐ฌ๐ญ๐ข๐ฏ๐š๐ฅ ๐ข๐ง ๐Ÿ๐Ÿ—๐Ÿ”๐Ÿ‘, ๐‰๐š๐ฆ๐ž๐ฌ ๐ซ๐ž๐œ๐จ๐ซ๐๐ž๐ ๐ก๐ข๐ฌ ๐Ÿ๐ข๐ซ๐ฌ๐ญ ๐ฌ๐จ๐ฅ๐จ ๐š๐ฅ๐›๐ฎ๐ฆ, '๐๐จ๐ฅ๐ ๐‚๐จ๐ง๐œ๐ž๐ฉ๐ญ๐ข๐จ๐ง๐ฌ', ๐ญ๐ก๐š๐ญ ๐ฒ๐ž๐š๐ซ ๐Ÿ๐จ๐ซ ๐Œ๐ž๐ซ๐œ๐ฎ๐ซ๐ฒ ๐‘๐ž๐œ๐จ๐ซ๐๐ฌ. 60+ albums and innumerable awards would follow through five decades. He honed his skills working with Creed Taylor, working on albums for artists like Hank Crawford, Grover Washington, Jr, among others. While with CTI, James found great popular success overseeing significant hits for Paul Simon, Neil Diamond, Maynard Ferguson, and Kenny Loggins.

๐ˆ๐ง ๐Ÿ๐Ÿ—๐Ÿ•๐Ÿ’, ๐‰๐š๐ฆ๐ž๐ฌ ๐ซ๐ž๐œ๐จ๐ซ๐๐ž๐ ๐ก๐ข๐ฌ ๐š๐ฅ๐›๐ฎ๐ฆ, '๐Ž๐ง๐ž', ๐ฐ๐ก๐ข๐œ๐ก ๐ฅ๐š๐ฎ๐ง๐œ๐ก๐ž๐ ๐š ๐ฅ๐ข๐Ÿ๐ž๐ฅ๐จ๐ง๐  ๐œ๐š๐ซ๐ž๐ž๐ซ ๐จ๐Ÿ ๐ซ๐ž๐œ๐จ๐ซ๐๐ข๐ง๐  ๐š๐ง๐ ๐ฉ๐ž๐ซ๐Ÿ๐จ๐ซ๐ฆ๐ข๐ง๐  ๐ฅ๐ข๐ฏ๐ž. After three more albums, James began his own label, Tappan Zee Records. This allowed James to spend more time in the studio, focusing on his own creative works. It was during this time that he recorded his own Gold Selling album, 'Touchdown', which included his composition, โ€œAngelaโ€, the instrumental theme from the sitcom Taxi, and possibly Jamesโ€™ best known work. Bob composed all the original music used in that television series for its entire run.

๐‰๐š๐ฆ๐ž๐ฌโ€™ ๐š๐ฅ๐›๐ฎ๐ฆ, '๐Ž๐ง๐ž ๐Ž๐ง ๐Ž๐ง๐ž', ๐ญ๐ก๐ž ๐Ÿ๐ข๐ซ๐ฌ๐ญ ๐ข๐ง ๐ญ๐ก๐ซ๐ž๐ž ๐œ๐จ๐ฅ๐ฅ๐š๐›๐จ๐ซ๐š๐ญ๐ข๐จ๐ง๐ฌ ๐ฐ๐ข๐ญ๐ก ๐„๐š๐ซ๐ฅ ๐Š๐ฅ๐ฎ๐ ๐ก, ๐ฐ๐จ๐ง ๐š ๐†๐‘๐€๐Œ๐Œ๐˜ยฎ ๐€๐ฐ๐š๐ซ๐ ๐ข๐ง ๐Ÿ๐Ÿ—๐Ÿ–๐ŸŽ ๐Ÿ๐จ๐ซ "๐๐ž๐ฌ๐ญ ๐๐จ๐ฉ ๐ˆ๐ง๐ฌ๐ญ๐ซ๐ฎ๐ฆ๐ž๐ง๐ญ๐š๐ฅ ๐๐ž๐ซ๐Ÿ๐จ๐ซ๐ฆ๐š๐ง๐œ๐ž", ๐š๐ง๐ ๐ก๐š๐ฌ ๐ฌ๐จ๐ฅ๐ ๐จ๐ฏ๐ž๐ซ ๐š ๐ฆ๐ข๐ฅ๐ฅ๐ข๐จ๐ง ๐œ๐จ๐ฉ๐ข๐ž๐ฌ. During this time, James set the standard for the smooth jazz sound in the late 1970s. In 1985, James moved to Warner Bros Records, and kicked things off with 'Double Vision', a collaboration with David Sanborn. 'Double Vision' was another GRAMMYยฎ Award-Winner, selling over a million albums.

๐–๐ก๐ข๐ฅ๐ž ๐ซ๐ž๐œ๐จ๐ซ๐๐ข๐ง๐  ๐ก๐ข๐ฌ ๐š๐ฅ๐›๐ฎ๐ฆ, '๐†๐ซ๐š๐ง๐ ๐๐ข๐š๐ง๐จ ๐‚๐š๐ง๐ฒ๐จ๐ง' ๐ข๐ง ๐Ÿ๐Ÿ—๐Ÿ—๐ŸŽ, ๐‰๐š๐ฆ๐ž๐ฌ ๐ซ๐ž๐ฎ๐ง๐ข๐ญ๐ž๐ ๐ฐ๐ข๐ญ๐ก ๐ฅ๐จ๐ง๐ ๐ญ๐ข๐ฆ๐ž ๐Ÿ๐ซ๐ข๐ž๐ง๐, ๐๐ซ๐ฎ๐ฆ๐ฆ๐ž๐ซ ๐‡๐š๐ซ๐ฏ๐ž๐ฒ ๐Œ๐š๐ฌ๐จ๐ง, ๐‰๐ซ. ๐ˆ๐ญ ๐ฐ๐จ๐ฎ๐ฅ๐ ๐š๐ฅ๐ฌ๐จ ๐›๐ž ๐ญ๐ก๐ž ๐Ÿ๐ข๐ซ๐ฌ๐ญ ๐ญ๐ข๐ฆ๐ž ๐‰๐š๐ฆ๐ž๐ฌ ๐ฐ๐จ๐ฎ๐ฅ๐ ๐ฐ๐จ๐ซ๐ค ๐ฐ๐ข๐ญ๐ก ๐ ๐ฎ๐ข๐ญ๐š๐ซ๐ข๐ฌ๐ญ Lee Ritenour, ๐š๐ง๐ ๐›๐š๐ฌ๐ฌ๐ข๐ฌ๐ญ ๐๐š๐ญ๐ก๐š๐ง ๐„๐š๐ฌ๐ญ. This would be the start of something beautiful, as these early sessions ignited a spark which would engulf the Jazz world as FOURPLAY. Fourplayโ€™s first album was recorded and released in 1991, entitled 'Fourplay'. It sold over a million copies and remained at the #1 position on the Billboard Contemporary Jazz Chart for 33 weeks. Their next album, 'Between the Sheets' (1993), reached #1, went Gold, and received a GRAMMYยฎ Award Nomination. In 1995, their third gold album, 'Elixir', also reached the #1 position and remained on the chart for more than 90 weeks. The Group would collaborate until 1998 when Ritenour left the group, and Larry Carlton took over. This version of Fourplay continued the groupโ€™s huge success with seven more albums. After 12 years, Carlton decided to delve further into his solo career, and the band brought in guitarist Chuck Loeb in 2010.

๐‰๐š๐ฆ๐ž๐ฌ ๐œ๐จ๐ง๐ญ๐ข๐ง๐ฎ๐ž๐ ๐œ๐จ๐ฅ๐ฅ๐š๐›๐จ๐ซ๐š๐ญ๐ข๐ง๐  ๐จ๐ง ๐ฌ๐ž๐ฉ๐š๐ซ๐š๐ญ๐ž ๐ฉ๐ซ๐จ๐ฃ๐ž๐œ๐ญ๐ฌ ๐ฐ๐ข๐ญ๐ก ๐„๐š๐ซ๐ฅ ๐Š๐ฅ๐ฎ๐ ๐ก, ('๐‚๐จ๐จ๐ฅ' ๐ข๐ง ๐Ÿ๐Ÿ—๐Ÿ—๐Ÿ) ๐š๐ง๐ Kirk Whalum ('๐‰๐จ๐ข๐ง๐ž๐ ๐€๐ญ ๐ญ๐ก๐ž ๐‡๐ข๐ฉ' ๐ข๐ง ๐Ÿ๐Ÿ—๐Ÿ—๐Ÿ”). Both albums were nominated for GRAMMYยฎ Awards. His solo career continued throughout the 90โ€™s, culminating with 'Joy Ride' in 1999, garnering him another GRAMMYยฎ Award Nomination.

๐ˆ๐ง ๐Ÿ๐ŸŽ๐ŸŽ๐Ÿ, '๐ƒ๐š๐ง๐œ๐ข๐ง๐  ๐Ž๐ง ๐ญ๐ก๐ž ๐–๐š๐ญ๐ž๐ซ', ๐ฐ๐š๐ฌ ๐ซ๐ž๐ฅ๐ž๐š๐ฌ๐ž๐, ๐จ๐ง๐œ๐ž ๐š๐ ๐š๐ข๐ง ๐ฌ๐ก๐จ๐ฐ๐œ๐š๐ฌ๐ข๐ง๐  ๐‰๐š๐ฆ๐ž๐ฌโ€™ ๐œ๐ซ๐ž๐š๐ญ๐ข๐ฏ๐ž ๐ฏ๐ž๐ซ๐ฌ๐š๐ญ๐ข๐ฅ๐ข๐ญ๐ฒ. The album includes performances with Keiko Matsui, Joe Sample, Dave Holland, and Chuck Loeb. Fourplay released 'Heartfelt' in 2002, and spent much of the year touring across the globe. That same year, James released 'Morning, Noon, & Night', whose title track went to #1 on Contemporary Jazz Radio.

๐‰๐š๐ฆ๐ž๐ฌ ๐ฌ๐ญ๐š๐ฒ๐ž๐ ๐›๐ฎ๐ฌ๐ฒ ๐ข๐ง ๐Ÿ๐ŸŽ๐ŸŽ๐Ÿ”, ๐ซ๐ž๐ฅ๐ž๐š๐ฌ๐ข๐ง๐  '๐”๐ซ๐›๐š๐ง ๐…๐ฅ๐š๐ฆ๐ข๐ง๐ ๐จ' ๐ข๐ง ๐…๐ž๐›๐ซ๐ฎ๐š๐ซ๐ฒ, ๐š๐ง๐ ๐จ๐ง ๐€๐ฉ๐ซ๐ข๐ฅ ๐Ÿ•, ๐ฐ๐š๐ฌ ๐š๐ฐ๐š๐ซ๐๐ž๐ ๐ญ๐ก๐ž "๐†๐ž๐จ๐ซ๐ ๐ž ๐๐ž๐ง๐ฌ๐จ๐ง ๐‹๐ข๐Ÿ๐ž๐ญ๐ข๐ฆ๐ž ๐€๐œ๐ก๐ข๐ž๐ฏ๐ž๐ฆ๐ž๐ง๐ญ ๐€๐ฐ๐š๐ซ๐" ๐›๐ฒ ๐ญ๐ก๐ž ๐‚๐š๐ง๐š๐๐ข๐š๐ง ๐’๐ฆ๐จ๐จ๐ญ๐ก ๐‰๐š๐ณ๐ณ ๐€๐ฐ๐š๐ซ๐๐ฌ. Summer saw the release of Fourplayโ€™s tenth record, appropriately called 'X'. This tour literally took James around the world again with stops in Spain, London, California, Hong Kong, Japan, Kuala Lumpur, and Indonesia.

๐ˆ๐ง ๐Ÿ๐ŸŽ๐ŸŽ๐Ÿ–, ๐‰๐š๐ฆ๐ž๐ฌ ๐ซ๐ž๐ฅ๐ž๐š๐ฌ๐ž๐ ๐š ๐‚๐ก๐ซ๐ข๐ฌ๐ญ๐ฆ๐š๐ฌ ๐š๐ฅ๐›๐ฎ๐ฆ ๐ฐ๐ข๐ญ๐ก ๐‡๐ข๐ฅ๐š๐ซ๐ฒ ๐‰๐š๐ฆ๐ž๐ฌ, ๐š๐ง๐ ๐š๐ง๐จ๐ญ๐ก๐ž๐ซ ๐…๐จ๐ฎ๐ซ๐ฉ๐ฅ๐š๐ฒ ๐š๐ฅ๐›๐ฎ๐ฆ '๐„๐ง๐ž๐ซ๐ ๐ฒ'. 'Energy' featured GRAMMYยฎ Award-Winner Esperanza Spalding, and another GRAMMYยฎ Award Nomination with the first single, โ€œFortune Tellerโ€.

๐ˆ๐ง ๐Ÿ๐ŸŽ๐Ÿ๐ŸŽ, ๐ญ๐ก๐ž ๐Ÿ๐Ÿ๐ญ๐ก ๐…๐จ๐ฎ๐ซ๐ฉ๐ฅ๐š๐ฒ ๐š๐ฅ๐›๐ฎ๐ฆ ๐ฐ๐š๐ฌ ๐ซ๐ž๐ฅ๐ž๐š๐ฌ๐ž๐,' ๐‹๐ž๐ญโ€™๐ฌ ๐“๐จ๐ฎ๐œ๐ก ๐ญ๐ก๐ž ๐’๐ค๐ฒ', ๐ฐ๐ก๐ข๐œ๐ก ๐ฅ๐ž๐ ๐ญ๐จ ๐š๐ง๐จ๐ญ๐ก๐ž๐ซ ๐ฐ๐จ๐ซ๐ฅ๐ ๐ญ๐จ๐ฎ๐ซ, ๐œ๐ฎ๐ฅ๐ฆ๐ข๐ง๐š๐ญ๐ข๐ง๐  ๐ฐ๐ข๐ญ๐ก ๐š๐ง ๐ฎ๐ง๐Ÿ๐จ๐ซ๐ ๐ž๐ญ๐ญ๐š๐›๐ฅ๐ž ๐œ๐จ๐ฅ๐ฅ๐š๐›๐จ๐ซ๐š๐ญ๐ข๐จ๐ง ๐ฐ๐ข๐ญ๐ก ๐ญ๐ก๐ž ๐๐ž๐ฐ ๐‰๐š๐ฉ๐š๐ง ๐๐ก๐ข๐ฅ๐ก๐š๐ซ๐ฆ๐จ๐ง๐ข๐œ ๐ข๐ง ๐“๐จ๐ค๐ฒ๐จ ๐ข๐ง ๐ƒ๐ž๐œ๐ž๐ฆ๐›๐ž๐ซ. This premiered new orchestral pieces arranged specifically for this concert and was Fourplayโ€™s first performance with a symphony orchestra. Fourplay was voted "Best Group of the Year" at the American Smooth Jazz Awards to wrap up a busy 2010.

๐“๐ก๐ž๐ง, ๐ข๐ง ๐’๐ž๐ฉ๐ญ๐ž๐ฆ๐›๐ž๐ซ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ, '๐€๐ฅ๐ญ๐š๐ข๐ซ & ๐•๐ž๐ ๐š', ๐ญ๐ก๐ž ๐…๐จ๐ฎ๐ซ-๐‡๐š๐ง๐ ๐ฉ๐ข๐š๐ง๐จ ๐๐ฎ๐ž๐ญ ๐œ๐จ๐ฅ๐ฅ๐š๐›๐จ๐ซ๐š๐ญ๐ข๐จ๐ง ๐ฐ๐ข๐ญ๐ก ๐Š๐ž๐ข๐ค๐จ ๐Œ๐š๐ญ๐ฌ๐ฎ๐ข, ๐ฐ๐š๐ฌ ๐ซ๐ž๐ฅ๐ž๐š๐ฌ๐ž๐. Their unique collaboration, which took nearly 10 years, resulted in several memorable live tour performances, before being completed as a recorded album, along with a live performance DVD recorded at the Manchester Craftsmenโ€™s Guild. Later that same year, James released a collaboration with Savannah guitarist Howard Paul with 'Just Friends: The Hamilton Hall Sessions'. All this, while still touring with Fourplay, including headlining the Playboy Jazz Festival at the Hollywood Bowl, and receiving the Oasis Contemporary Jazz Award for "Group of the Year".

๐…๐Ž๐”๐‘๐๐‹๐€๐˜ ๐ฃ๐จ๐ข๐ง๐ž๐ ๐Ÿ๐จ๐ซ๐œ๐ž๐ฌ ๐š๐ ๐š๐ข๐ง ๐ญ๐ก๐ž ๐Ÿ๐จ๐ฅ๐ฅ๐จ๐ฐ๐ข๐ง๐  ๐ฒ๐ž๐š๐ซ ๐ฐ๐ข๐ญ๐ก ๐ญ๐ก๐ž ๐ซ๐ž๐ฅ๐ž๐š๐ฌ๐ž ๐จ๐Ÿ '๐„๐ฌ๐ฉ๐ซ๐ข๐ญ ๐๐ž ๐…๐จ๐ฎ๐ซ'. The album hit the charts, producing several successful tracks, including the powerful โ€œPut Our Hearts Togetherโ€, which featured vocals by Seiko Matsuda. The song was a tribute to the regions of Japan devastated by the natural disasters just months earlier, and spawned several benefit concerts, such as the Iwate Jazz Festival, and a full-length documentary of Jamesโ€™ visit to the region.

๐ˆ๐ง ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ‘, '๐๐ฎ๐š๐ซ๐ญ๐ž๐ญ๐ญ๐ž ๐‡๐ฎ๐ฆ๐š๐ข๐ง๐ž' ๐ฐ๐š๐ฌ ๐ซ๐ž๐ฅ๐ž๐š๐ฌ๐ž๐, ๐ญ๐ก๐ข๐ฌ ๐ฐ๐š๐ฌ ๐ญ๐ก๐ž ๐Ÿ๐ข๐ซ๐ฌ๐ญ ๐œ๐ซ๐ž๐š๐ญ๐ข๐ฏ๐ž ๐œ๐จ๐ฅ๐ฅ๐š๐›๐จ๐ซ๐š๐ญ๐ข๐จ๐ง ๐›๐ž๐ญ๐ฐ๐ž๐ž๐ง ๐ค๐ž๐ฒ๐›๐จ๐š๐ซ๐๐ข๐ฌ๐ญ-๐œ๐จ๐ฆ๐ฉ๐จ๐ฌ๐ž๐ซ ๐๐จ๐› ๐‰๐š๐ฆ๐ž๐ฌ ๐š๐ง๐ ๐š๐ฅ๐ญ๐จ ๐ฌ๐š๐ฑ๐จ๐ฉ๐ก๐จ๐ง๐ข๐ฌ๐ญ ๐ƒ๐š๐ฏ๐ข๐ ๐’๐š๐ง๐›๐จ๐ซ๐ง ๐ฌ๐ข๐ง๐œ๐ž ๐ญ๐ก๐ž๐ข๐ซ ๐ฆ๐ข๐ฅ๐ฅ๐ข๐จ๐ง-๐ฌ๐ž๐ฅ๐ฅ๐ข๐ง๐ , ๐†๐‘๐€๐Œ๐Œ๐˜ยฎ ๐€๐ฐ๐š๐ซ๐-๐–๐ข๐ง๐ง๐ข๐ง๐  ๐š๐ฅ๐›๐ฎ๐ฆ, '๐ƒ๐จ๐ฎ๐›๐ฅ๐ž ๐•๐ข๐ฌ๐ข๐จ๐ง', ๐ญ๐ฐ๐ž๐ง๐ญ๐ฒ-๐Ÿ๐ข๐ฏ๐ž ๐ฒ๐ž๐š๐ซ๐ฌ ๐š๐ ๐จ. In 2015, Jamesโ€™ first live album was released, 'Live at the Milliken Auditorium', which was captured on a magical night in his hometown of Traverse City, Michigan. This same year also brought the first release from James and longtime collaborator Nathan East, 'The New Cool', a masterful work of art which truly redefines the essence of cool.

๐‰๐š๐ฆ๐ž๐ฌ ๐š๐ง๐ ๐…๐จ๐ฎ๐ซ๐ฉ๐ฅ๐š๐ฒ ๐š๐ฅ๐ฌ๐จ ๐œ๐š๐ฆ๐ž ๐ญ๐จ๐ ๐ž๐ญ๐ก๐ž๐ซ ๐ข๐ง ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“ ๐Ÿ๐จ๐ซ ๐ญ๐ก๐ž ๐ซ๐ž๐ฅ๐ž๐š๐ฌ๐ž ๐จ๐Ÿ ๐ญ๐ก๐ž ๐ ๐ซ๐จ๐ฎ๐ฉโ€™๐ฌ ๐Ÿ๐Ÿ“๐ญ๐ก ๐š๐ง๐ง๐ข๐ฏ๐ž๐ซ๐ฌ๐š๐ซ๐ฒ, ๐ฐ๐ข๐ญ๐ก '๐’๐ข๐ฅ๐ฏ๐ž๐ซ', ๐ฐ๐ก๐ข๐œ๐ก ๐ฐ๐š๐ฌ ๐ซ๐ž๐œ๐จ๐ซ๐๐ž๐ ๐š๐ญ ๐จ๐ฅ๐ ๐ฌ๐œ๐ก๐จ๐จ๐ฅ ๐š๐ญ ๐’๐ฎ๐ง๐ฌ๐ž๐ญ ๐’๐จ๐ฎ๐ง๐ ๐’๐ญ๐ฎ๐๐ข๐จ๐ฌ, ๐ฐ๐ก๐ž๐ซ๐ž ๐ญ๐ก๐ž ๐ ๐ซ๐จ๐ฎ๐ฉ ๐ซ๐ž๐œ๐จ๐ซ๐๐ž๐ ๐ญ๐ก๐ž๐ข๐ซ ๐Ÿ๐ข๐ซ๐ฌ๐ญ ๐š๐ฅ๐›๐ฎ๐ฆ ๐Ÿ๐Ÿ“ ๐ฒ๐ž๐š๐ซ๐ฌ ๐ž๐š๐ซ๐ฅ๐ข๐ž๐ซ. In 2022, the Bob James Trio released โ€˜Feel Like Making Live!โ€ to rave reviews!

๐ˆ๐ง ๐Œ๐š๐ซ๐œ๐ก ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“, ๐๐จ๐› ๐‰๐š๐ฆ๐ž๐ฌ ๐ฃ๐จ๐ข๐ง๐ž๐ ๐Ÿ๐จ๐ซ๐œ๐ž๐ฌ ๐ฐ๐ข๐ญ๐ก ๐ƒ๐š๐ฏ๐ž ๐Š๐จ๐ณ ๐ญ๐จ ๐ฆ๐š๐ซ๐ค ๐š ๐ฎ๐ง๐ข๐ช๐ฎ๐ž ๐ฆ๐ข๐ฅ๐ž๐ฌ๐ญ๐จ๐ง๐ž ๐ข๐ง ๐ญ๐ก๐ž๐ข๐ซ ๐ข๐œ๐จ๐ง๐ข๐œ ๐œ๐š๐ซ๐ž๐ž๐ซ๐ฌ ๐ฐ๐ข๐ญ๐ก ๐š๐ง ๐š๐ฉ๐ญ๐ฅ๐ฒ ๐ญ๐ข๐ญ๐ฅ๐ž๐ ๐๐ฎ๐จ ๐š๐ฅ๐›๐ฎ๐ฆ โ€˜๐‰๐ฎ๐ฌ๐ญ ๐”๐ฌโ€™, a piano and saxophone only collection of fresh originals and colorful re-imaginings of Great American Songbook standards. Their mini tour for the release led to a performance at the GRAMMY Museumยฎ in Los Angeles, in which JAZZ WEEKLY noted, โ€œThe most impressive parts was the inspired playing by James, who at 85 played like heโ€™s imbibed from the Fountain of Youth, while Kozโ€™s strong and melodic tone revealed an aspect of his playing unable to be captured in a group setting. A rare evening of artists filling a rich canvas.โ€

๐“๐ก๐ž ๐๐จ๐› ๐‰๐š๐ฆ๐ž๐ฌ ๐๐ฎ๐š๐ซ๐ญ๐ž๐ญ ๐ˆ๐ง๐œ๐ฅ๐ฎ๐๐ž๐ฌ:
Bob James - piano
Andrey Chmut - saxophone
Michael Palazzolo - bass
James Adkins - drums

๐“๐ข๐œ๐ค๐ž๐ญ๐ฌ ๐Ÿ๐จ๐ซ ๐Œ๐ฎ๐ฅ๐ญ๐ข-๐๐ฅ๐š๐ญ๐ข๐ง๐ฎ๐ฆ-๐’๐ž๐ฅ๐ฅ๐ข๐ง๐ , ๐Ÿ๐ฑ-๐†๐‘๐€๐Œ๐Œ๐˜ยฎ ๐€๐ฐ๐š๐ซ๐-๐–๐ข๐ง๐ง๐ž๐ซ & ๐Ÿ๐Ÿ—๐ฑ-๐†๐‘๐€๐Œ๐Œ๐˜ยฎ ๐๐จ๐ฆ๐ข๐ง๐š๐ญ๐ž๐ ๐‰๐š๐ณ๐ณ ๐๐ข๐š๐ง๐จ ๐‹๐ž๐ ๐ž๐ง๐ ๐๐Ž๐ ๐‰๐€๐Œ๐„๐’ at The Jazz & Blues Market on ๐…๐ซ๐ข๐๐š๐ฒ ๐Ž๐œ๐ญ๐จ๐›๐ž๐ซ ๐Ÿ‘ ๐š๐ญ ๐Ÿ•:๐Ÿ‘๐ŸŽ ๐.๐Œ. are NOW On-Sale on Ticketmaster, Facebook Events at: https://www.facebook.com/share/1AhPz4xQF9/ and The Jazz & Blues Market Website at: https://jazzandbluesmarket.com/event/bob-james-2/

๐๐ฅ๐ž๐š๐ฌ๐ž ๐Ÿ๐จ๐ฅ๐ฅ๐จ๐ฐ ๐ฎ๐ฌ ๐จ๐ง ๐ˆ๐ง๐ฌ๐ญ๐š๐ ๐ซ๐š๐ฆ ๐š๐ญ: https://www.instagram.com/thejazzmarket/?hl=en

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๐’๐ข๐ ๐ง-๐ฎ๐ฉ ๐Ÿ๐จ๐ซ ๐“๐ก๐ž ๐‰๐š๐ณ๐ณ & ๐๐ฅ๐ฎ๐ž๐ฌ ๐Œ๐š๐ซ๐ค๐ž๐ญ ๐„๐ฆ๐š๐ข๐ฅ ๐๐ž๐ฐ๐ฌ๐ฅ๐ž๐ญ๐ญ๐ž๐ซ by emailing aW5mbyB8IGphenphbmRibHVlc21hcmtldCAhIGNvbQ== to stay informed on Upcoming Shows, New Artist Announcements, Promotional Offers, Ticket On-Sale Dates, Special Performances and much more!! Thank you!!

๐“๐ก๐ž ๐‰๐š๐ณ๐ณ & ๐๐ฅ๐ฎ๐ž๐ฌ ๐Œ๐š๐ซ๐ค๐ž๐ญ ๐Œ๐ž๐ฆ๐›๐ž๐ซ๐ฌ๐ก๐ข๐ฉ๐ฌ allowing for advanced purchasing of tickets can be found on our website - https://jazzandbluesmarket.com/contact-us/?reason=Memberships

๐๐‘๐ˆ๐•๐€๐“๐„ ๐„๐•๐„๐๐“๐’, ๐‚๐Ž๐‘๐๐Ž๐‘๐€๐“๐„ ๐„๐•๐„๐๐“๐’ & ๐–๐„๐ƒ๐ƒ๐ˆ๐๐†๐’
The Jazz & Blues Market offers a rare and spectacular venue to host important corporate functions, weddings, intimate or large-scale social gatherings, private parties, and memorable celebrations!! If interested, please email: ZXZlbnRzIHwgamF6emFuZGJsdWVzbWFya2V0ICEgY29t or fill out The Jazz & Blues Market Event Request Form at: https://jazzandbluesmarket.com/contact-us/?reason=Private%20Events

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