EagleCentric (FO) & Plutonic (QC) Summartónar
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Plutonic & EagleCentric:
EagleCentric Arnold Ludvig (elektronikkur)
Plutonic Anna Iachino (elektronikkur)
Atgongumerki: 100,-
https://blabar.fo/products/eaglecentric-fo-plutonic-qc-summartonar
FO
EagleCentric er einsamalla elektronisk tónleikaverkætlan hjá Arnold Ludvig.
EagleCentric hevur givið út sína talgildu fløgu í fullari longd, “Pushing Envelopes”, og ein vinyl útgáva skal út í 2025.
staklagið, “Sandonian Comfort” fekk A-rotatión á Skylab Radio í Bretlandi. Øll stakløgini, eitt nú “Apple A Day”, “Whatcha Gonna Do About It”, eitt orkuríkt Dancetronica-lag, og “Vakra klokkan”, fingu góða móttøku.
Sum tónasmiður, framleiðari og tónleikari ger Arnold alt sjálvur. Umframt at taka upp, blanda og mastera, filmaði og klipti hann eisini øll fýra videobrotini til síni stakløg.
Hann framførir fyrst og fremst við at brúka Ableton Live við ymiskum MIDI-stýringum og sýnum av røddum til at framleiða elektroniskt manipulerað ljóðlandsløg, eitt nú floyta, bass, guitarspæl og onnur ljóðføri. Sjangran er ein paletta av elektronikki, jazztronikki, dubstep, umhvørvi, dansitronikki, og eksperimenterandi.
//
FO
Plutonic, eisini kend sum Anna Iachino, leggur fram skaldskap og tekstir saman við rútmiskum tónleiki og sýnum, sum verða spæld á einum MIDI mini-knappaborði gjøgnum Ableton Live.
Hetta er nýggja elektroniska verkætlanin hjá Annu sum sangari og elektroniskur tónasmiður, har hon kemur aftur til sín kærleika til at flyta til tónleik við at skapa tónleik til dansigólvið.
Tann 30. november 2024 gav Plutonic út sítt fyrsta staklag, “Where’s The Trauma?” og “Pain” 30. desember, fyri at rave ummæli.
Tónleikurin hjá Plutonic er ein smittuberandi elektronisk dansisjangra, sum er eyðkend av einum eksperimenterandi dansi-punk ljóði við punchy rútmum, sum eru filtraðar gjøgnum eina avantgarde linsu. Tað er ein snøgg og angsty sylta, sum er líka serstøk og gripandi, við einum upprunaligum stemningi.
//
EN
EagleCentric is Arnold Ludvig’s solo electronic music project.
EagleCentric has released his digital full-length album, “Pushing Envelopes,” with a vinyl release scheduled for 2025.
The 1st single, “Sandonian Comfort” received A-rotation on Skylab Radio in the UK.
All singles, including “Apple A Day”, “Whatcha Gonna Do About It”, an energetic Dancetronica track, and “Beautiful Clock”, were well-received.
As a composer, producer, and performer, Arnold does everything himself. In addition to recording, mixing, and mastering, he also filmed and edited all four videos for his singles.
He performs primarily using Ableton Live with various MIDI controllers and samples of voices to generate electronically manipulated soundscapes, including whistling, bass, guitar playing, and other instruments. The genre is a palette of Electronica, Jazztronica, Dubstep, Ambient, Dancetronica, and experimental.
Whatcha Gonna Do About It:
https://www.youtube.com/watch?v=l1zc4dXWggM
Sandonian Comfort:
https://www.youtube.com/watch?v=jawLgP9Znws
Apple A Day:
https://www.youtube.com/watch?v=9elh_IC79Ok
Beautiful Clock:
https://www.youtube.com/watch?v=ub6tB_rTgnU
/ / /
EN
Plutonic, also known as Anna Iachino, presents poetry and lyrics accompanied by rhythmic music and samples, played on a MIDI mini keyboard through Ableton Live.
This is Anna’s new electronic project as a singer and electronic composer, returning to her love of moving to music by creating music for the dance floor.
On November 30th, 2024, Plutonic released its first single, “Where’s The Trauma?” and “Pain” on December 30th, to rave reviews.
Plutonic's music is an infectious electronic dance genre characterized by an experimental dance-punk sound featuring punchy rhythms filtered through an avant-garde lens. It's a brash and angsty jam that’s equally unique and gripping, with an original vibe.
live performance reel of "Where's The Trauma" by Plutonic:
https://www.facebook.com/reel/1151542419784927
Review - Where's The Trauma?
“Anna Iachino is one of those artists who manage to defy every expectation, every conventional trajectory we’re used to seeing in the music world. At 63 years old, she’s stepped into the realm of electronic music like she was born for it, boldly dancing through life’s hardships with a candidness that makes her work feel alive. Her project, “Plutonic,” embodies a stunning turnaround, vibrant proof that it’s never too late to create, express, or move. But Plutonic does not dabble in electronics; she lives, owns, and most of all, dances to them. Her multi-faceted art as a composer, producer, and live performer is as inspirational as it is rebellious against the expected norms. And, judging by her latest single titled “Where’s The Trauma?” she’s here to disrupt and enchant equally.
“Where’s The Trauma?” comes charging out of the gate with an energy that commands. A pulsating bassline forms its very backbone, while a steady heartbeat keeps the song grounded while layered rhythms and melody spiral up. The production is very detailed, as none of the sounds seem out of place at all. Each synth stab, each tick from a hi-hat, and each jab from the drums serve a purpose in creating a sonic tapestry that is intricate yet danceable.
The song is a total rocker, a wondrously infectious electronic dance music tune where you have to feel like dancing. Driven by a hypnotic groove, the strong bass lays the track’s backbone, while bright arched synths and dynamic buildup fuse into euphoric moments.
The vocals are the lifeblood of the track, repeating the titular refrain “Where’s The Trauma?” Her voice strikes a note of tension, intimate insubordination. Anger and frustration are heard along with an intense release. Production complements this perfectly while maintaining distinctly spacious mixes, as the voice cuts through almost starkly, cleanly, against that lush backdrop of synth pads and driving percussion. The dynamic use is downright brilliant, allowing less frenetic moments indeed to yield explosive drops, not to mention the rich, textured, and deeply immersive sound design.
I found myself completely swept up in the energy of this track. The first beat just grabbed hold and didn’t let go. The way it builds and unfolds is sensational. It makes you want to get up and dance, no matter where you are. Do yourself a favor: if you haven’t already, stream “Where’s The Trauma?” by Plutonic right now.”
- Saiid Zeidan, Medium, January 27, 2025
Felagið Føroysk Tónaskøld
Havnar Jazzfelag
Tórshavnar Kommuna
Koda Kultur
Mentamálaráðið
Mentanargrunnur Landsins
Get Tickets
EagleCentric Arnold Ludvig (elektronikkur)
Plutonic Anna Iachino (elektronikkur)
Atgongumerki: 100,-
https://blabar.fo/products/eaglecentric-fo-plutonic-qc-summartonar
FO
EagleCentric er einsamalla elektronisk tónleikaverkætlan hjá Arnold Ludvig.
EagleCentric hevur givið út sína talgildu fløgu í fullari longd, “Pushing Envelopes”, og ein vinyl útgáva skal út í 2025.
staklagið, “Sandonian Comfort” fekk A-rotatión á Skylab Radio í Bretlandi. Øll stakløgini, eitt nú “Apple A Day”, “Whatcha Gonna Do About It”, eitt orkuríkt Dancetronica-lag, og “Vakra klokkan”, fingu góða móttøku.
Sum tónasmiður, framleiðari og tónleikari ger Arnold alt sjálvur. Umframt at taka upp, blanda og mastera, filmaði og klipti hann eisini øll fýra videobrotini til síni stakløg.
Hann framførir fyrst og fremst við at brúka Ableton Live við ymiskum MIDI-stýringum og sýnum av røddum til at framleiða elektroniskt manipulerað ljóðlandsløg, eitt nú floyta, bass, guitarspæl og onnur ljóðføri. Sjangran er ein paletta av elektronikki, jazztronikki, dubstep, umhvørvi, dansitronikki, og eksperimenterandi.
//
FO
Plutonic, eisini kend sum Anna Iachino, leggur fram skaldskap og tekstir saman við rútmiskum tónleiki og sýnum, sum verða spæld á einum MIDI mini-knappaborði gjøgnum Ableton Live.
Hetta er nýggja elektroniska verkætlanin hjá Annu sum sangari og elektroniskur tónasmiður, har hon kemur aftur til sín kærleika til at flyta til tónleik við at skapa tónleik til dansigólvið.
Tann 30. november 2024 gav Plutonic út sítt fyrsta staklag, “Where’s The Trauma?” og “Pain” 30. desember, fyri at rave ummæli.
Tónleikurin hjá Plutonic er ein smittuberandi elektronisk dansisjangra, sum er eyðkend av einum eksperimenterandi dansi-punk ljóði við punchy rútmum, sum eru filtraðar gjøgnum eina avantgarde linsu. Tað er ein snøgg og angsty sylta, sum er líka serstøk og gripandi, við einum upprunaligum stemningi.
//
EN
EagleCentric is Arnold Ludvig’s solo electronic music project.
EagleCentric has released his digital full-length album, “Pushing Envelopes,” with a vinyl release scheduled for 2025.
The 1st single, “Sandonian Comfort” received A-rotation on Skylab Radio in the UK.
All singles, including “Apple A Day”, “Whatcha Gonna Do About It”, an energetic Dancetronica track, and “Beautiful Clock”, were well-received.
As a composer, producer, and performer, Arnold does everything himself. In addition to recording, mixing, and mastering, he also filmed and edited all four videos for his singles.
He performs primarily using Ableton Live with various MIDI controllers and samples of voices to generate electronically manipulated soundscapes, including whistling, bass, guitar playing, and other instruments. The genre is a palette of Electronica, Jazztronica, Dubstep, Ambient, Dancetronica, and experimental.
Whatcha Gonna Do About It:
https://www.youtube.com/watch?v=l1zc4dXWggM
Sandonian Comfort:
https://www.youtube.com/watch?v=jawLgP9Znws
Apple A Day:
https://www.youtube.com/watch?v=9elh_IC79Ok
Beautiful Clock:
https://www.youtube.com/watch?v=ub6tB_rTgnU
/ / /
EN
Plutonic, also known as Anna Iachino, presents poetry and lyrics accompanied by rhythmic music and samples, played on a MIDI mini keyboard through Ableton Live.
This is Anna’s new electronic project as a singer and electronic composer, returning to her love of moving to music by creating music for the dance floor.
On November 30th, 2024, Plutonic released its first single, “Where’s The Trauma?” and “Pain” on December 30th, to rave reviews.
Plutonic's music is an infectious electronic dance genre characterized by an experimental dance-punk sound featuring punchy rhythms filtered through an avant-garde lens. It's a brash and angsty jam that’s equally unique and gripping, with an original vibe.
live performance reel of "Where's The Trauma" by Plutonic:
https://www.facebook.com/reel/1151542419784927
Review - Where's The Trauma?
“Anna Iachino is one of those artists who manage to defy every expectation, every conventional trajectory we’re used to seeing in the music world. At 63 years old, she’s stepped into the realm of electronic music like she was born for it, boldly dancing through life’s hardships with a candidness that makes her work feel alive. Her project, “Plutonic,” embodies a stunning turnaround, vibrant proof that it’s never too late to create, express, or move. But Plutonic does not dabble in electronics; she lives, owns, and most of all, dances to them. Her multi-faceted art as a composer, producer, and live performer is as inspirational as it is rebellious against the expected norms. And, judging by her latest single titled “Where’s The Trauma?” she’s here to disrupt and enchant equally.
“Where’s The Trauma?” comes charging out of the gate with an energy that commands. A pulsating bassline forms its very backbone, while a steady heartbeat keeps the song grounded while layered rhythms and melody spiral up. The production is very detailed, as none of the sounds seem out of place at all. Each synth stab, each tick from a hi-hat, and each jab from the drums serve a purpose in creating a sonic tapestry that is intricate yet danceable.
The song is a total rocker, a wondrously infectious electronic dance music tune where you have to feel like dancing. Driven by a hypnotic groove, the strong bass lays the track’s backbone, while bright arched synths and dynamic buildup fuse into euphoric moments.
The vocals are the lifeblood of the track, repeating the titular refrain “Where’s The Trauma?” Her voice strikes a note of tension, intimate insubordination. Anger and frustration are heard along with an intense release. Production complements this perfectly while maintaining distinctly spacious mixes, as the voice cuts through almost starkly, cleanly, against that lush backdrop of synth pads and driving percussion. The dynamic use is downright brilliant, allowing less frenetic moments indeed to yield explosive drops, not to mention the rich, textured, and deeply immersive sound design.
I found myself completely swept up in the energy of this track. The first beat just grabbed hold and didn’t let go. The way it builds and unfolds is sensational. It makes you want to get up and dance, no matter where you are. Do yourself a favor: if you haven’t already, stream “Where’s The Trauma?” by Plutonic right now.”
- Saiid Zeidan, Medium, January 27, 2025
Felagið Føroysk Tónaskøld
Havnar Jazzfelag
Tórshavnar Kommuna
Koda Kultur
Mentamálaráðið
Mentanargrunnur Landsins
Get Tickets
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