Best known as modern-day troubadours who carry the torch for traditional country music, The Malpass Brothers began singing and playing together professionally at a very young age. Alongside their dad, Chris Malpass Sr., the siblings performed at churches all over the southeast, but they continued to hone their traditional sound by working alongside and amongst the legends.
While Taylor finished high school, Chris began honing his songwriting skills, and working with steel guitar legend, Don Helms—an original member of the Drifting Cowboys. A few years later, he found himself on Merle Haggard’s bus, singing and performing for Merle on his 000 Martin guitar. Taylor, in the meantime, played lead guitar in a local band, and upon graduation, flew out to Redding, CA to join his brother as the opening act for Merle Haggard for the next seven years.
In 2011, Haggard produced The Malpass Brothers’ debut album, Memory That Bad on Hag Records. The title track hit number 6 on the CMT Pure Country 12-Pack Countdown and remained in the charts for several weeks. In 2015, Bluegrass Hall of Fame inductee, Doyle Lawson picked up the gauntlet and produced their sophomore, self-titled album on Organic Records, and in 2017, The Malpass Brothers released a live album, Live at the Paramount, which captures the energy and excitement of their highly polished, traditional country music show.
However, their latest album, Lonely Street (released May 12, 2023), also produced by Lawson alongside Ben Isaacs (of the multi-Dove Award-winning/Grammy nominated group The Isaacs), may be their strongest project to date. Notably engineered by the late Grammy Award-winning Mark Capps under the oversight of Executive Producer and longstanding Malpass manager, Dan Mann, this 12-song album teems with brand new, traditional country music that sounds as if it were curated from a 50s/60s/70s smoke-filled, classic country jukebox. Chris Malpass wrote the majority of the songs, including co-writes by Dickey Lee, Shawn Camp, Conrad Fisher and Taylor Dunn. The album also includes cover nods like “Love Slips Away” by Merle Haggard and Jeannie Seely’s “We Don’t.”
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