𝐅𝐢𝐫𝐬𝐭 𝐒𝐭𝐞𝐩: 𝐂𝐥𝐢𝐜𝐤 𝐇𝐞𝐫𝐞 𝐭𝐨 𝐑𝐞𝐠𝐢𝐬𝐭𝐞𝐫 𝐟𝐨𝐫 𝐀𝐮𝐝𝐢𝐭𝐢𝐨𝐧𝐬
https://www.signupgenius.com/go/8050544A5A82CA5FB6-59073280-auditions#/
𝐓𝐨 𝐞𝐧𝐬𝐮𝐫𝐞 𝐲𝐨𝐮𝐫 𝐞𝐥𝐢𝐠𝐢𝐛𝐢𝐥𝐢𝐭𝐲, 𝐩𝐥𝐞𝐚𝐬𝐞 𝐮𝐬𝐞 𝐭𝐡𝐞 𝐩𝐫𝐨𝐯𝐢𝐝𝐞𝐝 𝐒𝐢𝐠𝐧-𝐔𝐩 𝐆𝐞𝐧𝐢𝐮𝐬 𝐥𝐢𝐧𝐤 𝐭𝐨 𝐬𝐞𝐥𝐞𝐜𝐭 𝐲𝐨𝐮𝐫 𝐩𝐫𝐞𝐟𝐞𝐫𝐫𝐞𝐝 𝐭𝐢𝐦𝐞 𝐚𝐧𝐝 𝐜𝐨𝐧𝐟𝐢𝐫𝐦 𝐲𝐨𝐮𝐫 𝐝𝐞𝐭𝐚𝐢𝐥𝐬. 𝐅𝐮𝐫𝐭𝐡𝐞𝐫 𝐢𝐧𝐟𝐨𝐫𝐦𝐚𝐭𝐢𝐨𝐧 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐚𝐮𝐝𝐢𝐭𝐢𝐨𝐧 𝐩𝐫𝐨𝐜𝐞𝐬𝐬, 𝐦𝐚𝐭𝐞𝐫𝐢𝐚𝐥𝐬, 𝐚𝐧𝐝 𝐞𝐱𝐩𝐞𝐜𝐭𝐚𝐭𝐢𝐨𝐧𝐬 𝐢𝐬 𝐝𝐞𝐭𝐚𝐢𝐥𝐞𝐝 𝐛𝐞𝐥𝐨𝐰.
𝐺𝑒𝑡 𝑡𝑜𝑡𝑎𝑙𝑙𝑦 𝑝𝑠𝑦𝑐ℎ𝑒𝑑! 𝐴𝑢𝑑𝑖𝑡𝑖𝑜𝑛𝑠 𝑎𝑟𝑒 ℎ𝑒𝑟𝑒 𝑓𝑜𝑟 𝐻𝐸𝐴𝐷 𝑂𝑉𝐸𝑅 𝐻𝐸𝐸𝐿𝑆!
𝑃𝑟𝑖𝑛𝑐𝑒 𝑊𝑖𝑙𝑙𝑖𝑎𝑚 𝐿𝑖𝑡𝑡𝑙𝑒 𝑇ℎ𝑒𝑎𝑡𝑟𝑒 𝑖𝑠 𝑡ℎ𝑟𝑜𝑤𝑖𝑛𝑔 𝑎𝑛 𝑒𝑛𝑑-𝑜𝑓-𝑠𝑒𝑎𝑠𝑜𝑛 𝑏𝑎𝑠ℎ 𝑡ℎ𝑎𝑡'𝑠 𝑔𝑜𝑖𝑛𝑔 𝑡𝑜 𝑏𝑒 𝑡𝑜𝑡𝑎𝑙𝑙𝑦 𝑡𝑢𝑏𝑢𝑙𝑎𝑟! 𝑊𝑒'𝑟𝑒 𝑡𝑎𝑙𝑘𝑖𝑛𝑔 𝑎𝑏𝑜𝑢𝑡 𝑎𝑢𝑑𝑖𝑡𝑖𝑜𝑛𝑠 𝑓𝑜𝑟 𝑜𝑢𝑟 𝑓𝑖𝑛𝑎𝑙 𝑝𝑟𝑜𝑑𝑢𝑐𝑡𝑖𝑜𝑛 𝑜𝑓 𝑡ℎ𝑒 2024-2025 𝑠𝑒𝑎𝑠𝑜𝑛: 𝑡ℎ𝑒 𝑟𝑖𝑔ℎ𝑡𝑒𝑜𝑢𝑠 𝑟𝑜𝑐𝑘 𝑚𝑢𝑠𝑖𝑐𝑎𝑙, “𝐻𝑒𝑎𝑑 𝑂𝑣𝑒𝑟 𝐻𝑒𝑒𝑙𝑠!”
𝐺𝑟𝑎𝑏 𝑦𝑜𝑢𝑟 𝑙𝑒𝑔 𝑤𝑎𝑟𝑚𝑒𝑟𝑠, 𝑐𝑟𝑖𝑚𝑝 𝑦𝑜𝑢𝑟 ℎ𝑎𝑖𝑟, 𝑎𝑛𝑑 𝑔𝑒𝑡 𝑟𝑒𝑎𝑑𝑦 𝑡𝑜 𝐺𝑜-𝐺𝑜 𝑏𝑒𝑐𝑎𝑢𝑠𝑒 𝑡ℎ𝑖𝑠 𝑠ℎ𝑜𝑤 𝑖𝑠 𝑝𝑜𝑤𝑒𝑟𝑒𝑑 𝑏𝑦 𝑡ℎ𝑒 𝑖𝑐𝑜𝑛𝑖𝑐, 𝑠𝑦𝑛𝑡ℎ-𝑠𝑎𝑡𝑖𝑜𝑛𝑎𝑙 ℎ𝑖𝑡𝑠 𝑜𝑓 𝑡ℎ𝑒 𝑙𝑒𝑔𝑒𝑛𝑑𝑎𝑟𝑦 1980'𝑠 𝑎𝑙𝑙-𝑓𝑒𝑚𝑎𝑙𝑒 𝑏𝑎𝑛𝑑, 𝑇ℎ𝑒 𝐺𝑜-𝐺𝑜'𝑠! 𝑊𝑖𝑡ℎ 𝑡ℎ𝑒 𝐵𝑜𝑜𝑘 𝑏𝑦 𝐽𝑒𝑓𝑓 𝑊ℎ𝑖𝑡𝑡𝑦, 𝑎𝑑𝑎𝑝𝑡𝑒𝑑 𝑏𝑦 𝐽𝑎𝑚𝑒𝑠 𝑀𝑎𝑔𝑟𝑢𝑑𝑒𝑟, 𝑎𝑛𝑑 𝑡𝑜𝑡𝑎𝑙𝑙𝑦 𝑖𝑛𝑠𝑝𝑖𝑟𝑒𝑑 𝑏𝑦 𝑆𝑖𝑟 𝑃ℎ𝑖𝑙𝑙𝑖𝑝 𝑆𝑖𝑑𝑛𝑒𝑦'𝑠 "𝑇ℎ𝑒 𝐴𝑟𝑐𝑎𝑑𝑖𝑎," 𝑡ℎ𝑖𝑠 𝑏𝑜𝑙𝑑 𝑛𝑒𝑤 𝑠ℎ𝑜𝑤 𝑖𝑠 𝑔𝑖𝑣𝑖𝑛𝑔 𝑎𝑢𝑑𝑖𝑒𝑛𝑐𝑒𝑠 𝑝𝑒𝑟𝑚𝑖𝑠𝑠𝑖𝑜𝑛 𝑡𝑜 𝑓𝑜𝑙𝑙𝑜𝑤 𝑡ℎ𝑒𝑖𝑟 ℎ𝑒𝑎𝑟𝑡𝑠 𝑙𝑖𝑘𝑒 𝑖𝑡'𝑠 𝑎 𝐽𝑜ℎ𝑛 𝐻𝑢𝑔ℎ𝑒𝑠 𝑚𝑜𝑣𝑖𝑒!
𝐻𝑒𝑎𝑑 𝑂𝑣𝑒𝑟 𝐻𝑒𝑒𝑙𝑠 𝑖𝑠 𝑠𝑒𝑡 𝑡𝑜 𝑎 𝑤𝑖𝑐𝑘𝑒𝑑 𝑚𝑖𝑥 𝑜𝑓 𝑡ℎ𝑒 𝐺𝑜-𝐺𝑜'𝑠 𝑏𝑖𝑔𝑔𝑒𝑠𝑡 ℎ𝑖𝑡𝑠, 𝑖𝑛𝑐𝑙𝑢𝑑𝑖𝑛𝑔 "𝑊𝑒 𝐺𝑜𝑡 𝑡ℎ𝑒 𝐵𝑒𝑎𝑡," "𝑂𝑢𝑟 𝐿𝑖𝑝𝑠 𝐴𝑟𝑒 𝑆𝑒𝑎𝑙𝑒𝑑," 𝑎𝑛𝑑 "𝐻𝑒𝑎𝑣𝑒𝑛 𝑖𝑠 𝑎 𝑃𝑙𝑎𝑐𝑒 𝑜𝑛 𝐸𝑎𝑟𝑡ℎ." 𝑇ℎ𝑖𝑠 ℎ𝑖𝑙𝑎𝑟𝑖𝑜𝑢𝑠 𝑎𝑛𝑑 𝑏𝑜𝑙𝑑 𝑟𝑖𝑑𝑒 𝑓𝑜𝑙𝑙𝑜𝑤𝑠 𝑎 𝑟𝑜𝑦𝑎𝑙 𝑓𝑎𝑚𝑖𝑙𝑦'𝑠 𝑜𝑢𝑡𝑟𝑎𝑔𝑒𝑜𝑢𝑠𝑙𝑦 𝑓𝑢𝑛 𝑗𝑜𝑢𝑟𝑛𝑒𝑦 𝑡𝑜 𝑠𝑎𝑣𝑒 𝑡ℎ𝑒𝑖𝑟 𝑘𝑖𝑛𝑔𝑑𝑜𝑚 𝑎𝑛𝑑 𝑝𝑟𝑜𝑣𝑒𝑠 𝑡𝑟𝑢𝑒 𝑙𝑜𝑣𝑒 (𝑎𝑛𝑑 𝑠𝑒𝑙𝑓-𝑎𝑐𝑐𝑒𝑝𝑡𝑎𝑛𝑐𝑒!) 𝑖𝑠 𝑡ℎ𝑒 𝑢𝑙𝑡𝑖𝑚𝑎𝑡𝑒 𝑘𝑒𝑦 𝑡𝑜 𝑎 ℎ𝑎𝑝𝑝𝑦 𝑒𝑛𝑑𝑖𝑛𝑔.
𝐶𝑜𝑚𝑒 𝑜𝑛 𝑜𝑢𝑡 𝑎𝑛𝑑 𝑠ℎ𝑜𝑤 𝑢𝑠 𝑤ℎ𝑎𝑡 𝑦𝑜𝑢'𝑣𝑒 𝑔𝑜𝑡! 𝐼𝑡'𝑠 𝑔𝑜𝑖𝑛𝑔 𝑡𝑜 𝑏𝑒 𝑡𝑟𝑢𝑙𝑦 𝑒𝑥𝑐𝑒𝑙𝑙𝑒𝑛𝑡!
Head Over Heels is presented by special arrangement with Broadway Licensing, LLC. (www.broadwaylicensing.com)
𝐀𝐮𝐝𝐢𝐭𝐢𝐨𝐧 𝐃𝐚𝐭𝐞𝐬:
Sunday, November 16, 2025, at 2:00pm - 5:00pm
Monday, November 17, 2025, at 7:00pm - 9:00pm
𝐂𝐚𝐥𝐥𝐛𝐚𝐜𝐤𝐬 (𝐈𝐧𝐯𝐢𝐭𝐚𝐭𝐢𝐨𝐧 𝐎𝐧𝐥𝐲):
Wednesday, November 19, 2025, at 7:00pm
𝐀𝐮𝐝𝐢𝐭𝐢𝐨𝐧 𝐋𝐨𝐜𝐚𝐭𝐢𝐨𝐧:
Trinity Episcopal Church
9325 West St, Manassas, VA 20110
Downstairs, in the basement
𝐏𝐥𝐞𝐚𝐬𝐞 𝐜𝐥𝐢𝐜𝐤 𝐛𝐞𝐥𝐨𝐰 𝐭𝐨 𝐬𝐢𝐠𝐧 𝐮𝐩 𝐯𝐢𝐚 𝐒𝐢𝐠𝐧𝐔𝐩𝐆𝐞𝐧𝐢𝐮𝐬:
https://www.signupgenius.com/go/8050544A5A82CA5FB6-59073280-auditions#/
𝐀𝐮𝐝𝐢𝐭𝐢𝐨𝐧 𝐈𝐧𝐟𝐨𝐫𝐦𝐚𝐭𝐢𝐨𝐧:
• All roles are open, and newcomers are always welcome. Prince William Little Theatre is a volunteer organization. All parts are volunteer (𝐮𝐧𝐩𝐚𝐢𝐝) and no parts have been pre-cast.
• We practice Total Casting. All ages (𝟏𝟖+), abilities, gender, and ethnicities are encouraged to audition. We're on the hunt for cast members who bring an excellent attitude and are ready to experience and try all the new, rad things this show has to offer!
• Be ready for romance! This show includes intimate scenes and non-traditional pairings for all genders. Intimacy coaching will be provided.
𝐖𝐡𝐚𝐭 𝐭𝐨 𝐁𝐫𝐢𝐧𝐠 & 𝐏𝐫𝐞𝐩𝐚𝐫𝐞
• Your Killer Song: Prepare 32 bars (or 30 seconds) of a song that shows off your vocal talent and range.
• Sheet Music: If you want to use our pianist, bring your sheet music clearly marked.
• Headshots (Optional): They are welcome, but we will be taking your photo at sign-in anyway!
𝐖𝐡𝐚𝐭 𝐭𝐨 𝐄𝐱𝐩𝐞𝐜𝐭 & 𝐇𝐨𝐰 𝐭𝐨 𝐃𝐫𝐞𝐬𝐬
• Singing & Dancing: Auditions will include both a vocal and a dance portion. The dance will be taught - you do not need to prepare a dance routine of your own.
• Dress to Move: Please come dressed to move comfortably.
• Footwear: Dance or character shoes are welcome, but not required. No sandals or flip flops allowed.
• Musical Accompaniment: A pianist and/or a Bluetooth speaker can be provided for your song.
𝐁𝐞𝐟𝐨𝐫𝐞 𝐘𝐨𝐮 𝐀𝐫𝐫𝐢𝐯𝐞
• Vocal Warm-up: Please arrive vocally warmed up.
• Physical Warm-up: Please also come physically warmed up and prepared to jump right into the dance portion.
𝐂𝐚𝐥𝐥𝐛𝐚𝐜𝐤𝐬
• Individuals who are invited to callbacks will be notified via phone call, email, or text (whichever preferred method that is indicated on their audition form).
• For callbacks, we're going to dive head-first into the music and script! Be ready to sing some selections from the show and do cold readings straight from the script.
𝑪𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓 𝑫𝒆𝒔𝒄𝒓𝒊𝒑𝒕𝒊𝒐𝒏𝒔:
Basilius (male presenting, he/him/they, approximate age range 30+)
King of Arcadia. A sexy, good ol' boy. A hothead, but not a despot. Blindly thinks Arcadia is doing great under his masculine rule, which will be sorely tested during the course of the show.
Vocal range: High Baritone/Tenor, Ab2-Ab4
Gynecia (female presenting, she/her/they, approximate age range 30+)
Queen of Arcadia. Sexy, wise, beautiful. Like any longstanding spouse, knows how to get her way with her husband when push comes to shove.
Vocal range: Mezzo, Belt, Eb3-E5
Pamela (female presenting, she/her/they, age range 18+)
Basilius and Gynecia's older daughter. Confident and obsessed with her appearance. Known to be the most beautiful bachelorette throughout Arcadia.
Vocal range: Mezzo, High Belt, E3-Ab5
Philoclea (female presenting she/her/they, age range 18+)
Basilius and Gynecia's younger daughter. Shy and a "good girl", she yearns to follow her heart rather than obey her father's orders.
Vocal range: Soprano, G3-B5
Dametas (male presenting, he/him/they, age range 30+)
The King’s viceroy; father to Mopsa.
Vocal range: Baritone, A3-A4
Mopsa (female presenting, she/her/they, age range 18+)
Handmaiden to Pamela. Warm, skeptical. Growing up without a mother has made her wise beyond her years about everyone and everything, which is why she is the (sometime) narrator to the show.
Vocal range: Mezzo/Alto Pop Belt, Bb3-F5
Musidorus (male presenting, he/him/they, age range 18+)
A young shepherd who courts after Philoclea.
Vocal range: Pop Baritone/Tenor, E2-E5
Pythio (non binary, he/him/she/her/they/them, age range 25+)
The Oracle; powerful, mysterious. Demanding. Great sense of humor--can see through everyone--they are the Oracle of Delphi, after all.
Vocal range: Alto or Baritone/Tenor, F#3-B4 as Pythio and G3-Eb4 as the Oracle
Ensemble (he/him, she/her, they/them, ages range 18+)
Unique, charismatic individuals to inhabit the kingdom of Arcadia.
Vocal ranges: Soprano: E4 - A#5 | Alto: B4 - C#5/F#5 | Tenor: C3 - A#4 | Bass: Bb3 - E4/F#4
Production Crew:
Director - Melanie McGuin
Producer - Laura Mills
Assistant Producer and Consultant - Melissa Jo York-Tilley
Music Director - Chris Anderson
Choreographer - Victoria Romano
Intimacy and Combat Fight Choreographer - Katie Warner
Fight Choreographer - Lanny Warkentien
Stage Manager - Kasey Moore
Costume Design - Susy Moorstein and Riley Leonhardt
Set Design Team - Joey Olson and Mark Frisch
Lighting Design Team - Ken and Patti Crowley
Properties and Puppet Design - Natalie Foley
Sound Design - Tim McCleerey
Hair and Makeup Design - Emily Lagana
Master Carpenters - Robyn Amos-Kroohs and Robert Kroohs
Performances will be in the Gregory Family Theater at the Hylton Performing Arts Center in Manassas, VA.
Performance Dates:
March 13, 2026 at 8:00pm
March 14, 2026 at 2:00pm and 7:00pm
March 15, 2026 at 2:00pm
March 20, 2026 at 8:00pm
March 21, 2026 at 2:00pm and 7:00pm
March 22, 2026 at 2:00pm
𝐎𝐭𝐡𝐞𝐫 𝐊𝐞𝐲 𝐏𝐫𝐨𝐝𝐮𝐜𝐭𝐢𝐨𝐧 𝐃𝐚𝐭𝐞𝐬:
First Rehearsal: Tuesday, December 2, 2025 at 7:00pm.
Rehearsal Schedule: Tuesdays and Thursdays: 7:00pm - 10:00pm, Saturdays: 10:00am - 2:00pm
Tech Week: March 8 - 12, 2026.
Pick-up Rehearsal: Thursday, March 19, 2026.
Strike: Sunday, March 22, 2026. This will take place immediately after the final performance, and all cast and crew are required to participate.
𝐌𝐨𝐧𝐞𝐭𝐚𝐫𝐲 𝐎𝐛𝐥𝐢𝐠𝐚𝐭𝐢𝐨𝐧:
Participation in this production provides eligibility to become a PWLT member. In addition, a production fee of $25 will be collected at the first read thru. In cases of financial hardship, please speak to the Producer for an exception.
𝐀𝐮𝐝𝐢𝐭𝐢𝐨𝐧 𝐅𝐨𝐫𝐦𝐬:
The audition form and conflict calendars are available for download at
https://www.pwlt.org/headoverheels-auditions.html if you wish to fill it out before the audition to print and bring with you (recommended).
𝐄𝐱𝐩𝐞𝐜𝐭𝐚𝐭𝐢𝐨𝐧𝐬 𝐢𝐟 𝐂𝐚𝐬𝐭:
• Attend all scheduled rehearsals. Rehearsals typically take place on two to three weekday evenings and on Saturdays, beginning in December.
• Be prepared. You must learn your lines, blocking, and choreography by the deadlines set by the production team.
• Be respectful. We expect all cast members to be courteous to fellow cast mates, the production team, and anyone else you encounter at our rehearsal and performance venues.
• Provide your own footwear and undergarments. These must be approved by the production team.
Please note that the weekend before the show opens is the beginning of Tech Week. Saturdays and Sundays during this time are generally 8 to 12-hour days and include the move into the Hylton Performing Arts Center.
Finally, all actors are required to participate in a strike, which happens immediately following the final performance.
Everyone is encouraged to audition. PWLT is committed to diversity in casting, with the caveat that roles are cast so as to preserve the (impact/thrust/point/nature/fundamental) of the production as depicted by the author. Although gender is noted in the character breakdown above, PWLT encourages those of any gender identity to audition for any role in this production.
www.pwlt.org
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