

# Event Details

- **Event Name**: Pixels and Poetics - PRIVATE VIEW
- **Event Start and End Date**: Tue, 20 Jan, 2026 at 06:30 pm – Tue, 20 Jan, 2026 at 08:30 pm
- **Event Description**: Pixels and Poetics: Sudek, Funke, and the Influence of New Technologies on the Development of PhotographyAbout this EventPixels and Poetics: Sudek, Funke and the Influence of New Technologies on the Development of Photography connects the world of interwar analogue photography with the visual aesthetics of today’s digital age. It offers visitors a unique opportunity to trace how the image has transformed over two centuries—from tangible traces of light to synthetic visual worlds created by artificial intelligence.The exhibition presents iconic works by Josef Sudek andJaromír Funke, whose photographs demonstrate how light, composition, and atmosphere can transform reality into poetic or constructive visual worlds. These classical approaches are complemented by historical photomontages, double exposures, and analogue manipulations, showing how deeply the desire to reshape the image is established in the tradition of photography.The contemporary section of the exhibition develops this dialogue through artists working with AI and generative technologies. In her work Your Addiction Is the Message, Barbora Trnková reveals the mechanisms of visual dependency in the digital environment and the role of technologies in shaping our perceptions. Lenka Hamošová, in the project Troubling GAN and the series Strange Attractions, explores both the aesthetics and limitations of neural networks, showing how algorithms create and reproduce stereotypes or visual hallucinations. A collaborative work by Trnková and Javůrek, Generation of Princesses, uses generative models to critically reflect on pop-culture ideals of femininity and their digital reconstruction.The exhibition offers a visually compelling and accessible perspective on how our understanding of the image, reality, and the things we are willing to believe when we look, is changing.EXHIBITION DATES: 20 January - 13 March 2026VENUES &amp; OPENING TIMESVitrínka Gallery, Czech Centre London30 Kensington Palace Gardens, London, W8 4QYOpening hours: Tue – Fri 10am – 5pmBouda Gallery, Czech Centre London132 Palace Gardens Terrace, Kensington, London, W8 4RTOpening hours: Tue – Fri 10am – 5pmPublic space outside of the Czech Embassy, London26 Kensington Palace Gardens, London, W8 4RTAccessible 24/7Organised by the  and kindly supported by
- **Event URL**: https://allevents.in/london/pixels-and-poetics-private-view/100001977922480383
- **Event Categories**: exhibitions, art, artificial-intelligence
- **Interested Audience**: 
  - total_interested_count: 0

## Ticket Details

- **Ticket URL**: https://consumer.pxf.io/c/1339408/3151484/39691?partnerpropertyid=1191892&MediaPartnerPropertyId=1191892&svlink=14105511&level=1&u=https%3A%2F%2Fwww.eventbrite.com%2Fe%2Fpixels-and-poetics-private-view-tickets-1977922480383
- **Ticket Price Range**: min: 0, max: 0, currency: GBP

## Event venue details

- **city**: London
- **state**: EN
- **country**: United Kingdom
- **location**: Czech Centre, Vitrínka Gallery
- **lat**: 51.509387
- **long**: -0.193483
- **full address**: Czech Centre, Vitrínka Gallery, 30 Kensington Palace Gardens, London, United Kingdom

## Event Organizer details

- **affiliate_id**: 10
- **organizer**: Czech Centre London (https://allevents.in/org/czech-centre-london/22624650)

## Event gallery

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## FAQs

- **Q**: When is the event happening?
  - **A:** Tue, 20 Jan, 2026 at 06:30 pm
- **Q**: Where is the event happening?
  - **A:** Czech Centre, Vitrínka Gallery, 30 Kensington Palace Gardens, London, United Kingdom
- **Q**: What is the ticket price?
  - **A:** starting from 0 up to 0 GBP
- **Q**: Who is organizing the event?
  - **A:** Czech Centre London
- **Q**: What type of event is this?
  - **A:** exhibitions, art, artificial-intelligence
- **Q**: Where can I find ticket details about Pixels and Poetics - PRIVATE VIEW ?
  - **A:** You can find ticket details about this event on AllEvents.

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