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Grammy-winner Jason Vieaux, “among the elite of today’s classical guitarists” (Gramophone), is described by NPR as “perhaps the most precise and soulful classical guitarist of his generation”.
In appearances from New York’s Lincoln Center to Amsterdam’s Concertgebouw and the Seoul Arts Center, Jason Vieaux has cemented his reputation as an artist of brilliance and uncompromised mastery. Cited for his “eloquent and vibrant performances” on disc (Gramophone Magazine) he is hailed as “virtuosic, flamboyant, dashing and, sometimes ineffably lyrical” (New York Times) on stage.
Sought-after for his extensive concerto repertoire, Vieaux has performed with a long list of orchestras including Cleveland, Toronto, St. Louis, Houston, Columbus, and has made premiere recordings with the Nashville Symphony (Leshnoff Concerto) and the Norrköping Symphony (Beal Six Sixteen). He has worked with renowned conductors including Giancarlo Guerrero, Jahja Ling, Gerard Schwarz, and David Robertson. Vieaux’s passion for new music has fostered premieres from Jeff Beal, Avner Dorman, Vivian Fung, Pierre Jalbert, Jonathan Leshnoff, David Ludwig, Mark Mancina, and Dan Visconti, among many others.
Vieaux’s extensive discography includes his “Bach Volume 2: Works for Violin” released on Azica in 2022 to rave reviews for his “eloquent and vibrant performances” (Gramophone). Additional 2022 releases include “Shining Night” featuring his duo with acclaimed violinist Anne Akiko Meyers (Avie Records) and Michael Fine’s “Concierto del Luna” with flutist Alexa Still (Sony Classical), both enjoying strong critical acclaim. Vieaux recorded Pat Metheny’s “Four Paths of Light”, a solo work dedicated to him by Pat, for Metheny’s 2021 album “Road to the Sun”. Jason Vieaux won the 2014 Best Instrumental Classical Solo Grammy Award for “Play”. The Huffington Post declared PLAY is “part of the revitalized interest in the classical guitar”.
A busy touring performer, Jason Vieaux enjoys repeated invitations from distinguished series, including San Francisco Performances, Chamber Music Society of Lincoln Center, Philadelphia Chamber Music Society, and the 92nd Street Y, among others. Festival engagements include Ravinia, Caramoor, Domaine-Forget, Music@Menlo, Round Top, and the Eastern Music Festival. Overseas performance venues include Amsterdam’s Concertgebouw, Seoul Arts Center, Shanghai Concert Hall, Sala Sao Paolo, and Teatro Colon in Buenos Aires.
Jason Vieaux enjoys ongoing performing and recording collaborations with the Escher String Quartet, mezzo-soprano Sasha Cooke, violinist Anne Akiko Meyers, harpist Yolanda Kondonassis, accordion/bandoneon virtuoso Julien Labro, and saxophone virtuoso Timothy McAllister.
In 2011 Vieaux co-founded the guitar department at the Curtis Institute of Music (with David Starobin). He has taught at the Cleveland Institute of Music for 25 years. Jason’s online Guitar School for Artistworks Inc. has hundreds of subscribers from all over the world. He plays a guitar by Gernot Wagner, 2013, made in Frankfurt.
…faultless delivery… even the arpeggiated chords resound as a solitary line.
DownBeat
…virtuosic, flamboyant, dashing and, sometimes ineffably lyrical.
The New York Times
…perhaps the most precise and soulful classical guitarist of his generation.
NPR
…spirited and expressive guitarist
The New Yorker
Vieaux … makes everything look and sound easy. An uncommonly relaxed figure onstage, he seems immersed entirely in the moment. Every note comes out fully formed, but nothing he does feels premeditated, and the music, just a little understated, speaks eloquently for itself.
Washington Post
This terrific guitarist, a Philadelphia favorite, worked wonders with Rodrigo’s Concierto de Aranjuez… he played with elegance and fine-tuned precision… a marvel.
The Philadelphia Inquirer
…masterful ease, and great panache.
San Francisco Classical Voice
Vieaux’s new recording Play is not only like pop iTunes, it is part of the revitalized interest in the classical guitar.
The Huffington Post
Vieaux [was] nimble-fingered in a Vivaldi Concerto that was remarkable for its variety of colors.
Boston Globe
The writing for the solo instrument was fantastic— lyrical, virtuosic, tender, and passionate all at once. Vieaux proved to be an ideal soloist. [Leshnoff Concerto, Nashville Symphony] American Record Guide
Vieaux excelled in its flamenco-style flourishes, ethereal high notes and spiraling passage work. [Villa-Lobos Concerto, San Diego Symphony] San Diego Union Tribune
Vieaux showed why he is among the most talented guitarists of his generation, a player whose effortless technique and fluidity gave the concerto a singing voice.
Tampa Tribune
…one of America’s premier guitarists… Vieaux’s performance spun magic. Rarely has a single instrument so clearly painted such cinematic vistas and searching introspection
Fort-Worth Star-Telegram
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