A Reading with the 2025 Yellow Arrow Writers-in-Residence

Every writer has a story to tell and every story is worth telling. Since 2019, Yellow Arrow Publishing has been proud to offer a residency program that enables us to support, uplift, and amplify the voices of women-identifying writers residing in the Baltimore area.

Yellow Arrow continues to evolve the program and is delighted to share their 2025 Writers-in-Residence with this community reading

Join us at Bird in Hand on January 3 to hear from all 3 Writers-in-Residence.

Mali D. Collins (she/her) is a doula, writer, and assistant professor of African American Studies at American University. Her first monograph, Scrap Theory: Reproductive Injustice in the Black Feminist Imagination, was published earlier this year by Ohio State University Press. Her other academic work can be found in American Quarterly, Souls, and The Black Scholar. She has written for popular outlets such as Rewire News, AfroPunk, and The Root and has creative work published by SALT: Contemporary Art + Feminism and the HAUNT Journal of Art. During her residency, she’ll be working on her experimental and free form poetry collection which explores the themes of kinship, care, ancestry, and relationships through the prism of the restless self (un)made through the markers of gender and Blackness in our contemporary moment. Find her on Instagram and Threads @protectblackmotherhood and on Twitter/X @dr_reprojustice.

Hannah Fenster (she/her) is a writer, movement artist, and bookseller based in Baltimore, where she is the events manager with The Ivy Bookshop and Bird in Hand Coffee & Books. Since 2019, she’s performed and designed immersive theater with Submersive Productions, which transforms spaces around Baltimore into audience-centered, connective experiences. She writes on performance for The Hopkins Review and serves as a managing editor with 3Cents Magazine. Her work appears in The Lacanian Review, The Urban Activist, Lumina Journal, Entropy Magazine, and elsewhere. Before becoming a bookseller, she taught writing at Goucher College, her alma mater. Find her on Instagram @hwindow21.

Lillian Snortland’s (she/her) poetry, essays, features, creative nonfiction, and short stories have appeared in Postscript Magazine, OUCH! Magazine, Goucher Magazine, Yellow Arrow Journal, and Amplify Arts publications, as well as been performed at Voxel theater and exhibited at the Temporary Arts Centre in Eindhoven, Netherlands. Her essay “The Tragedies of Ecstasy” was nominated for a 2025 Pushcart Prize through After the Art literary magazine. Her work moves within the intersection of internal social anxiety and external visceral transformation, often situated in surreal liminal spaces and featuring the permeability of the physical body. She loves collaborating with killer teams in any creative medium, including film writing/production (having participated in the Baltimore 48 Hour Film Project and the Maryland 72 Film Fest), tabletop role play, and musical jams. Originally from Eugene, Oregon, Snortland graduated from Carleton College with a BA in Classical studies and a minor in French/Francophone studies, and has an MFA in nonfiction from Goucher College. She enjoys lounging in parks, zooming via public transit to Baltimore cultural events, and hosting thematic parties in her apartment. Find her on Instagram @chaimihai.

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