Sep 27 & 28 / Sat and Sun 1:00pm only!
Ck out a trailer at
3405 Central Ave NE, Albuquerque, NM, United States, New Mexico 87106
Dir. Mikhail Kalatozov - 1964 - 141m - Russia/Cuba - In Cuban & Russian with English subtitles - Valid for Punch Cards
The newly restored I Am Cuba is even more ravishing and surreal than it's initial U.S. release — the improved visuals and the single-language soundtrack allow viewers to experience the film’s extraordinary cinematography, sound editing, and narrative power. Audiences will have no question why this film revolutionized filmmaking in the 1990s and beyond.
Produced by Mosfilm and ICAIC, this film was started only a week after the Cuban missile crisis and was designed to be Cuba’s answer to both Sergei Eisenstein’s propaganda masterpiece, Potemkin and Jean-Luc Godard’s freewheeling romance, Breathless. But I Am Cuba turned out to be something quite unique — a wildly schizophrenic celebration of Communist iconography, mixing Slavic solemnity with Latin sensuality. The plot, or rather plots, feverishly explore the seductive, decadent (and marvelously photogenic) world of Batista’s Cuba — deliriously juxtaposing images of rich Americans and bikini-clad beauties sipping cocktails poolside with scenes of ramshackle slums filled with hungry children and gaunt old people.
Using wide-angle lenses that distort and magnify and filters that transform palm trees into giant white feathers, cinematographer Sergei Urusevsky’s acrobatic camera achieves wild gravity-defying angles as it glides effortlessly through long continuous shots. But I Am Cuba is not just a catalog of bravura technique — it also succeeds in exploring the innermost feelings of the characters and their often desperate situations. Shown unsubtitled at the San Francisco International Film Festival, I Am Cuba received two standing ovations — during the screening. The first movie ever jointly presented by master filmmakers Martin Scorsese and Francis Ford Coppola, I Am Cuba is one of the great discoveries in cinema. It will change your view of cinema forever!
"A cinephile's wet dream, a collage of Herculean feats of technical wizardry that would be easy to dismiss if it wasn't so humane." — Ed Gonzalez, Slant Magazine
"Some of the most exhilarating camera movements and most luscious black-and-white cinematography you'll ever see." — Jonathan Rosenbaum, Chicago Reader
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